“Aspirations for Justice”: public mural created by Multnomah County youth

This summer, in the wake of the killing of George Floyd and with swift momentum behind the Black Lives Matter movement, many rallied together to protest racial injustice across the nation and here in our own city. Throughout the resistance in Portland, the recently completed Multnomah County Central Courthouse on Southwest First Avenue in downtown Portland became a frequent gathering place for protestors. In response, temporary walls were constructed around the glass courthouse building, intended to protect the new structure from damage. But to Multnomah County Circuit Judge Melvin Oden-Orr, those imposing plywood walls represented an opportunity to break down an entirely different set of barriers by amplifying the voices of young artists.

Inspired by art popping up around the city in response to the Black Lives Matter movement, Judge Oden-Orr called for a mural centered on racial justice to fill some of the space on the temporary walls outside the courthouse. Judge Oden-Orr said he feels strongly that, in all moments but particularly this one, it is the responsibility of the court to educate youth on their civil rights and to encourage engagement and activism. So, in fall of 2020 he began hosting conversations with youth from organizations across the Portland metro area. 

Judge Oden-Orr discussed with the youth the judicial system, racism and injustice, citizens’ roles in democracy, and how to actively engage in resisting and dismantling systems of oppression. As part of these conversations, Judge Oden-Orr invited the youth to create art reflecting their feelings, experiences, and hopes for the future. Multnomah County and the Summer Works program provided stipends to the youth as compensation for their work and time. The goal, Judge Oden-Orr said, was “to engage the youth of Multnomah County, celebrate the opening of the new Central Courthouse, and create a visual representation of the aspirations for the court system, from the perspective of our young people.”

In a unique partnership, Multnomah County Circuit Court, Judge Oden-Orr, Multnomah County, and the Regional Arts & Culture Council commissioned muralist Jose Solís to create the final piece of art for the exterior courthouse space. Considering all of the work created by the youth, Solís wove each idea and image into a comprehensive, dynamic work of art. The commission was supported by Multnomah County Percent for Art funds.

Because of the temporary nature of the barrier walls, the mural was painted by Solís in his studio and then photographed and digitally produced to be printed onto aluminum panels. The panels are fixed to the wall with screws, allowing the mural to be moved and repurposed whenever the barrier comes down.

For now, the mural rises up along the sidewalk on Southwest First Avenue as an incredibly powerful demonstration of unity, justice, and hope for the future. The youth artists expressed excitement and pride in having their art represented publicly downtown. In February, Judge Oden-Orr invited the youth who contributed designs and ideas to join him, along with muralist Jose Solís and Chief Justice Cheryl A. Albrecht, to view the finished piece outside the courthouse—a poignant meeting of multi-generational artists, leaders, and change-makers honoring our collective aspirations for justice.

“Aspirations for Justice: Youth Mural Project” Youth Artists and community connections

Court Team: Grace Marcelle, Cate Marshall, Erykah Campbell, Alonzo Campbell, Jr., Jeremiah Campbell, Fatima Brotherson-Erriche

Contractor Team: Amaya Aldridge, D’andrew Jackson, Mia Jordan, Sydnee Jordan, Tamia Thirdgill, Kehinde Timothy, Tye Timothy, Jordan Wallace, Mikaela Woodard, Yasmin Woodard

Native American Youth & Family Center: Forrest Clark, Leya Descombes, Xochitl Nuño

Multnomah Youth Commission: Meron Semere, Naviya Venkitesh

Classroom Law Project: Aggie Roelofs, Maha Ballerstedt

Northwest Family Services: Trinity N., Moises N.

Support Beam Artist Reflection: Mami Takahashi

Mami Takahashi is an artist with SUPPORT BEAM, a new RACC grant program supporting artists’ long term creative practice and livelihood. 

These works are part of my “Seeing You/Seeing Me” project. “Seeing You/Seeing Me,” (previously titled “Hiding and Observing”) is an ongoing project in which I use mirrored domes to hide my body or face during random social interactions with strangers. The domes camouflage and obscure my physicality as an immigrant, and serve as a metaphor for the invisibility/visibility of an immigrant experience, being a foreigner struggling for US citizenship. In 2021-2022, I will be expanding this project into a participatory community project happening in multiple U.S. locations historically connected to the problematic immigration of this country, including Portland, OR; Rabun Gap, GA; North Adams, MA; Chicago, IL; Santa Fe, NM; and elsewhere.


During my recent artist residency at Hambidge Center for Creative Arts and Science, Rabun Gap, GA, I met 8 artists from the east coast and southern U.S. It was my first time in the southern part of the U.S. I was kind of excited to meet other artists there right after the legendary GA election of 2020, while a bit nervous to be in a historically conservative state. After a few days of adjustment for me and for them with my accent, I reached out to two Atlanta-based artists to camouflage themselves inside personal domes, which I constructed at the residency. Within each mirrored dome, we were all visually obscured from the outside but still recognizable as human forms.

While in the individual domes, we talked about our thoughts on current and past immigrations including forced, unconscious immigration such as human trafficking, slavery, and Dreamers. The talk was recorded as source material for future sound art. The photographs, video, and recorded conversations from this residency will combine with other documentation from the upcoming performances in 2021-2022.

Within the country’s present political turmoil, immigrants’ subjective struggles have been quietly buried deep in the bustle of daily life, their accented voices casually brushed aside in loud public forums. This combination of audio recordings and other documentation allows for the full scope of the project to breathe – the full breadth of the complexity of immigrants in the U.S..

-Mami Takahashi

Images made during a recent residency in Camp Colton, OR. Photographer: Adian McBride. Artist support at Camp Colton funded by Stelo Art (previously known as c3:initiative).

More from the artist: mamitakahashi.art and on Instagram.

Mami Takahashi is an artist from Tokyo, currently based in Portland, Oregon. Using photography, performance, installation and urban intervention, her practice explores the complexities of being Japanese and a woman living in the US. The photographic works from the early development of the ongoing project, “Seeing you/Seeing Me”, are currently on exhibit at the Center for Contemporary Art and Culture, Portland, Oregon in an exhibition entitled The Unknown Artist, curated by Lucy Cotter. 

For more updates and ongoing stories from Support Beam artists, follow along on Instagram at #RACCSupportBeam.