RACC Blog

Sallie Tisdale named RACC’s 2013 Literature Fellow

The Regional Arts & Culture Council (RACC) is pleased to announce its 2013 Literature Fellow: Sallie Tisdale. This fellowship honor carries a cash award of $20,000.

“Sallie Tisdale is a pillar of the writing community,” said Eloise Damrosch, executive director of RACC. “Her work is honest, authentic and clear, and she doesn’t waste a word. We are thrilled to recognize her as a master of her craft, and to honor her with this award.”

Tisdale has written everything from short memoirs to books, from personal poems to complex essays. She has already compiled a mature body of work which has appeared in the finest magazines in the country (The New Yorker, Harper’s, The New Republic, and Salon). She has published seven books, including Stepping Westward which was named to two best nonfiction book lists of the West. Her other books include Women of the Way, The Best Thing I Ever Tasted, and Talk Dirty to Me. She has received various awards including an NEA Fellowship in Belle Lettres, the James Phelan Award for Creative Fiction and a Pushcart Prize. She has taught or presented at New York University, Northwestern University, Omega Institute, University of California-Davis, and Antioch University. She has also taught writing at prisons, elementary schools and churches. In addition to her writing career, Tisdale has worked as a nurse and raised a family. More information can be found at her website sallietisdale.com.

Tisdale has been working for some time on a book about our reflex toward charity – what it means to do good, how one knows what good is, how many ways it can go wrong – in the context of a small clinic in Africa founded by Oregonians. She also has several essays in various stages of completion.

“RACC’s Fellowship will give me the gift of time to pursue this long and complicated work,” Tisdale says. Her goal is to write free of commercial or contractual demands over the next year. “The energy to write is powerful,” she says, “the curiosity to explore and get lost and find my way out again is as strong as it has ever been. What I need is time.”

The RACC Artists Fellowship Award, established in 1999, is one of the largest and most prestigious grants to individual artists in the Pacific Northwest, supporting exceptional artists who enrich the communities in our region. One fellowship is awarded each year, rotating through four artistic disciplines.

To be eligible for consideration, professional artists must have worked in their field for 10 years and have lived in the Portland tri-county area for five years. Applications, which include three narrative questions, artist resumes, two letters of recommendation, and examples of the artist’s work, are reviewed through a panel process of community representatives from the discipline being honored.

Dan DeWeese, Kathleen Holt, Karen Karbo, Flavia Rocha, and Elizabeth Woody served as panelists for the Literature Fellowship this year.

Tisdale joins a prestigious group of local artists who have been named RACC Fellows in the past, including Mary Oslund, Obo Addy, Christine Bourdette, Terry Toedtemeier, Jim Blashfield, Michele Glazer, Tomas Svoboda, Keith Scales, Judy Cooke, Michael Brophy, Chel White, Craig Lesley, Thara Memory, Henk Pander, Joanna Priestley, Kim Stafford, Robin Lane, Eric Stotik and Lawrence Johnson. All RACC fellows are listed at racc.org/grants/individual-artist-fellowships.
 
 


RACC seeks submissions for the “Visual Chronicle of Portland”

The Regional Arts & Culture Council (RACC) is seeking works on paper—prints, drawings, paintings on paper and photographs—to purchase for the Visual Chronicle of Portland collection. The budget for the purchase and framing of artwork is $10,000. The deadline for submissions is Monday, July 15, 2013

Background: The Visual Chronicle of Portland is a collection of original works on paper that portray artists’ perceptions of what makes the City of Portland unique. TheChronicle is owned by the City, and exists as a subset of its Public Art Collection. Since its beginning in 1985, theChronicle has grown to 303 works by 179 different artists and has established itself as an important archive of daily life in Portland, Oregon. RACC oversees the day-to-day management of the Visual Chronicle for the City and insures that the collection remains available to the public by rotating works throughout public spaces in City of Portland and Multnomah County buildings. The collection strives to reflect a diversity of populations, artistic disciplines and points of view.

Until I served on the Visual Chronicle Selection Panel I had no idea what a diverse and talented group of artists was at work in Portland. This collection is a testament to the fact that there is not just one Portland, but many—and that we need the artists’ perspectives to get a glimpse of those aspects of the city.
               – Former Visual Chronicle Selection panel member Judith Barrington 

Images and details of the entire collection can be seen by going to www.racc.org/visualchronicle 

Theme for 2013: As in the past, purchase selections will be made based on how well the work matches the purpose and spirit of the Visual Chronicle—conveying perceptions of what makes Portland unique. This year however, the selection panel would like to encourage work that documents, describes, or evokes areas, communities and issues that are under-represented in the Chronicle. The bridges, the Rose Parade, Washington Park and other Portland icons, are all well cataloged, but the collection has fewer works that represent people and places that exist beyond downtown and outside of the mainstream. While no absolute boundaries or subjects are mandated or excluded, the panel hopes to add range to the Chronicle and better represent vital neighborhoods, communities and artists that contribute to a fully textured view of Portland.

Selection and Purchase Process: Additions to the Chronicle are supported each year by a fund of $10,000 which covers the purchase of new artwork and archival matting and framing. The Chronicle is restricted to works on paper no larger than 24” x 30”; this keeps the cost of individual pieces modest and allows the selection panel to purchase multiple works.

The selection panel is composed of an independent group of artists and curators. This year’s panel includes Yoonhee Choi, artist and teacher; Gabe Flores, artist, curator; Roll Hardy, artist; Grant Hottle, artist, teacher; Blake Shell, artist, curator. The selection process will take place in two parts—an initial review of digital images followed by a final review of actual artwork.

Submission Details: Works on paper—prints, drawings, paintings on paper and photographs—from professional artists familiar with Portland are eligible. For more information and to download guidelines in English or Spanish, visit the RACC website at www.racc.org (direct link: http://www.racc.org/public-art/racc-opportunity-2013-call-visual-chronicle-portland), or contact program manager Keith Lachowicz at klachowicz@racc.org or 503-823-5404.

Information Session: To assist artists with the submission process and to provide additional
in-depth background on the Visual Chronicle collection RACC staff will hold an information session on Tuesday, June 25th from 5:30pm – 6:30pm at RACC offices, 411 NW Park Avenue, Suite 101.  Email Keith Lachowicz atklachowicz@racc.org to reserve a spot. RACC staff is also available to speak off-site to groups of artists who would like to learn more about this purchase opportunity.

Submission Deadline: The deadline for all submissions is Monday, July 15, 2013 at 5pm.

For more information contact project staff:
Keith Lachowicz
klachowicz@racc.org
503-823-5865

Interpretation services available, 503-823-5071
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MEDIA ALERT: BCCTV to screen new works on June 10 at the Hollywood Theatre

WHO: BCCTV on the Big Screen

WHAT: A screening of short works created through a program at the Bud Clark Commons homeless service center

WHEN: Monday June 10th at 7p.m.

WHERE: Hollywood Theatre, 4122 NE Sandy Boulevard

NOTES: This screening is a culmination of the diverse works produced over the past year at a RACC-sponsored, artist led production lab at Bud Clark Commons (BCC, at NW Irving & Broadway in Old Town/Chinatown). They range from personal documentary to live action horror, from comedic sketches to fictional dramas and a variety of animated shorts. The videos were conceived and produced by David Boston, Sumaiyya Evans, Eugene Olson, John Pinney, Russell Waggener. The project was organized and led by local artists, designers, and filmmakers, Carl Diehl, Ariana Jacob, Joan Lundell, Mack McFarland and Jeffrey Richardson who will also screen a selection of their works at the event.

Partially funded by a portion of the City of Portland Percent for Art set aside from the construction of Bud Clark Commons, the project is part of RACC’s intersections program, which encourages artists in all disciplines to explore new working methods and to develop socially engaging, interactive art experiences in community settings. Admission is free.


Media production lab BCCTV will screen new works on June 10 at the Hollywood Theatre

On Monday, June 10th at 7:00PM, BCCTV will host a free screening of short works created by individuals who have experienced homelessness. The films were made at a RACC-sponsored, artist led production lab at Bud Clark Commons (BCC, at NW Irving & Broadway in Old Town/Chinatown) and will be screened at Hollywood Theatre (4122 NE Sandy Blvd.) Admission is free.

“BCCTV on the Big Screen” will showcase a culmination of a year’s worth of works ranging from personal documentary to live action horror, from comedic sketches to fictional dramas as well as a variety of animated shorts. Videos were conceived and produced by David Boston, Sumaiyya Evans, Eugene Olson, John Pinney, Russell Waggener. The project was organized and lead by local artists, designers, and filmmakers, Carl Diehl, Ariana Jacob, Joan Lundell, Mack McFarland and Jeffrey Richardson who will also screen a selection of their works at the event.

In a series of workshops and weekly meetings over the last twelve months, a community of video makers was formed at the Commons, calling themselves BCCTV. Free weekly classes and workshops were offered to anyone who had experienced homelessness, focusing on how to make, edit and share videos. Participants explored their own interests in video with the support and expertise of the artist team as well as visiting artists from the community. They learned improvisation, animation techniques, visual storytelling, sound design and editing which in turn made them eager to delve further into longer-term, more personal projects, all of which will be seen at this screening event.

About Bud Clark Commons
Bud Clark Commons is an innovative partnership between the Portland Housing Bureau, Home Forward, Transition Projects Inc, and Multnomah County, that is owned and managed by Home Forward. The building was designed by Holst Architecture and opened in June 2011. The Commons brings together services and providers in one location, providing vital resources, shelter, and housing placement services to people experiencing homelessness in Portland.

Before the award-winning building was even constructed, the two primary programs that provide services in the building – Transition Projects Inc. (TPI) and Home Forward – were interested in having artists work in the facility and engage the clients and residents in creative, experiential and participatory ways. In early 2012, the BCCTV artist team was selected through an open call to artists living in Multnomah County. Partially funded by a portion of the City of Portland Percent for Art set aside from the construction of the building, the project is part of RACC’s intersections program, established in 2000, which encourages artists in all disciplines to explore new working methods and to develop socially engaging, interactive art experiences in community settings.

For interviews, contact BCCTV at thebcctv@gmail.com.
 
 


“Welcome” opens at the Portland Building Installation Space June 3rd

Project Background: Artists Patricia Vazquez Gomez and Betty Marin will present their social practice based Welcomeinstallation in the lobby of the Portland Building June 3 – 28. The project was conceived when the artists began to contemplate the connection between the building that institutionally represents the City of Portland and the lives and experiences of some of the city’s newest residents. Grounded in this artist team’s work with Latin American immigrant communities, and in their own cultural roots, the project directly explores the ways in which Spanish speaking immigrants feel both welcome and not welcome here in Portland. The installation consists of projected images of new Portland residents interviewed by the artists presented against a “wallpaper” backdrop crafted from the text of those conversations. As a parting symbol of civic exchange, a small artesanal souvenir—a set of open hands crafted from tin that multiple cultures recognize as a symbol of hospitality—will be offered to visitors to take away.

“Our hope for this project is to initiate a reflection on the way Portland is already a welcoming city and the ways it still needs to grow as an inclusive place.”

As general understanding of the social practice genre develops and expands MFA programs like the one at Portland State University, that Vazquez Gomez and Marin are enrolled in, are on the forefront of defining where this form of art practice is headed. RACC is pleased to include Welcome as part of its ongoing initiative to provide exhibition opportunities for advanced students in fine art, this is the second of three student produced installations scheduled for the Portland Building this year. The format and presentation requirements for student installations are identical to those for established professional artists, the separate eligibility category was created to help introduce emerging talents to the world of public art.

Viewing Hours & Location: 7 am to 6 pm, Monday – Friday. The Portland Building is located at 1120 SW 5th Avenue in downtown Portland.

For more information on the Portland Building Installation Space series, including images, proposals and statements for all the installations since 1994, go to www.racc.org/installationspace.

On Friday June 14th, 5-6pm: Meet the artists who created Welcome at the Portland Building Installation Space. Social Practice artists Patricia Vazquez Gomez and Betty Marin will hold an artist Q & A session to discuss their Welcome installation in the lobby of the Portland Building. Welcome was created to inform and expand the connection between the building that represents the City of Portland and the experiences of some of the city’s newer residents. Grounded in this artist team’s social-practice work in the immigrant community, and in their own cultural roots, the project explores the ways in which Spanish speaking immigrants feel both welcome and not welcome here in Portland. The Q & A will take place at the Portland Building, located at 1120 SW 5th Avenue, Portland. 
 


RACC celebrates new mural on N. Albina & Mississippi

Detail from SpaceCraft's new mural.

Detail from SpaceCraft’s new mural.

The artist collective, SpaceCraft Mission to Arts, has completed one of the largest murals funded by RACC’s Public Art Mural Program and will celebrate this collaborative project with a community celebration on Friday, May 24th, 3:30-6:30pm, in the grassy field across the street southwest of the project site. The mural is located on the west wall of the City of Portland’s Bureau of Transportation Maintenance facility (3150 N. Mississippi).

Planning for the mural began in Fall 2010, when the Northeast Coalition of Neighborhoods received a Graffiti Abatement Grant from the City of Portland to paint murals on buildings as a way to discourage graffiti. With that small grant and coordination with a team of artists from SpaceCraft, community members, and organizations began to raise funds for the project. Throughout the process, community engagement was the driving force—the Boise Neighborhood Association, students from the former Albina Youth Opportunity School, former Humboldt Elementary, Boise Elliot Middle School, community members, and the PBOT maintenance workers all contributed their voices to the mural design and how they wanted themselves and their neighborhood depicted. More than a way to deter graffiti, the artists see the mural as a powerful, onhealthy collaborative, self-reflective vision of the neighborhood created by those who live in it.

Painting began during the Summer 2012 and was led by SpaceCraft artists, Jakub Kucharczyk, Matthew Wooldridge and Max Humphres. The mural unfolds across 177 ft and features images related to community practices and industries that have been part of the local Portland-Albina neighborhood over the last several eras. Native American landscape migrates into historic industries of lumber, railroad and steel which subsequently move into representations of the diversity of people and activities characteristic of Portland. Featured throughout the mural are mountains, bridges, gardens, parks, and city workers. Included are symbols of the neighborhoods’ transitions of communities from Native American, Volga Germans, Finnish, Chinese and African American.

Travelers on N. Mississippi Ave between N. Fremont St. and N. Monroe St. will see the mural by car, foot, and bike. It is also visible to Northbound drivers on I-5 and I-405. The mural will serve as a gateway to the Historic Mississippi Business District and Boise neighborhood and discourage graffiti

This project was funded in part by a Portland Graffiti Abatement grant and the RACC Public Art Murals Program.

To interview the artists, contact Peggy Kendellen at 503-823-4196 or pkendellen@racc.org.


Photos by Jonathan Marrs installed at Fire Station 18

Local photographer Jonathan Marrs recently installed a series of photographs printed on aluminum at Fire Station 18, 8720 SW 30th Avenue in Portland.   A celebration of the project’s completion, with the artist and station crew, will take place on Tuesday, May 21st, from 6:30-8:00pm. The celebration is open to the public.

Jonathan spent time with the FS 18 crew observing their day-to-day activities. His photographs describe the actions and textures that are part of those activities as well as the Station. Four diptychs and two single photographs grace the station’s entryway, the community room, the day room and hallway—all accessible to the public when visiting the station. The diptychs establish a relationship between the disparate events and the overlooked details that describe what Jonathan experienced and saw while spending time with the crews.

Jonathan Marrs is a visual artist based in Portland. He received his BA from Azusa Pacific University and his MFA from Vermont College of Fine Arts. His research has focused on documentary practices, identity, and subjectivity. His work has been displayed in the US from Portland to Los Angeles, Lancaster, and Montpelier. He is the lead photographer and cinematographer for Atelier Pictures in Portland.

Fire Station 18 serves Marshall Park, Markham, Far Southwest, West Portland Park, Multnomah, Ash Creek, Crestwood and Maplewood Neighborhood Associations. The original Fire Station 18 was built in 1961, and seismically upgraded/remodeled in 2011-2012. On-duty personnel include a company officer, one firefighter paramedic and two firefighters.

This is the final percent for art project funded by the bond measure passed by voters in 2000 that resulted in new and remodeled fire stations that improved services and safety to the community. The Regional Arts & Culture Council managed the project.
 
 


Installation of Dan Corson’s “Nepenthes” now underway

PA Corson NW 5th-NW Davis SWArtist Dan Corson and RACC are currently installing Nepenthes, a series of four illuminated sculptures along NW Davis Street. These glowing sculptural elements are inspired by the carnivorous plants called Nepenthes, which are named after the magical Greek potion that eliminates sorrow and suffering. By referencing the patterns of native Oregon native and other carnivorous plants and inserting a quirky expression of nature into an urban environment, these sculptures celebrate Old Town Chinatown neighborhood’s unique and diverse community.

This project represents the fulfillment of an opportunity that developed during the Portland Mall Project to increase pedestrian connectivity between Old Town/China Town Festival Streets and the Pearl District. In conjunction with Old Town/Chinatown stakeholders, the Mall design team created a pathway along NW Davis Street, via a sculptural lighting design, which links the music and cultural activities of Old Town/Chinatown to the activities in the Pearl District, also along Davis Street, such as galleries, the Museum of Contemporary Craft and Portland Center Stage, and vice versa.

The Portland Mall design team, lead by ZGF, hired artist Dan Corson to create a series of sculptural lighting elements. TriMet ultimately asked the Regional Arts & Culture Council to take over the project on behalf of the City of Portland public art collection. RACC then put together a panel that included some of the original stakeholders as well as other artists and neighbors to work with Corson on the refinement of his sculptures. RACC worked with Portland Transportation on the exact placement of the sculptures.

To arrange a site visit and/or interview with the artists, contact Kristin Calhoun at 503-823-5111 or kcalhoun@racc.org.