RACC Blog

Public Art Reboot

On Friday, 2/3 the Northwest Public Art Collective (NoWPAC) – which is comprised of artists, curators and Public Art administrators from the Pacific Northwest – gathered at Portland State University for Public Art Reboot, a day-long series of conversations where the group discussed practices, curation, growth, excellence and new ideas in the field of public art.

Here is a link to photos from the event. (Photos: Intisar Abioto)

NoWPAC facebook page https://www.facebook.com/NowPAC/


Stephanie Simek presents “Table of Elements (and Minerals)” at the Portland Building, February 21 – March 17

PORTLAND, ORE – Drawing on her previous work exploring materials with unusual and interesting physical properties, Stephanie Simek will install her deftly crafted, hand-built “table of holograms” in the Portland Building Installation Space beginning February 21st.

Simek’s project, titled Table of Elements (and Minerals), was designed with the architecture of the Installation Space in mind. Her installation not only serves as a way to engage visitors with a set of optical illusions (illusions that depend on the clever use of optical principles rather than complicated electronics) but it also functions as a conceptual container or vitrine for the artist’s personal table of elements—silicon, quartz, calcite, iron, copper, and bismuth. “It’s a table within a table, a reliquary for various elemental materials with remarkable inherent potential.” Simek says, “Each possesses unusual magnetic, electrical, or optical capabilities, and all have the ability to do work, such as carrying a signal or storing information.”

These familiar, but perhaps under-recognized, minerals have been used by the artist in her past installations to great effect. Those projects include the design and construction of a room-sized crystal radio, an invisibility cloak, a levitating sculpture, and an 8 byte data storage device.

About the Artist: Portland artist Stephanie Simek produces a wide array of work in multiple mediums. She received her BFA from Mason Gross School of the Arts at Rutgers University and has shown and performed her work in the Pacific Northwest, New York, Canada, and the United Kingdom. Simek has received two Oregon Arts Commission Career Development Awards and was awarded a Regional Arts & Culture Council Project Grant in 2014. Her work will be included in a two-person show at Oregon State University in 2018.

Viewing Hours & Location: The Portland Building is located at 1120 SW 5th Avenue in downtown Portland and is open 8 am to 5 pm, Monday to Friday. Table of Elements (and Minerals) opens Tuesday, February 21 and runs through Friday, March 17.

The Regional Arts & Culture Council (RACC) manages the 13’ x 8’ installation space in the lobby of the Portland Building and presents installation based art there year round. For more information, including images, proposals, and statements for projects dating back to 1994, go to www.racc.org/installationspace.

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The Regional Arts & Culture Council (RACC) provides grants for artists, nonprofit organizations and schools in Clackamas, Multnomah and Washington Counties; manages an internationally acclaimed public art program; raises money and awareness for the arts through Work for Art; convenes forums, networking events and other community gatherings; provides workshops and other forms of technical assistance for artists; and oversees a program to integrate arts and culture into the standard curriculum in public schools through The Right Brain Initiative. RACC values a diversity of artistic and cultural experiences and is working to build a community in which everyone can participate in culture, creativity and the arts. For more information visit racc.org.


Eloise Damrosch announces retirement

PORTLAND, ORE – Eloise Damrosch, the executive director of the Regional Arts & Culture Council in Portland, has announced her plans to retire on June 30, 2017. From 1987 to 2004, Eloise served as the public art director of RACC and its predecessor organization, The Metropolitan Arts Commission. She was appointed executive director in 2004.

“Eloise’s accomplishments are too many to list,” said RACC board chair Mike Golub. “Inarguably RACC has become a much stronger organization during her tenure. The number of artists, arts organizations and students that we serve has grown exponentially under Eloise’s watch. Our programs and impact on arts and culture in the region have grown dramatically under her stewardship. In short, her impact and imprimatur on the arts community in our region is an indelible one.”

“My time at RACC has been an amazing experience,” said Damrosch. “I have been so fortunate to have worked with smart, talented and creative people internally with our board and staff and externally in the arts and culture, business, government and non-profit communities. Together we have faced challenges and opportunities; celebrated wins; broadened our reach to be ever more inclusive; and pushed ourselves to meet our mission. Happily I will leave RACC with confidence in its future, faith in its staff and board, and a knowledge that our arts and culture community is vibrant and resilient.”

Damrosch has earned a local and national reputation as a respected arts administrator while helping create one of the best-known public art collections in the country. During her tenure of Executive Director, the organization developed an annual workplace giving campaign for the arts, Work for Art; established a comprehensive arts integration program, The Right Brain Initiative; increased the City of Portland and Multnomah County percent-for-art ordinances to 2%; and helped secure the passage of Portland’s voter-approved Arts Tax. Damrosch has also worked closely with RACC’s board of directors to develop a comprehensive agenda for equity and inclusion, transforming the way the organization allocates resources to help ensure that everyone in the region has access to culture and the arts. She is a member of the United States Urban Arts Federation, and recently termed off the Board of the Non-profit Association of Oregon.

The Regional Arts & Culture Council will undergo a national search for a new Executive Director. Details on the search are forthcoming.

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The Regional Arts & Culture Council (RACC) was established in 1995 and is funded by public and private partners to serve artists, arts organizations, schools and residents throughout Clackamas, Multnomah, and Washington counties. RACC provides grants for artists, nonprofit organizations and schools; manages an internationally acclaimed public art program; raises money and awareness for the arts through workplace giving and other programs; convenes forums, networking events and other community gatherings; provides workshops and other forms of technical assistance for artists; and integrates the arts into K-8 curriculum through The Right Brain Initiative. Online at www.racc.org.


A message from Oregon’s Cultural Advocacy Coalition

Issued on February 8, 2017 by Christine Drazan, Executive Director, Cultural Advocacy Coalition

Last week I sent an email about the state’s daunting $1.8 billion shortfall. This week we have an opportunity to do something about it. Please consider attending a public hearing near you and tell budget-writers to protect arts and culture when they work to balance the budget.

The legislature’s Ways and Means Committee is taking a road trip and traveling across Oregon to invite public comment on possible budget cuts and spending priorities. Concerned Oregonians will be there to speak up for senior services, public safety, education and roads. Will you stand for the arts?

We know that targeted cuts or attempts to tap the Oregon Cultural Trust would deteriorate public funding for arts and culture in Oregon to levels which could cause lasting harm to the state’s cultural ecology.

Given the budget crisis and the risk that arts, humanities and public broadcasting may face at the federal level, we must do all we can to protect current funding for arts and culture here in Oregon.

Please consider voicing your support at one of the following meetings:

Friday, Feb. 10, 2017
STATE BUDGET – PUBLIC TESTIMONY
5:00 to 7:00 p.m. at:
Oregon State Capitol
Hearing Room F
900 Court Street NE
SALEM

Saturday, Feb. 11, 2017
STATE BUDGET – PUBLIC TESTIMONY
12:00 to 2:00 p.m. at:
Portland Community College, Sylvania Campus
Amo DeBernardis College Center
12000 SW 49th Ave.
PORTLAND

Friday, Feb. 17, 2017
STATE BUDGET – PUBLIC TESTIMONY
5:00 to 7:00 p.m. at:
Hermiston High School
Main Commons
600 S 1st Street
HERMISTON

Saturday, Feb. 18, 2017
STATE BUDGET – PUBLIC TESTIMONY
1:00 to 3:00 p.m. at:
Madras Performing Arts Center
412 SE Bluff Street
MADRAS

Friday, February 24, 2017
STATE BUDGET – PUBLIC TESTIMONY
5:00 to 7:00 p.m. at:
Southern Oregon University
Stevenson Union, Rogue River Room
1250 Siskiyou Blvd.
ASHLAND

Saturday, February 25, 2017
STATE BUDGET – PUBLIC TESTIMONY
1:00 to 3:00 p.m. at:
Lane Community College
Forum (Building 17), Rooms 308-309
4000 E 30th Ave.
EUGENE

Friday, March 3, 2017
STATE BUDGET – PUBLIC TESTIMONY
6:00 to 8:00 p.m. at:
Port of Tillamook Bay
Officers Mess Hall
6825 Officers Row
TILLAMOOK

Will you help protect public funding for arts, heritage and the humanities in Oregon? Let’s work together to protect the values that connect us, move us forward and enrich our lives. Your voice matters! Legislators are asking to hear from you. Thank you for all you do to support and strengthen creativity and culture in Oregon, and for using this opportunity to tell budget writers we must protect funding for arts and culture in Oregon.

Additional Resources:

  • Big picture on arts and culture in Oregon? Take a look at this.
  • Current arts & culture funding in Oregon? Here you go!
  • Who received arts grants in your community? And how much was the grant? Check here.
  • Have a specific question? Let us know!

Americans for the Arts (AFTA) Statement on Immigration and Refugee Ban

On January 27, 2017, President Trump signed an executive order that denies entrance into the U.S. by immigrant and non-immigrant visitors from seven Muslim-majority nations for 90 days. It also suspends entry of all refugees for 120 days and bars Syrian refugees indefinitely.

Americans for the Arts stands in opposition to policies that limit the free exchange of art, artists, and ideas based on nationality, faith, race, age or ability—and deplores the discriminatory nature of this travel ban. We urge the President to reconsider and rescind this executive order.

Implications for the Arts

The executive order addresses only entry into the U.S., and not the expulsion of those already inside the country. It does, however, mean that those people lawfully here—such as artists from the seven countries who travel to perform, exhibit, and speak internationally—may be unable to return to the U.S. should they leave the country, even if they hold a visa that permits international travel. This will have a harmful effect on scheduled performing arts programming and will interrupt the creation and scholarship of work in progress, such as museum exhibitions.

The Arts Improve International and Cultural Relations

The arts support dialogue, mutual understanding, and build positive relationships between the U.S. and global publics. They help us articulate our own values and beliefs and better understand those of others. Creatively sharing ideas, values, traditions, and other aspects of culture and identity are the very province of the arts.

  • Cultural exchanges: 650 local arts agencies have international programs that involve artists, teachers, students, and even donors (42 percent involve artists from other countries). 1-in-5 local arts agencies have Sister Cities partnerships that employ the arts.  These programs improve mutual understanding and appreciation of our cultures, both here and abroad.
  • Arts as an export industry: U.S. exports of arts goods (e.g., movies, paintings, jewelry) increased from $50.2 to $59.5 billion between 2009 and 2013, up nearly 20 percent. With U.S. arts imports at just $35.3 billion, the arts achieved a $24.1 billion trade surplus in 2013.
  • Tourism: U.S. cultural destinations help grow the economy by attracting foreign visitor spending. The U.S. Department of Commerce reports that, between 2003-2015, the percentage of international travelers including “art gallery and museum visits” on their trip grew from 17 to 29 percent, while the share attending “concerts, plays, and musicals” increased from 13 to 16 percent.

You Can Make a Difference

  • Make your voice heard. We are staying in contact with Congress on this issue. You should, too. Join the Arts Action Fund to take political action. It’s free. We will send you alerts so you can respond to decision-makers fast.
  • Register to attend National Arts Advocacy Day on March 20-21 in Washington, D.C. where you can add your voice in person.
  • Inform us of any specific actions impacting the arts in your community as a result of the President’s new executive order.  (Email Ruby Harper at rharper@artsusa.org).
  • Tell your story about the power of the arts! The former President of South Africa, F.W. DeKlerk, once told the U.S. Secretary of State that it was his cultural diplomacy visit to the U.S. that changed his ideas about a multiracial democracy. He subsequently released Nelson Mandela from prison and they began the country’s transformation. The arts promote diversity, equity, and inclusion.
  • You are not alone. Our national arts partner, the U.S. Conference of Mayors, released a powerful statement of their support for refugees and immigrants.  It also includes dozens of statements by mayors from across the country.

2/2-4 “Locus Turris” at the Portland Winter Light Festival

Locus Turris by William Rihel and David Valdez is a low tech, real time exploration of visual science. By focusing on the physics of what humans can hear and see, both pattern and reaction transform into art.

Locus Turris explores light and sound in a way that is, not new to many, but is different in how it isolates the results. In addition to the creation of more complicated experiments, festival goers will get a chance to make their own patterns and see what impact their small scale visual concoctions have on a large scale projection.

Locus Turris sheds light on the parallels of the micro and the macro, to see how a simple ripple becomes a big wave, showing how the forces of the universe are constantly in flux.

William Rihel serves as RACC’s Public Art Program Specialist.

See the Portland Winter Light Festival schedule.


RACC’s annual arts and business breakfast is February 8

What happens when you mix one Mexican Folkloric dance troupe, three inspirational acts of collaboration, surgeons who formed an 80s cover band, and Commissioner Chloe Eudaly? Add one giant light-bulb with feet and you get an event called, “Juice.”

On Wednesday, February 8, over 350 arts supporters and practitioners will participate in RACC’s Juice: Fueling Innovation presented by Portland General Electric – hence the appearance of Larry the Lightbulb.  Formerly the Arts Breakfasts of Champions, the longstanding event was renamed Juice to celebrate the creative “juice” that flows through businesses and the arts alike. The hour-long program will honor the Top Corporate Donors to the Arts and Top Work for Art Campaigns from 2016. Mexican dance troupe Ballet Papalotle will perform and local actor La’Tevin Alexander Ellis will emcee the program. La’Tevin lends his powerful acting talent to Hands Up, a production of The August Wilson Red Door Project directed by Kevin Jones. You can also catch La’Tevin at this year’s Fertile Ground Festival in Left Hook, directed by Damaris Webb.

At the heart of Juice are three stories of giving, service and collaboration. RACC’s Business Committee for the Arts (BCA) led the process in which a wide variety of non-profits and individuals submitted nominations in the following categories:

  • Outstanding In Kind Contribution – hear how a gift of time and talent lead to a lasting impression on one aspiring young artist
  • Extraordinary Service to the Arts – see how one passionate board member was a catalyst for equity and inclusion in arts programing
  • Innovative Partnership Award – find out which arts nonprofit wins the cash prize of $5,000 for their imaginative collaboration with a business

What if these stories inspired just one Juice participant to use creativity to improve a workplace or neighborhood, bridge a cultural divide or just help a business build something really awesome? That’s the potential power of Juice. The more people plug in to creative collaboration in our region, the more we thrive as a community. Now, more than ever, is the time to come together as a community.

There will be plenty of opportunities to choose your own creative adventure at Juice. Consider getting trained to serve on an arts board, help bring the Work for Art program to your workplace, or join the Battle of the Bands planning committee. But before you decide, let the rad stylings of Kaiser Permanente’s 80s cover band, “Members Only,” take you back in time. The band won the RACC’s 2016 Battle of the Bands Best Showmanship award and plans to perform again on May 17 at this year’s competition, co-chaired by Portland Commissioner Chloe Eudaly and ZGF Architect’s, Sharron Van der Meulen.

Everyone is invited to attend Juice to see what’s possible in collaboration between business and the arts. Juice is an opportunity to celebrate these innovations, connect to this creativity, to find inspiration and unique ways to engage. We believe that everyone will come away from the Juice event with their own unique experience, inspiration and call to action. The nature of art is that we all bring our own lens. This is also true of our creativity. The possibilities for partnership, innovation and engagement are endless.

Join the movement, see you at Juice!

P.S. There’s also a juice bar.

Juice: Fueling Innovation
Presented by Portland General Electric
Wednesday, February 8, 2017
7:30 – 9:00 a.m.
Portland Art Museum

Tickets and a few tables are still available. To purchase tickets, visit www.racc.org/juice/. For tables please contact Alison Bailey at 503-823-5424 or abailey@racc.org.