RACC Blog

Community gathering of Oregon’s first bipartisan Arts & Culture Caucus 

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*Antonio Huerata, master Charro rope artists from Springfield, Oregon.

In the midst of freezing rain, unpredictable snow fronts, and the clear but frigid air, Oregonians from across the State gathered at the historic Elsinore Theatre in Salem last evening on February 27th in celebration and launch of the first ever Oregon Legislative Arts and Culture Caucus. 

Legislators echoing many voices across the state, from organizations to creatives and artists, recognize the vital role arts and culture play in the livability and prosperity of Oregon communities – and the importance of advocacy for support and funding for them.

Coordinated by Representative Rob Nosse (D-Portland) the Caucus’ inaugural membership included 9 senators and representatives, but by last night, membership had increased to thirteen. The caucus will serve as a resource to the Oregon Legislature on key issues affecting the arts and culture sector. “Members will work closely with stakeholders including the Oregon Arts Commission, the Oregon Cultural Trust (and its statewide partners), and the Cultural Advocacy Coalition of Oregon (CACO) to stay informed on the latest research and issues. It will also set an agenda on priorities for arts and culture legislation, including a sustainable and robust funding mechanism for arts and cultural initiatives.” (From CACO’s invitation to the launch event.)

*Salem Trumpet Ensemble, Salem, Oregon

Jason Graham, the creative laureate of Bend known as MOsley WOtta, played emcee of the evening. Through his strategic introduction he jived, hyped, and kept the audience of community members, arts organizations, artists, musicians, and advocates informed and masterfully revealed the irony of being asked to write a piece for the evening, with zero budget. The conundrum that many artists face in light of opportunities still managed to appear with the real struggle for compensation of artists.

With over 300 people in attendance, the free event showcased local ice-cream, Mediterranean inspired nosh, jello-shots and performers, from the master Charro rope artist Antonio Huerta of Springfield, to members of the Salem Trumpet Ensemble.  Lead by Jaimie Hall, the ensemble was accepted to compete at the 2023 National Trumpet Competition, which will be held later this month from March 25-27th at the University of Colorado in Boulder. Members of the ensemble include, Kaden Blake, Nicholas Peterson-Hunt, and Nick Telford from West Salem High School (Director Todd Zimbleman); Keegan Arnsmeier from McNary High School (Director Elizabeth Hering); and Ian King from Sprague High School (Director Jennifer Vowels).   

The Arts & Culture Caucus are currently supporting:

  • $50 million in recovery funding for arts and culture organizations and grants to be administered by counties and tribal governments through House Bill 2459.
  • $200 million in lottery funds invested to generate about $10 million in awards that would go to some of the 1,600 arts and culture nonprofits in Oregon through House Bill 2498.
  • $10 million increase in funding for the Oregon Arts Commission.

*2023 Oregon State Legislature Arts & Culture Caucus members (not all present in picture) & other members of the community

The list below reflects some of the people who helped make this event possible, including those instrumental in the  formation of the Arts & Culture Caucus. 

Subashini Ganesan-Forbes, Oregon Arts Commissioner

Jason McNeal Graham/MOsley WOtta, Emcee

David Harrelson, Oregon Arts Commissioner

Salem-Keizer School District Trumpet Quintet/Jaimie Hall, Director

Jenny Green, Chair, Oregon Arts Commission

Harlen Springer, Vice Chair, Oregon Arts Commission

Niki Price, Chair, Oregon Cultural Trust

J.S. May, President, Cultural Advocacy Coalition of Oregon

Antonio Huerta, Charro/Mexican Horseman

Rep. Rob Nosse, Arts & Culture Caucus Coordinator

Members of the Arts & Culture Caucus

RACC’s Board Member, Thomas Lauderdale, musician

Hunter Noack, musician

 

The now 13 Caucus Members include:

Rep. Rob Nosse, Portland

Sen. Dick Anderson, Lincoln City

Rep. Janelle Bynum, Clackamas

Rep. Maxine Dexter, Portland

Rep David Gomberg, Otis

Rep Dacia Grayber (New), Tigard

Sen. Bill Hansell, Athena

Rep Annessa Hartman (New), Gladstone

Rep. John Lively, Springfield

Rep. Pam Marsh, Ashland

Sen. Deb Patterson, Salem

Rep. Lisa Reynolds (New), NE Washington County

Rep. Ricki Ruiz (New), Gresham

Please reach out to Mario Mesquita , Manager of Advocacy and Engagement at RACC for more information.

*Photography by Mario Mesquita

 

RACC Celebrates the First Six Artists Selected for the Multnomah County Library Capital Bond Projects

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RACC is excited to announce the first six artists who have been selected as part of the on-going Multnomah County Library (MCL) Capital Bond Projects. Passed by voters in 2020, the bond includes renovations and expansions to seven local libraries, upgrades at eleven more libraries within the MCL network, the development of a new destination library in East County, the creation of a materials-handling facility, and high-speed internet system-wide.

The new MCL Operations Center launched the first phase of the bond projects in summer 2022. The expansions and renovations to Holgate and Midland libraries are also underway and will be some of the first locations to reopen to the public in spring/summer 2024, with Albina and North Portland libraries closely following. All bond projects are anticipated to be completed by winter 2025-2026.

RACC, in partnership with MCL, is overseeing the public art opportunities in these new and refreshed community spaces. The artist selection process is being conducted in a phased approach to align with the MCL project sequence. The artists selected so far will be creating large-scale permanent artworks at the first three building projects in the sequence: the Operations Center, Holgate Library, and Midland Library.

Community engagement is a core value within the bond projects, and artists with demonstrated experience and express interest in embedding community into their practice and work have been prioritized. Most artists selected for these projects are expected to create and host community engagement opportunities as part of their design phase in order to involve the community in the creation process. Some of these arts-focused events have already taken place and more are on the way, so stay tuned for further details on how to participate in the coming months.

For now, RACC would like to honor the artists who have been selected so far and who are working behind the scenes on these initial projects. RACC is proud to announce that all of those selected are local to Portland, BIPOC/BIPGM, and identify as women, transgender, non-binary and/or gender non-conforming. Please join us in congratulating these very talented and deserving artists, and follow and support them when and where you can!

Please contact Public Art Project Manager, Sophie, at shook@racc.org if you have any questions. For information on future calls to artists please follow us on Instagram.

Midland Library Exterior Canopy: Paola De La Cruz and Lillyanne Pham. Photo Credit: Keanu Narciso.

 

 

 

 

 

 

Operations Center Exterior Entrance: Tenya Rogriguez. Photo Credit: Tenya Rodriguez.

 

 

 

 

 

 

 

 

 

Holgate Library Exterior Site Enclosure: Crystal Meneses. Photo Credit: Alberta Akins.

 

Holgate Library Interior/Exterior Wall: Salomée Souag. Photo Credit: Haley Busch.

Midland Library Gathering Circle: Kanani Miyamoto. Photo Credit: Kayla Wiley.

 

AFTA Issues Statement about FY23 Omnibus Appropriations Bill

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Americans for the Arts (AFTA) and the Americans for the Arts Action Fund issue joint statement on the FY23 Omnibus Appropriations bill.

The Regional Arts & Culture Council (RACC) would like to share with you a recent press release from our partner, Americans for the Arts (AFTA). We would like to extend our gratitude to Senator Jeff Merkley (OR) for his leadership, persistence, and support of arts and culture in Oregon. We know that many organizations and individuals advocated their support for the arts and culture sector throughout our nation and wish to honor their work and time spent on this this important legislation. Read the full press release here or below.

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Tuesday, December 20, 2022

Nolen Bivens, president and CEO of Americans for the Arts, and Nina Ozlu Tunceli, executive director of the Americans for the Arts Action Fund, released this statement in response to Congress’ FY 2023 Omnibus Appropriations bill:

“We are very pleased that Congress has recommended a $27 million funding increase each for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH), bringing them to an all-time budget high of $207 million. This action moves these agencies closer to indexing their funding at $1 per person. Of equal importance is the Congressional report language accompanying this year’s NEA and NEH funding, recommending grantmaking policies to be more equitable and diverse. This report language includes many components of Rep. Barbara Lee’s (D-CA) inspiring legislation on Advancing Equity Through the Arts and Humanities.

“We are also happy that Congress directed first-time funding of $10 million to the U.S. Department of Defense’s National Intrepid Center of Excellence to support clinical creative arts therapies for those serving in the military. An additional $5 million will go to the Department of Veteran Affairs for its Whole Health Initiative.

“Congress also approved over 68 cultural organizations across the country to receive more than $66 million in direct project funding, also known as congressional earmarks. These projects include arts education programs for youth, support for museums, theaters, and performing arts centers, and creative workforce apprenticeship programs. Additional funding increases of $26.8 million were also recommended to the Institute of Museum and Library Services (IMLS) and $10 million for the Corporation for Public Broadcasting.”

“Local and state arts agencies, arts organizations, arts unions, and artists played a significant role, as constituents, in contributing towards making this legislation possible. It cannot be overemphasized that the artists, creative workers, and culture bearers they support are the heartbeat of communities across the country. The social power of the arts has the power to unite us. The recommendation of funding at this level enables that.

“We are deeply grateful to the bipartisan and bicameral efforts of members of Congress to support and recognize the value of the arts as a national asset—particularly Interior Appropriations Subcommittee Chairs Rep. Chellie Pingree (D-ME) in the House and Senator Jeff Merkley (D-OR) in the Senate.”

For tools, resources, and information on how to make the case for the arts and arts education, visit the Americans for the Arts’ Arts Mobilization Center. 

 

Regional Arts & Culture Council urges Oregon Senator Jeff Merkley to support Arts & Culture funding in Congress

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Join Us! SIGN BY FRIDAY, NOV. 25, 2022

The final FY23 Interior Appropriations budget, which includes annual funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) will be negotiated by current members of both the United States Senate and the House of Representatives. Currently the House version sets allocations at an all-time high of $207 million each for the NEA and NEH, whereas the Senate Appropriations Committee (chaired by Oregon Senator Jeff Merkley) has allocated only $195 million each. 

RACC, the City of Portland, and Oregon arts and cultural organizations ask you to join us in respectfully urging Senator Jeff Merkley, Chair of the Interior Appropriations Committee, to accept the House-approved level of $207 million for both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).

View the letter, written by Americans for the Arts here.

Add your organization’s signature here. Please share with others and be sure to sign up by November 25th for the impact to be felt in Washington, DC.

As part of the arts and cultural sector, we know that investment strengthens our economy and the social fabric of our communities. Please join in advocating your support of this measure to Senator Jeff Merkley for increased funding!

Thank you! 

RACC shares update on the Thompson Elk restoration plan from the Portland Parks Foundation

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Released to media on 10/3/22 from the Portland Parks Foundation

CONTACT: Randy Gragg,

503-799-2655; rgragg@portlandpf.org

Thompson Elk Fountain Restoration Feasibility Study Update

Portland Parks Foundation’s team completes study and preliminary cost estimate

The Portland Parks Foundation has completed its feasibility study and preliminary cost estimates for the restoration and reinstallation of the Thompson Elk Fountain. PPF and its consultants, Architectural Resources Group (ARG) and the landscape/urban design firm MIG have submitted its restoration plan to the Portland’s Office of Management and Finance (OMF). In turn, OMF has submitted it to the Bureau of Development Services for an anticipated November “Design Advice Request” with the Portland Historic Landmarks Commission. That hearing, in which the team will get feedback from the Landmarks Commissioners, is open to the public for listening and testimony. For updates on the hearing, go to portland.gov/bds/landmarks.

“We are honored to present to the city this restoration design, which restores and returns the elk and fountain to their original location,” said Randy Gragg, executive director of PPF. “We’ve also developed potential street improvements to make the fountain a safer, universally accessible, and more welcoming place to visit.”

The study determined that 18 of the fountain’s 50 pieces will have to be remade. They include some of the most complex. All four of the fountain’s five-foot-long troughs and some of the most intricately carved ornaments will have to be refabricated. “But the good news,” according to ARG project lead Maya Foty, “stone from the original stone quarry is still available.”

The study also incorporates seismic stabilization and a recirculating pump for the fountain. The team developed preferred street upgrades that would create better access and a “viewing area” for the statue and fountain. Building on PBOT’s recently implemented separation of bikes and motorists around the fountain area on Southwest Main Street, ARG and MIG’s design provides two wheelchair accessible access points to a viewing area protected from passing traffic by elegant granite domed bollards.

“The design provides a refuge for people and it better protects the fountain from vehicles,” said Rachel Edmonds of MIG, “and also creates a sense of place around the fountain using historically compatible materials.” Based on 30-percent schematic design, the cost for the fountain restoration, new pump mechanism and reinstallation is estimated to be $1.2- $1.3 million. The street improvements would add approximately $670,000.

“We anxiously await what the city’s insurance settlement will yield and what the City Council determines the city can afford,” said Gragg. “We at PPF believe there is wide community support to pitch in if the final gap is not too large.”

PPF continues to accept contributions to restore the Thompson Elk Fountain. Donate here.

The Thompson Elk Fountain was badly damaged during the civil unrest of summer, 2020 that followed the murder of George Floyd. The city quickly moved the elk and the fountain pieces into storage. PPF’s study was overseen by a seven-member Project Advisory Committee of preservation and street design experts and informed by a technical advisory committee of city bureau representatives with oversight of the parks, street, and infrastructure, along with the Regional Arts & Culture Council who oversees the bronze elk.

Besides looking comprehensively at the restoration and streetscape, PPF hired two historians, Keith Eggener, a professor at the University of Oregon’s School of Architecture and Milo Reed, a freelance historian who works with Oregon Black Pioneers and Vanport Mosaic and currently chairs the Oregon Commission on Historic Cemeteries. They researched both the history of the elk fountain’s making and the social history of the fountain and its surrounding parks since its installation in 1900.

Former Mayor David P. Thompson commissioned the sculpture to honor the Humane Society which he cofounded. In the decades since, the historians found, the elk has stood at the center of protests over such perennial issues as free speech, workers’ rights, deportation of immigrants, and police shootings.

“For 120 years, people have gathered at the fountain to enjoy it as a thing of beauty and a symbol of nature, but also to give voice to their convictions,” noted Gragg. “Our goal is to renew it, reinstall it, and make it a safer, more inviting public space.”

PPF will release the full feasibility study and the findings of its historians in advance of the Design Advice Request hearing.

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Regional Arts & Culture Council receives bequest from the estate of Harriet Beal Cormack

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FOR IMMEDIATE RELEASE

RACC is honored by the support of the long-time arts philanthropist and social justice pioneer to further its mission to enrich our communities through arts and culture.

Portland, OR —

The Regional Arts & Culture Council (RACC) is extremely grateful for the philanthropic support of the late Harriet Beal Cormack. Shortly after her passing in June 2022, RACC was notified that we would be one of five nonprofits receiving a sizeable disbursement from the estate of Mrs. Cormack. RACC recognizes Mrs. Cormack’s considerable gift of over $400,000 in support of our vision of a just and equitable arts-aligned organization. These funds will greatly help us fulfill our mission to enrich communities through arts and culture. 

Born in 1942 in Butte, MT, Harriet lived her life elevating civic engagement through social justice, women’s rights, and the arts. She began her career on the east coast, and, upon her return to the west, landed in Seattle to begin a distinguished career in real estate development, finance, and management in public, private, and nonprofit settings. She took on and asserted her professional knowledge through challenging and civically invigorating projects for the City of Seattle and, as the Vice President of the Cornerstone Columbia Development Company, led the development of the Waterfront Urban Renewal area along the Willamette River in Portland, creating RiverPlace—a mix of housing and retail space, a hotel, marina, and floating restaurant. RiverPlace reshaped how the community interacted with the natural environment of the river. Harriet grew to be an integral leader in the development and growth of private-public partnerships that have enormously benefitted the communities in which they reside. Harriet completed her professional career by serving as the Director of the Portland Centers for the Performing Arts (Keller Auditorium, Arlene Schnitzer Concert Hall, and Portland5). 

Harriet embodied a spirit of generosity reflected in her personal values of truth, integrity, and commitment to hard work. Her own personal determination to succeed and live a meaningful life was bound by the thread of dedication to friends, family, and the community with which she surrounded herself. Harriet was a staunch patron of the performing, visual, and literary arts and received numerous awards and accolades for her service to community, both in Oregon and Washington. Harriet was an agent of change in both her life and in her death. 

The RACC Team and Board of Directors are excited by the opportunity to mesh Harriet’s vision for community, social justice, and civic engagement with the vision and values of our organization. Created to support our region’s artists and creatives, RACC continues to instill the values of equity and inclusion in our community-focused activities. For nearly 50 years, RACC has led the region in supporting our creative culture. Harriet’s contribution will strengthen our efforts to ensure an abundance of arts and culture in every community. 

 Questions or comments regarding this announcement should be sent to ctatch@racc.org. 

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Holiday Cheer at RACC, an evening with ARTist coleREED, Dec 1st from 6-8pm

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“unCoveR(ed)” an ARTist Showing at Regional Arts & Culture Council

Please join us on December 1st from 6-8pm to spend an evening with coleREED

We will have for light appetizers and wine. Masks are optional. Please register, since space is limited.

coleREED is a recent recipient of a Make|Learn|Build grant in 21-22 for a multi-disciplinary makers grant. RACC is delighted to present this first in a series of events featuring RACC grantees.

Statement from the artist:

“I AM an ARTist.

coleREED. is a neuroFABulous miX(ed) media ARTist that works with elements of fiRe, eaRth, and the the wRitten woRd.

Mixed Media Sculptural pieces. They were created by the process of pyrography, the use of fire to burn wood. Metal frames support the sculptural pieces. The focus of the collection is vulnerability and healing around racial inequalities. The artist asks the audience to come with open hearts and positivity.”

Follow on Instagram- @coleblackbird

To view a recent article from Portland Monthly on the October 2022 Portland Open Studios click here

REGISTER here

 

Call for Artists: Public Art Purchase Opportunity | Behavioral Health Resource Center

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The Regional Arts & Culture Council (RACC) is seeking artists living in Oregon and Southwest Washington to submit portable scale original two-dimensional artworks for direct purchase into the Public Art Collection at Multnomah County’s newly constructed Behavioral Health Resource Center.

Our preference is to spend a maximum of $2000 per artwork. The budget available for these purchases comes from Multnomah County’s Percent for Art Program and totals approximately $50,000.

To learn how to apply for this direct purchase opportunity, be sure to read the following guidelines and tune into our info sessions—details are listed below. The due date for submissions is Monday, November 28th, 2022 by 11:59pm.

 

About Behavioral Health Resource Center

Multnomah County’s Behavioral Health Division is renovating a building at the corner of SW Oak & SW Park Ave in downtown Portland. This will be the site for a new comprehensive behavioral health resource center that will offer immediate basic services for people experiencing houselessness, substance use and/or mental health challenges. These services include showers, laundry and mail service in a Day Center, as well as long-term stabilization through connections to services and treatment, short-term shelter and longer-term transitional housing. Working closely with people with lived experience, health providers, downtown neighbors and community members, the County is planning a trauma-informed, peer-supported center. (Note: definitions of some terms mentioned are available at the end of this document.)

Art Opportunity

This project is seeking artists to submit original 2-D portable scale art works for direct purchase. These artworks will be installed throughout the five floors of this building that offer transitional housing via a 30-day shelter and a 90-day shelter. This building will be open to visitors who will have access to showers, laundry, peer counseling, housing, meal service and additional services.

To avoid the potential to trigger a negative emotional response in visitors and users of the building, the interior color scheme and artworks connected to the building are designed to be trauma-informed.*

The full call for artists can be downloaded here. *The trauma-informed design guidelines are available on this downloadable document.*

Vo Vo, Mum and Gran in the Kitchen, Wool, cotton, and polyester embroidery floss, 2020.

Eligibility & Review Criteria

Artists living in Oregon and Southwest Washington are eligible for this opportunity. RACC is committed to engaging new communities of artists and expanding the range of artistic and cultural expression represented in the City’s public art collection. Artists who have experiences with houselessness, substance and/or mental health challenges will be prioritized.

The types of original artwork that qualify for this opportunity are paintings, photographs, drawings, textiles, collage, Bas relief, mosaic, glass, ceramic, metal, prints and other original media intended to be hung on a wall with a 4” depth maximum. Artists, please specify clearly if the submitted artwork is part of a series of works, and if the series needs to be purchased together as a whole, or if individual works in the series can be purchased.

Artworks with electrical components are not eligible for purchase at this time.

Size: Two-dimensional artwork that fit the following dimensions will be prioritized:

30”W X 40”H X 4”D or smaller (76cmW X 102cmH X 10cmD or smaller)

Framing: Please submit unframed artworks, unless the framing is an integral part of the artwork (please state that in the “Conceptual information” field in the application for that submitted piece). RACC reserves the right to reframe purchased artwork if a submitted frame does not meet the collection standards. Consider the potential for your submission to be framed behind acrylic.

How to Apply

All application materials must be submitted through the RACC Opportunity Portal, an online application system. Applicants will need to create an account, or log into their existing account at www.racc.org/apply.

For first-time users of the portal, view a brief video learning how to register here.

Application Requirements

  • Statement of interest. Based on the information given, please address the following (written or oral):
    •  a brief description about your overall artistic practice;
    •  your interest in this project by addressing how you see your submitted work connects to this project’s mission and values;

There are two options in submitting these responses:
-Written Statement: 3000 characters or less
-Oral Statement: Upload a video/voice recording no longer than 2 minutes

  • Up to 6 images of past work. You can submit up to 6 artworks and provide up to two images per artwork. Images should be jpegs no larger than 5 megabytes each. For each artwork, provide the title, media, dimensions, year completed, and purchase price. Conceptual information is optional.
    • (Note: If you are submitting a series that consists of more than six images, please include images that best represent the series and provide additional information regarding the series in the conceptual information field.)
    • Please only submit original prints and artworks, and not reproductions of artworks.
    • You have the option to upload a video file of the artwork instead of a jpeg.

Once you have started your application, you can save after each step and sign out—your application will be saved as a draft that you can continue to work on as needed. Once you hit “Submit,” your application is final. Please do not hesitate to contact us if you have any questions during the process.

Information Sessions for Artists

  • Monday, November 7th at 12pm on Instagram Live. Follow @regionalarts on Instagram to stay informed of this and other upcoming opportunities.
  • Monday, November 14th at 6 p.m. PDT on Zoom, RSVP here. Watch the previously recorded info session here. You can access the transcript here.

Attendance is encouraged but not required to apply for this opportunity.

We’re Here to Help!

If you have questions about the overall opportunity or the RACC Opportunity Portal, please email Morgan Ritter, Public Art Exhibitions & Collections Specialist, with questions or to set up a time for a phone call.

If you don’t have a computer or online access, please don’t hesitate to contact RACC for assistance. Also, if you prefer   these materials in another language please contact RACC for translation services.

Important Dates

  • November 7th & 14th – Info Sessions
  • November 28th – Applications Due
  • Mid-January 2023– Panel review/artist selection
  • Late January 2023 – Delivery of artwork
  • February 2023 – Framing of artwork
  • March 2023 – Installation of artworks in center

Definitions of some terms mentioned in this call

“Homeless” is lacking a permanent place of residence while “houseless” is lacking or in need of a house.  For many people, “home” means experiencing a sense of community, and it is possible for a person to build “community” wherever they may be staying.

A “trauma-informed approach” incorporates three key elements: (1) realizing the prevalence of trauma; (2) recognizing how trauma affects all individuals involved with the program, organization, or system, including its own workforce; and (3) responding by putting this knowledge into practice”(SAMHSA, 2012, p. 4).

“Peer support” is based on the principle that people who have been successful in the recovery process are uniquely qualified to help others experiencing similar situations. Through shared understanding, respect, and mutual empowerment, peer support specialists help people become and stay engaged in a recovery process based on their self-directed goals.

The full call for artists can be downloaded here. *The trauma-informed design guidelines are available on this downloadable document.*