RACC Blog

Meet the newest Fresh Paint Muralist, Pearlyn Tan, now on display at Open Signal

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FOR IMMEDIATE RELEASE

Artist Pearlyn Tan Honors the Fight for Women’s Rights with New Mural, Liberate

Liberate is now on view at Open Signal on NE Martin Luther King Jr Blvd as part of Fresh Paint, a partnership with the Regional Arts & Culture Council
 
PORTLAND, ORE. – April 12, 2023 – A mother and child charge forward atop a ferocious spirit beast in Pearlyn Tan’s new mural, Liberate. Tan’s work is now on display at Open Signal as the current installment of the temporary mural program Fresh Paint, a partnership with the Regional Arts & Culture Council. The mural is up through September at Open Signal’s wall on NE Martin Luther King Jr Blvd, between Graham and Knott Streets.

Liberate is bold and colorful, inspired by the energy, courage and momentum women need to fight for their rights in the face of oppression and recent attacks on bodily autonomy. In particular, the mural shines a light on the lack of representation for women of color. The work encourages women to keep up the fight for liberation, to build a world of freedom and opportunity for the next generation.

Originally, from Singapore, Tan is self-taught in fine arts and draws influence from her textured background of varied cultures and careers. She worked as an art director, a designer and a hairstylist before finding her love for printmaking and painting. Her work revolves around themes of motherhood and Mother Nature.

Tan is the fourteenth artist in Fresh Paint, following Jerome Sloan, Munta Mpwo, Limei Lai and others. Fresh Paint began in 2017 as a collaboration between the Regional Arts & Culture Council and Open Signal to support emerging artists of color with their first publicly mural funded commission. The artists are provided space to experiment with techniques and scale to expand their creative skill sets, bringing their visions to the Irvington neighborhood six months at a time.

“We’re so grateful to have partners like Open Signal who are willing to enter into dream space with us to conceive programs such as Fresh Paint. These offerings give artists the opportunity to expand their portfolios, evolve their practice and connect with new audiences through the direct experience of creating within community,” says Sophie May Hook, Public Art Project Manager at the Regional Arts & Council.

See more from the artist at @The_Unordinary_Motherhood.

Muralist Pearlyn Tan, Image by: Daniela Karina Serna

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Contact:

Daniela Karina Serna, Communications Manager
Open Signal
daniela [at] opensignalpdx.org
(503) 288 – 1515 x931

About the Regional Arts & Culture Council

An independent nonprofit organization, we support greater Portland’s creative economy by providing equitable funding and services to artists and art organizations; managing and growing our diverse, nationally acclaimed public art program; and developing long-lasting public and private partnerships. Learn more at racc.org.

About Open Signal

Open Signal is an equity-driven media arts center located in Northeast Portland, Oregon. The largest community media space in the Pacific Northwest, we offer production studios andequipment, workshops, artist fellowships, a cable and online broadcast platform, and a professional media production team. We focus on telling stories underrepresented in the mainstream media. For more information visit opensignalpdx.org.

RACC Celebrates the First Six Artists Selected for the Multnomah County Library Capital Bond Projects

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RACC is excited to announce the first six artists who have been selected as part of the on-going Multnomah County Library (MCL) Capital Bond Projects. Passed by voters in 2020, the bond includes renovations and expansions to seven local libraries, upgrades at eleven more libraries within the MCL network, the development of a new destination library in East County, the creation of a materials-handling facility, and high-speed internet system-wide.

The new MCL Operations Center launched the first phase of the bond projects in summer 2022. The expansions and renovations to Holgate and Midland libraries are also underway and will be some of the first locations to reopen to the public in spring/summer 2024, with Albina and North Portland libraries closely following. All bond projects are anticipated to be completed by winter 2025-2026.

RACC, in partnership with MCL, is overseeing the public art opportunities in these new and refreshed community spaces. The artist selection process is being conducted in a phased approach to align with the MCL project sequence. The artists selected so far will be creating large-scale permanent artworks at the first three building projects in the sequence: the Operations Center, Holgate Library, and Midland Library.

Community engagement is a core value within the bond projects, and artists with demonstrated experience and express interest in embedding community into their practice and work have been prioritized. Most artists selected for these projects are expected to create and host community engagement opportunities as part of their design phase in order to involve the community in the creation process. Some of these arts-focused events have already taken place and more are on the way, so stay tuned for further details on how to participate in the coming months.

For now, RACC would like to honor the artists who have been selected so far and who are working behind the scenes on these initial projects. RACC is proud to announce that all of those selected are local to Portland, BIPOC/BIPGM, and identify as women, transgender, non-binary and/or gender non-conforming. Please join us in congratulating these very talented and deserving artists, and follow and support them when and where you can!

Please contact Public Art Project Manager, Sophie, at shook@racc.org if you have any questions. For information on future calls to artists please follow us on Instagram.

Midland Library Exterior Canopy: Paola De La Cruz and Lillyanne Pham. Photo Credit: Keanu Narciso.

 

 

 

 

 

 

Operations Center Exterior Entrance: Tenya Rogriguez. Photo Credit: Tenya Rodriguez.

 

 

 

 

 

 

 

 

 

Holgate Library Exterior Site Enclosure: Crystal Meneses. Photo Credit: Alberta Akins.

 

Holgate Library Interior/Exterior Wall: Salomée Souag. Photo Credit: Haley Busch.

Midland Library Gathering Circle: Kanani Miyamoto. Photo Credit: Kayla Wiley.

 

RACC shares update on the Thompson Elk restoration plan from the Portland Parks Foundation

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Released to media on 10/3/22 from the Portland Parks Foundation

CONTACT: Randy Gragg,

503-799-2655; rgragg@portlandpf.org

Thompson Elk Fountain Restoration Feasibility Study Update

Portland Parks Foundation’s team completes study and preliminary cost estimate

The Portland Parks Foundation has completed its feasibility study and preliminary cost estimates for the restoration and reinstallation of the Thompson Elk Fountain. PPF and its consultants, Architectural Resources Group (ARG) and the landscape/urban design firm MIG have submitted its restoration plan to the Portland’s Office of Management and Finance (OMF). In turn, OMF has submitted it to the Bureau of Development Services for an anticipated November “Design Advice Request” with the Portland Historic Landmarks Commission. That hearing, in which the team will get feedback from the Landmarks Commissioners, is open to the public for listening and testimony. For updates on the hearing, go to portland.gov/bds/landmarks.

“We are honored to present to the city this restoration design, which restores and returns the elk and fountain to their original location,” said Randy Gragg, executive director of PPF. “We’ve also developed potential street improvements to make the fountain a safer, universally accessible, and more welcoming place to visit.”

The study determined that 18 of the fountain’s 50 pieces will have to be remade. They include some of the most complex. All four of the fountain’s five-foot-long troughs and some of the most intricately carved ornaments will have to be refabricated. “But the good news,” according to ARG project lead Maya Foty, “stone from the original stone quarry is still available.”

The study also incorporates seismic stabilization and a recirculating pump for the fountain. The team developed preferred street upgrades that would create better access and a “viewing area” for the statue and fountain. Building on PBOT’s recently implemented separation of bikes and motorists around the fountain area on Southwest Main Street, ARG and MIG’s design provides two wheelchair accessible access points to a viewing area protected from passing traffic by elegant granite domed bollards.

“The design provides a refuge for people and it better protects the fountain from vehicles,” said Rachel Edmonds of MIG, “and also creates a sense of place around the fountain using historically compatible materials.” Based on 30-percent schematic design, the cost for the fountain restoration, new pump mechanism and reinstallation is estimated to be $1.2- $1.3 million. The street improvements would add approximately $670,000.

“We anxiously await what the city’s insurance settlement will yield and what the City Council determines the city can afford,” said Gragg. “We at PPF believe there is wide community support to pitch in if the final gap is not too large.”

PPF continues to accept contributions to restore the Thompson Elk Fountain. Donate here.

The Thompson Elk Fountain was badly damaged during the civil unrest of summer, 2020 that followed the murder of George Floyd. The city quickly moved the elk and the fountain pieces into storage. PPF’s study was overseen by a seven-member Project Advisory Committee of preservation and street design experts and informed by a technical advisory committee of city bureau representatives with oversight of the parks, street, and infrastructure, along with the Regional Arts & Culture Council who oversees the bronze elk.

Besides looking comprehensively at the restoration and streetscape, PPF hired two historians, Keith Eggener, a professor at the University of Oregon’s School of Architecture and Milo Reed, a freelance historian who works with Oregon Black Pioneers and Vanport Mosaic and currently chairs the Oregon Commission on Historic Cemeteries. They researched both the history of the elk fountain’s making and the social history of the fountain and its surrounding parks since its installation in 1900.

Former Mayor David P. Thompson commissioned the sculpture to honor the Humane Society which he cofounded. In the decades since, the historians found, the elk has stood at the center of protests over such perennial issues as free speech, workers’ rights, deportation of immigrants, and police shootings.

“For 120 years, people have gathered at the fountain to enjoy it as a thing of beauty and a symbol of nature, but also to give voice to their convictions,” noted Gragg. “Our goal is to renew it, reinstall it, and make it a safer, more inviting public space.”

PPF will release the full feasibility study and the findings of its historians in advance of the Design Advice Request hearing.

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