RACC Blog

Regional Arts & Culture Council urges Oregon Senator Jeff Merkley to support Arts & Culture funding in Congress

Join Us! SIGN BY FRIDAY, NOV. 25, 2022

The final FY23 Interior Appropriations budget, which includes annual funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) will be negotiated by current members of both the United States Senate and the House of Representatives. Currently the House version sets allocations at an all-time high of $207 million each for the NEA and NEH, whereas the Senate Appropriations Committee (chaired by Oregon Senator Jeff Merkley) has allocated only $195 million each. 

RACC, the City of Portland, and Oregon arts and cultural organizations ask you to join us in respectfully urging Senator Jeff Merkley, Chair of the Interior Appropriations Committee, to accept the House-approved level of $207 million for both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).

View the letter, written by Americans for the Arts here.

Add your organization’s signature here. Please share with others and be sure to sign up by November 25th for the impact to be felt in Washington, DC.

As part of the arts and cultural sector, we know that investment strengthens our economy and the social fabric of our communities. Please join in advocating your support of this measure to Senator Jeff Merkley for increased funding!

Thank you! 


RACC shares update on the Thompson Elk restoration plan from the Portland Parks Foundation

Released to media on 10/3/22 from the Portland Parks Foundation

CONTACT: Randy Gragg,

503-799-2655; rgragg@portlandpf.org

Thompson Elk Fountain Restoration Feasibility Study Update

Portland Parks Foundation’s team completes study and preliminary cost estimate

The Portland Parks Foundation has completed its feasibility study and preliminary cost estimates for the restoration and reinstallation of the Thompson Elk Fountain. PPF and its consultants, Architectural Resources Group (ARG) and the landscape/urban design firm MIG have submitted its restoration plan to the Portland’s Office of Management and Finance (OMF). In turn, OMF has submitted it to the Bureau of Development Services for an anticipated November “Design Advice Request” with the Portland Historic Landmarks Commission. That hearing, in which the team will get feedback from the Landmarks Commissioners, is open to the public for listening and testimony. For updates on the hearing, go to portland.gov/bds/landmarks.

“We are honored to present to the city this restoration design, which restores and returns the elk and fountain to their original location,” said Randy Gragg, executive director of PPF. “We’ve also developed potential street improvements to make the fountain a safer, universally accessible, and more welcoming place to visit.”

The study determined that 18 of the fountain’s 50 pieces will have to be remade. They include some of the most complex. All four of the fountain’s five-foot-long troughs and some of the most intricately carved ornaments will have to be refabricated. “But the good news,” according to ARG project lead Maya Foty, “stone from the original stone quarry is still available.”

The study also incorporates seismic stabilization and a recirculating pump for the fountain. The team developed preferred street upgrades that would create better access and a “viewing area” for the statue and fountain. Building on PBOT’s recently implemented separation of bikes and motorists around the fountain area on Southwest Main Street, ARG and MIG’s design provides two wheelchair accessible access points to a viewing area protected from passing traffic by elegant granite domed bollards.

“The design provides a refuge for people and it better protects the fountain from vehicles,” said Rachel Edmonds of MIG, “and also creates a sense of place around the fountain using historically compatible materials.” Based on 30-percent schematic design, the cost for the fountain restoration, new pump mechanism and reinstallation is estimated to be $1.2- $1.3 million. The street improvements would add approximately $670,000.

“We anxiously await what the city’s insurance settlement will yield and what the City Council determines the city can afford,” said Gragg. “We at PPF believe there is wide community support to pitch in if the final gap is not too large.”

PPF continues to accept contributions to restore the Thompson Elk Fountain. Donate here.

The Thompson Elk Fountain was badly damaged during the civil unrest of summer, 2020 that followed the murder of George Floyd. The city quickly moved the elk and the fountain pieces into storage. PPF’s study was overseen by a seven-member Project Advisory Committee of preservation and street design experts and informed by a technical advisory committee of city bureau representatives with oversight of the parks, street, and infrastructure, along with the Regional Arts & Culture Council who oversees the bronze elk.

Besides looking comprehensively at the restoration and streetscape, PPF hired two historians, Keith Eggener, a professor at the University of Oregon’s School of Architecture and Milo Reed, a freelance historian who works with Oregon Black Pioneers and Vanport Mosaic and currently chairs the Oregon Commission on Historic Cemeteries. They researched both the history of the elk fountain’s making and the social history of the fountain and its surrounding parks since its installation in 1900.

Former Mayor David P. Thompson commissioned the sculpture to honor the Humane Society which he cofounded. In the decades since, the historians found, the elk has stood at the center of protests over such perennial issues as free speech, workers’ rights, deportation of immigrants, and police shootings.

“For 120 years, people have gathered at the fountain to enjoy it as a thing of beauty and a symbol of nature, but also to give voice to their convictions,” noted Gragg. “Our goal is to renew it, reinstall it, and make it a safer, more inviting public space.”

PPF will release the full feasibility study and the findings of its historians in advance of the Design Advice Request hearing.

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Regional Arts & Culture Council receives bequest from the estate of Harriet Beal Cormack

FOR IMMEDIATE RELEASE

RACC is honored by the support of the long-time arts philanthropist and social justice pioneer to further its mission to enrich our communities through arts and culture.

Portland, OR —

The Regional Arts & Culture Council (RACC) is extremely grateful for the philanthropic support of the late Harriet Beal Cormack. Shortly after her passing in June 2022, RACC was notified that we would be one of five nonprofits receiving a sizeable disbursement from the estate of Mrs. Cormack. RACC recognizes Mrs. Cormack’s considerable gift of over $400,000 in support of our vision of a just and equitable arts-aligned organization. These funds will greatly help us fulfill our mission to enrich communities through arts and culture. 

Born in 1942 in Butte, MT, Harriet lived her life elevating civic engagement through social justice, women’s rights, and the arts. She began her career on the east coast, and, upon her return to the west, landed in Seattle to begin a distinguished career in real estate development, finance, and management in public, private, and nonprofit settings. She took on and asserted her professional knowledge through challenging and civically invigorating projects for the City of Seattle and, as the Vice President of the Cornerstone Columbia Development Company, led the development of the Waterfront Urban Renewal area along the Willamette River in Portland, creating RiverPlace—a mix of housing and retail space, a hotel, marina, and floating restaurant. RiverPlace reshaped how the community interacted with the natural environment of the river. Harriet grew to be an integral leader in the development and growth of private-public partnerships that have enormously benefitted the communities in which they reside. Harriet completed her professional career by serving as the Director of the Portland Centers for the Performing Arts (Keller Auditorium, Arlene Schnitzer Concert Hall, and Portland5). 

Harriet embodied a spirit of generosity reflected in her personal values of truth, integrity, and commitment to hard work. Her own personal determination to succeed and live a meaningful life was bound by the thread of dedication to friends, family, and the community with which she surrounded herself. Harriet was a staunch patron of the performing, visual, and literary arts and received numerous awards and accolades for her service to community, both in Oregon and Washington. Harriet was an agent of change in both her life and in her death. 

The RACC Team and Board of Directors are excited by the opportunity to mesh Harriet’s vision for community, social justice, and civic engagement with the vision and values of our organization. Created to support our region’s artists and creatives, RACC continues to instill the values of equity and inclusion in our community-focused activities. For nearly 50 years, RACC has led the region in supporting our creative culture. Harriet’s contribution will strengthen our efforts to ensure an abundance of arts and culture in every community. 

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Holiday Cheer at RACC, an evening with ARTist coleREED, Dec 1st from 6-8pm

“unCoveR(ed)” an ARTist Showing at Regional Arts & Culture Council

Please join us on December 1st from 6-8pm to spend an evening with coleREED

We will have for light appetizers and wine. Masks are optional. Please register, since space is limited.

coleREED is a recent recipient of a Make|Learn|Build grant in 21-22 for a multi-disciplinary makers grant. RACC is delighted to present this first in a series of events featuring RACC grantees.

Statement from the artist:

“I AM an ARTist.

coleREED. is a neuroFABulous miX(ed) media ARTist that works with elements of fiRe, eaRth, and the the wRitten woRd.

Mixed Media Sculptural pieces. They were created by the process of pyrography, the use of fire to burn wood. Metal frames support the sculptural pieces. The focus of the collection is vulnerability and healing around racial inequalities. The artist asks the audience to come with open hearts and positivity.”

Follow on Instagram- @coleblackbird

To view a recent article from Portland Monthly on the October 2022 Portland Open Studios click here

REGISTER here

 


RACC announces public art collaboration with Port of Portland at the Portland International Airport

FOR IMMEDIATE RELEASE:  November 14 2022

Regional Arts & Culture Council (RACC) announces the launch of new

public art projects in collaboration with the

Port of Portland (Port) at the Portland International Airport (PDX)

Portland, OR –

The Regional Arts & Culture Council (RACC) is pleased to announce a unique collaboration with the Port of Portland (Port) to install original public artworks for the $2B terminal redevelopment project at Portland International Airport (PDX).  RACC is in the process of inviting artists to submit their qualifications for the design and installation of permanent public art displays that will be a part of this redevelopment. RACC’s values of equity, access, and inclusion are embedded in this process through intentional outreach and engagement with communities that have been historically marginalized. This project will involve requests for proposals (RFQ) for artists in the upcoming months, with completion of the entire project slated for five years from now. Check out PDXNext.com for updates, resources, and images

“The Port of Portland is thrilled to officially launch two open calls for the first permanent public works of art to adorn PDX’s new main terminal,” says Wendy Given, Port of Portland Art Program Manager. “Our Art Program’s mission is to provide equitable access to art and to commission and exhibit captivating work that reflects the diversity of the communities we serve. We believe everyone’s voice and history should be celebrated. So, together with RACC, we intentionally created opportunities for historically marginalized artists to apply, and we have developed a selection process that ensures equitable outcomes. We’re making a commitment to bring diverse voices and perspectives to life — all while enriching the experience of everyone who travels through PDX.”

Mack McFarland, RACC’s Public Art Project Manager, wholeheartedly agrees with Wendy Given, adding, It’s really an honor to play a role in this massive project. The partnership between the Port and RACC has already resulted in several stunning artworks and unique ways to engage the artists within the architecture of PDX. The vison ZGF Architects is implementing for Terminal Core (TCORE) is presenting artists with a wonderful site for projects, while the forethought and care of the Art Selection Committee provides integrity and distinctiveness to the process. There are opportunities within the TCORE art plan for seasoned public artists as well as artists who may be new to creating artwork for such a public setting.”

The second RFQ launches within the next two weeks, with five more to be announced in 2023. The first RFQ, for Art Glass Walls located between the concourse connector and the security queuing area, closes on November 16, 2022.  More information can be found here. The proposed art exhibits are available for download here.

The Regional Arts & Culture Council is a 501(c)(3) nonprofit organization that provides grants for artists and nonprofit organizations in Clackamas, Multnomah and Washington Counties; manages an internationally acclaimed public art program; convenes forums, networking events and other community gatherings; and provides workshops and other forms of technical assistance. RACC advocates for equity, inclusion and access, working to build a community in which everyone can participate in culture, creativity and the arts. For more information visit racc.org

With its three airports, four marine terminals, five business parks, and hundreds of employees, the Port of Portland connects people and businesses in the region to powerful opportunities. Using its resources, expertise, and influence, the Port is striving to pull down barriers and unlock new opportunities for those who have been left out of the region’s economic growth, including people of color, low-income workers, and people with disabilities. The Port is leading major initiatives to drive positive change in the region, including: expanding and modernizing PDX; investing in Oregon’s mass timber industry and mass timber housing; and providing more options for small businesses to get their goods to markets around the world. For more information, visit PortofPortland.com.”

 

MEDIA CONTACT

Kristen Calhoun, Director of Public Art

kcalhoun@racc.org

Mack McFarland, Public Art Project Manager

mmcfarland@racc.org

Wendy Given, Port of Portland, Art Program Manager

Wendy.Given@portofportland.com


RACC unveils Going Public! A Mural Skill Building Intensive

 

We are pleased to announce in partnership with the City of Hillsboro, Miller Paint, and TriMet a collaborative opportunity supporting public art in our community. This project is also supported with funds from the City of Portland. Envisioned over the last two years, this program has come to fruition with guidance by administrators Salvador Mayoral IV, the Public Art Manager at the Regional Arts & Culture Council (RACC) and program consultant Ella Marra-Ketelaar as well as RACC’s Public Art Murals Committee.

In June of 2022, a cohort of emerging muralists of color were selected and paired with established muralists, all from the Portland metro area.  The program’s aim is to support these emerging muralists throughout the mural creative process by providing mentorship, mural-making workshops, and the opportunity to create and paint a design all the while being monetarily compensated for their energy, time, and labor to undergo this process. One of the program’s key goals is to  foster relationships with their fellow muralist participants through the attendance of the workshops, meeting regularly with their mentors, thus creating a network of support and access. This was instrumental in preparing the cohort of emerging muralists to paint their own mural designs on the many donated spaces from the Going Public! partners.

“We’re thrilled to be part of RACC’s Going Public! mentorship program,” TriMet’s Public Art Administrator Michelle Traver said. “TriMet is also committed to nurturing emerging artists and we are pleased to host artist Rebecca Rodela’s first mural, Lotería en Portlandia, at the Gateway Transit Center, where it can be experienced by our riders and the general public alike.”

We are excited to partner with RACC to bring more colorful murals to our neighborhoods,” said Puji Sherer, Miller Paint’s Vice President of Marketing, Color & Brand. “Our Hollywood store in Northeast Portland is one of the mural sites for the project which is in the heart of this community.”

 All but one mural will be completed by the end of November 2022. Follow the mural making process by visiting the social media accounts of RACC, our partners, and the artists.

“Community building and skill sharing are at the forefront of Going Public!” said program consultant Ella Marra-Ketelaar. “It has been incredibly important to feature established artists (mentors and workshop presenters) that are willing to share their years of collective knowledge with the next generation of muralists. The program’s role is to create a platform, their knowledge, and collaboration is what makes it possible”. 

The workshop presenters include, Sarah Farahat, Bernadette Little, Adam Ciresi, Molly Mendoza, Ursula Barton, Daren Todd, Kyra Watkins and William Hernandez.

The mentors include, Kyra Watkins, William Hernandez, Alex Chiu, and Patricia Vásquez Gómez.

All images by Leo Townsell, July 2022 at one of the workshops in Zidell Yards.

The cohort of muralists include, Abdiel Flores Ubaldo, Saphya Lones, Nabíl De la Rosa, Rebecca Rodela, and Tim Tran.

Carol Tatch, RACC’s Chief of External Operations, stresses the importance of leading with RACC values of access, inclusivity, and equity. “It’s not just that you get to wake up and it’s there, but you actually get to see the process. It is definitely important to the economic prosperity of any region to have public art — art that is accessible. That just brings rewards for everyone in the community.”

For more information please contact Salvador Mayoral, the Public Art Project Manager.


RACC launches new Fresh Paint Mural in partnership with Open Signal

Artist Jerome Sloan Comes Full Circle with New Mural, Growth
Now on view at Open Signal on NE Martin Luther King Jr Blvd as part of Fresh Paint, a partnership with the Regional Arts & Culture Council

Jerome Sloan spent his youth in Portland’s Irvington neighborhood, starting his creative journey as a spray painter in the 1980s. Now he brings his work back home with a new mural Growth, part of Fresh Paint, a temporary mural program from Open Signal and the Regional Arts & Culture Council. Growth will be on view from October to March on Open Signal’s wall on NE Martin Luther King Jr Blvd between Graham and Knott Streets.

Sloan’s work documents the struggle to become a better person, drawing from his experiences during a long period of incarceration. At 19 years old, he was sentenced to life without parole. He spent the next 28 years within the prison system developing and leading cognitive programming to help ex-gang members change their lives, and teaching art classes to help others find meaning in creativity. In early 2022, his sentence was commuted by Governor Kate Brown for the impact he had on the young men he worked with.

He now brings his message to the area in which he grew up. “A great piece of art should compel you to take some sort of action or change the way you think,” says the artist. “I send my art out with the hope that it plays a part in changing people or moves them in a positive direction. It is my job to be an example that is positive.”

In this piece, two hands, with vines wrapped around them, reach up towards the sun — representing the need to grow to survive, and the act of reaching towards something bigger and more productive than oneself. The letters spell “growth” in an alphabet of his own creation, and in a graffiti style that he developed when he was young in this very area. The work reflects Sloan’s approach, taking a realistic image and pushing it into the abstract. “Through Fresh Paint we’ve been able to bring great local artists like Jerome into our community,” notes Open Signal’s Community Media Advocacy Manager KatMeow García. “This program is a true collaboration — what started as a conversation between the Regional Arts & Council and Open Signal now encompasses staff, artists, mentors and anyone who’s been impacted by the art. The mural may be temporary, but the connections keep going.”

Mural being completed with artist holding paint and a ladder and paint equipment on the sidewalk

Completed mural with two people standing in front of it with their arms up

Photos by Sabrina Spurlock,  Oct 2022

Fresh Paint is a partnership between the Regional Arts & Culture Council and Open Signal that began in 2017. The program supports emerging artists of color with their first publicly funded commission; the artists expand their creative skill sets and build paths to other public art opportunities. Sloan is the thirteenth muralist to take part in this program; previous muralists have included Molly Mendoza; the artist team of Bizar Gomez, Maria Rodriguez, and Anke Gladnick; and Zeinab Saab.

See more from the artist at jeromesloanart.com.


Regional Arts & Culture Council endorses the CREATIVE Act (Capital, Repairs, and Employment for Art Talent to Improve Visibility Everywhere) Introduced by Congresswoman Suzanne Bonamici (D-OR1)

FOR IMMEDIATE RELEASE: October 31 2022

Regional Arts & Culture Council endorses the CREATIVE Act

(Capital, Repairs, and Employment for Art Talent to Improve Visibility Everywhere) Introduced by

Congresswoman Suzanne Bonamici (D-OR1)

Portland, Oregon

We join arts and culture organizations and businesses across the nation, including the National Endowment for the Arts (NEA), Americans for the Arts (AFTA), Western States Arts Federation (WESTAF), Grantmakers in the Arts, Cultural Advocacy Coalition of Oregon, and many others who believe that arts and culture are a vital part of what makes us human and enables us to thrive, share stories, connect, learn, and innovate. This act will support our arts organizations and grow our creative economy here in Oregon and the rest of the nation. The Capital, Repairs, and Employment for Art Talent to Improve Visibility Everywhere (CREATIVE) Act will be instrumental as arts organizations strive to recover from the pandemic. It will provide additional funds through grants to build or upgrade current facilities, produce art, reach underserved communities, and hire new staff.

“The arts are an integral part of our economy, help us better understand the world around us, and fuel authentic and meaningful community-building,” said Congresswoman Suzanne Bonamici. “Arts organizations were hit hard by the pandemic and many are still struggling to rebuild. The CREATIVE Act will provide the funding these important organizations need to restore their programming and create jobs in the creative sector.”

The CREATIVE Act builds on the NEA’s critical support for local arts agencies organizations by expanding their grantmaking capacity. Specifically, the CREATIVE Act would:

Expand Access to Capital for Facilities: The grants can be used to improve or upgrade facilities, hire new staff, and produce art;

Seek Community Input: Applicants must include how their community will benefit from these resources and how they plan to sustain their programs;

Reach Underserved Communities: Eligible applicants must focus on access to the arts, including arts education in underrepresented communities;

Create Strong Guardrails: The grants will involve reporting requirements and a procedure for returning unused or misspent funds;

Make Rural Outreach a Priority: At least 20% of total grant funds will be reserved for rural communities.

Last year, The Arts Education for All Act was introduced to address the gap in access to arts education, which has the potential to improve the lifelong health and achievement of both children and adults. RACC joined hundreds of other organizations across the country in the endorsement of this act. Once again, Oregon is a leader in advocating, promoting, and encouraging creative work to be part of the artscape in our communities through these legislative acts.

Carol Tatch, RACC’s Chief of External Operations, said “As we look to creating the future that our artists and creatives deserve, RACC sees this as another tool for our continuing recovery from recent health and environmental impacts and an essential building block for access, equity, and engagement in our shared communities. Please support this effort with full hearts and open minds. Let’s KEEP creating the world we want to live in.

A one-page summary of the CREATIVE Act can be found here. The text of the legislation can be found here.                                                                                                 

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The Regional Arts & Culture Council is a 501(c)(3) nonprofit organization that provides grants for artists and nonprofit organizations in Clackamas, Multnomah and Washington Counties; manages an internationally acclaimed public art program; convenes forums, networking events and other community gatherings; and provides workshops and other forms of technical assistance. RACC advocates for equity, inclusion and access, working to build a community in which everyone can participate in culture, creativity and the arts. For more information visit racc.org

 

 

MEDIA CONTACT

Mario Mesquita, Manager of Advocacy and Engagement, RACC

mmesquita@racc.org