RACC Blog

Fresh Paint with Bizar Gomez

In a city known for murals, how do you get your foot (or art) through a door when you’re an emerging artist of color? Fresh Paint, a partnership between RACC’s Public Art Murals program and Open Signal, offers that door to have artist work in the public realm.

In this 2019 cycle of Fresh Paint, a selection of new emerging artist have the opportunity to paint a temporary mural on the exterior of the Open Signal building facing the highly-visible Martin Luther King Jr Blvd. Each mural is up for a period of months until it is painted over in preparation for the next mural. But what’s unique about this program is that it doesn’t just provide a wall for a mural – the program offers resources to emerging artists that would not typically have access to, which then gives them space to explore working in the public sector and incorporating new approaches and skills in their artistic practice and experience.

Bizar Gomez  was raised in the desert of Phoenix, AZ and now living among the trees in Portland, OR. Gomez is an illustrator and painter who is doing all he can to continue existing. Working primarily in gouache, graphite, ink and digital media, his work involves mixing urban world iconography, dreamlike surrealism, stylized figures, and social consciousness to create interesting visuals and narratives. Gomez graduated from Pacific Northwest College of Art with a BFA in Illustration.

The trio’s mural is currently displaying through September 30, 2019. We caught up with Bizar after the completion of the mural to talk about the work and experience with Fresh Paint:

Tell us about the collaborative mural you created for this program. Can you walk us through your process of conceptualizing a mural and bringing it to life?

A gouache, color pencil and digital piece on the helplessness we feel when others ascribe identity to us by Bizar Gomez

“This Is You” -gouache, color pencil and digital -11″ x 14″

Once we decided we wanted to work together, the idea and design of the mural happened pretty organically. Even though our personal styles are very distinct between the three of us, there was still enough common ground in our approach and content that it was not difficult to create a composition that not only retained our own individuality, but also something that worked well as a whole.

What was it like to paint your first mural on the Open Signal building?

It was definitely fun, and once you got into the right flow of it, became very meditative. It was also pretty physical, and on most nights I found myself going straight to bed after a day of painting. We received a lot encouragement and support from the community and passersby as we were painting it, and it helped quite a bit to help us push through the day whenever fatigue began to get in the way.

Since your Fresh Paint mural, what have you been up to? What are some lessons you’ve learned along the way since your first mural?

Since the Fresh Paint mural, I’ve mostly been spending time looking for new mural opportunities, as well investing further in my freelance illustration career. I’ve learned that making murals can be demanding but rewarding, and that it is a very unique medium that reaches out to type of people who don’t normally seek art on their own. It’s also pushed me to consider other solutions to transfer line work to the walls. While projectors and grinding are commonly used, there are other methods such as using chalk powder and pounce tools that could better suit someone like me.

 

As an emerging muralist, what thoughts or words do you want to offer emerging muralists/artists?

A Self Portrait made for promotion Cactus Boy with graphite, ink, color pencil and digital 10

Self portrait “Cactus Boy” graphite, ink, color pencil and digital -10″ x 10.25″

Make an estimate of how long you think the mural will take to paint then multiply it by three, That’s how long it will actually take to finish the mural. Mural making takes a lot of planning even before you lay down the first coat of paint, and its important that you cross your t’s and dot your i’s accordingly in order to make painting it as painless as possible. It is worth it to better invest in the materials that you use, having a roller and a brush for every color can save you a lot of time and effort.

What are you up to now? Where can we find you and your work?

As of right now I am working on mostly personal work, developing things that I might want to explore in the future. You can find me on Instagram and Twitter or my website. You can also reach me through email at bizargomezart@gmail.com. I am always open to new projects, (Both mural or illustration) so if you have a project you think I would be a good fit for then please don’t hesitate to reach out to me.

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. To learn more about the program, contact Salvador Mayoral IV (RACC)


Fresh Paint with Maria Rodriguez

In a city known for murals, how do you get your foot (or art) through a door when you’re an emerging artist of color? Fresh Paint, a partnership between RACC’s Public Art Murals program and Open Signal, offers that door to have artist work in the public realm.

In this 2019 cycle of Fresh Paint, a selection of new emerging artist have the opportunity to paint a temporary mural on the exterior of the Open Signal building facing the highly-visible Martin Luther King Jr Blvd. Each mural is up for a period of months until it is painted over in preparation for the next mural. But what’s unique about this program is that it doesn’t just provide a wall for a mural – the program offers resources to emerging artists that would not typically have access to, which then gives them space to explore working in the public sector and incorporating new approaches and skills in their artistic practice and experience.

Maria Rodriguez AKA Sparkykneecap (one of three collaborators of the current mural “Let’s talk”) is a Mexican-American artist living in Portland, OR getting her BFA in illustration at the Pacific Northwest College of Art. Through shape and color she often explores themes of identity, culture, and nostalgia while also creating work that is playful and lighthearted.

The trio’s mural is currently displaying through September 30, 2019. We caught up with Maria after the completion of the mural to talk about the work and experience with Fresh Paint:

Tell us about the collaborative mural you created for this program. Can you walk us through your process of conceptualizing a mural and bringing it to life?

We are all artists of color and some of us queer so it was important to use this opportunity to create something that spoke to not only our experiences but the importance of having a conversation across different groups of people. And most importantly being empathetic and understanding when talking about the ways we experience the world. We agreed from the beginning that we wanted to do a piece about that. At first I was hesitant about collaborating because of how different our work is but we made it work. All of our styles are quite different and I think it’s safe to say that we all enjoy the conceptual part of illustration so once we all had our pieces and put them together we created this beautiful Frankenstein of a mural.

Abuelita’s Heart, illustration

What was it like to paint your first mural on the Open Signal building?

I don’t think I anticipated how hard it would be. The first couple days were rough. We had to grid our image and because we were so excited, not being able to lay down big blocks of paint was discouraging. Once we got the ball rolling and it started taking shape it was so cool to see and the responses from people walking by was also really encouraging and I’m so glad we had the opportunity. I also love that I got to work with two of my closest friends.

Ramen Alley, illustration

Since your Fresh Paint mural, what have you been up to? What are some lessons you’ve learned along the way since your first mural?

I’m still a student. I’m in my final year at PNCA and I’ve been working on my final thesis project. I was working on my thesis while we were painting this mural so time management was key. It continues to be something I work on.

As an emerging muralist, what thoughts or words do you want to offer emerging muralists/artists?

I’d say to invest in some nice brushes cause it makes all the difference and it feels so nice when you make a clean stroke. I’d also say to not be afraid to ask for help when you need it cause murals are hard work.

What are you up to now? Where can we find you and your work?

I’m just entering the professional art world so I’m trying to look for work and maybe thinking about another mural. But while all that unfolds you can catch me doodling in my sketchbook. You can follow me on Instagram @sparkykneecap or check my website at sparkykneecap.com .

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. To learn more about the program, contact Salvador Mayoral IV (RACC)


Fresh Paint brings new mural to Northeast Portland

Artists Maria Rodriguez, Bizar Gomez and Anke Gladnick have finished painting a new mural on the exterior wall of Open Signal: Portland Community Media Center on NE Martin Luther King, Jr. Boulevard at Graham Street in Portland. “Let’s talk” is the fifth temporary mural created in the last two years as part of the Fresh Paint program, a partnership between Open Signal and the Regional Arts & Culture Council (RACC).

“We observe that in today’s political atmosphere, as more marginalized groups are speaking out about their plights and injustices towards them, there is a tendency for us to focus on the problems that only affect us most directly,” the artists said. “We get tunnel vision and don’t always look at the struggles faced by others outside of the spheres of identity that we occupy, be it race, nationality, sexuality, gender, etc.

“It is important to communicate to others that our fight is not more important than someone else’s fight, that rising tides lifts all boats and that through intra-community building, we can create positive change for everyone. With this in mind, we created this mural we that illustrates a scene [that] displays and encourages the growth that can occur when marginalized groups open up dialogues between themselves.”

The mural will remain on display through September 30, 2019. Two additional murals will be painted through Fresh Paint by artists Munta Mpwo and Limei Lai in October 2019 and April 2020.

 

About the Artists

Anke Gladnick is an illustrator who grew up in California and somehow found their way to Portland, Oregon. Through a mix of collaged analog and digital elements, Anke’s work is both visually and conceptually layered with a focus on the surreal and is inspired by dreams, nostalgia, and a sense of poignancy.

Raised in the desert of Phoenix, AZ and now living among the trees in Portland, OR.
Bizar Gomez is an illustrator and painter who is doing all he can to continue existing. Working primarily in Gouache, Graphite, Ink and digital media, his work involves mixing urban world iconography, dreamlike surrealism, stylized figures,and social consciousness to create interesting visuals and narratives.

Maria Rodriguez is a Mexican-American artist living in Portland, OR getting her BFA in illustration at the Pacific Northwest College of Art. Through shape and color she often explores themes of identity, culture, and nostalgia while also creating work that is playful and light hearted.

 

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Media Contact
Yousef Hatlani, Marketing Manager, Open Signal  |  yousef [at] opensignalpdx.org  |  (503) 536-7622
Jeff Hawthorne, Director of Community Engagement, Regional Arts & Culture Council  | jhawthorne [at] racc.org  | (503) 823-5258

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. 


New mural materializing now on NE Martin Luther King, Jr. Boulevard

Local artists channel Día de Muertos in next installment of Fresh Paint, a temporary murals program

October 17, 2018 — PORTLAND, OR – Passersby can now see the newest work-in-progress from Fresh Paint, a temporary murals program, on the exterior wall of Open Signal: Portland Community Media Center on NE Martin Luther King, Jr. Boulevard at Graham Street.

Created by artists Andrea de la Vega and Damien Dawahare, the mural depicts the Mexican tradition of building the ofrenda, or ‘offering,’ during Día de Muertos—a practice intended to welcome the deceased to the altar.

“Through our own greater cultural explorations, we discovered a ritual of connection that is all about telling stories and remembering and honoring the past,” the artists wrote in their mural proposal. “The imagery is lighthearted and shares a story of coming and going. The color palette is warm and vibrant, depicting a life after death through friendly and familiar tones.”

The mural will be completed on October 22, 2018, staying on display until March 31, 2019.

Fresh Paint is a partnership between Open Signal and the Regional Arts and Culture Council (RACC). Now in its second year, Fresh Paint is a professional development program that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio.

Fresh Paint will feature two additional murals in 2019. Future muralists include Maria Rodriguez, Bizar Gomez & Anke Gladnick (April 2019 – October 2019), Munta (Eric) Mpwo and Limei Lai (October 2019 – October 2020).

 

About the Artists

ANDREA DE LA VEGA was born in Querétaro, Mexico and grew up in Las Vegas, NV. Her mother encouraged her creativity at an early age and she pursued a degree in Interior Design at UNLV. Her work in interior design is rooted in storytelling and she believes design can have a positive impact on the human daily experience. With her artwork, she is drawn to nature and the female form. She paints in acrylic and watercolor.

DAMIEN DAWAHARE is an artist and designer from Las Vegas, Nevada. He is currently working and studying at Pacific Northwest College of Art. Damien’s work ranges from traditional printmaking techniques to 3D modeling and interactive design. He utilizes line and color in order to interpret light and space.

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About Open Signal

Open Signal is a media arts center making media production possible for anyone and everyone in Portland, Oregon. Launched in 2017, the center builds upon the 35-year legacy of Portland Community Media to create a resource totally unique in the Pacific Northwest. Open Signal offers media workshops, a public equipment library, artist residencies and five cable channels programmed with locally produced content. Open Signal delivers media programming with a commitment to creativity, technology and social change. Learn more at opensignalpdx.org.

About the Regional Arts and Culture Council (RACC)
The Regional Arts and Culture Council provides grants for artists, arts organizations, and artistic projects in Clackamas, Multnomah and Washington Counties; manages an internationally acclaimed public art program; raises money and awareness for the arts; convenes forums, networking events and other community gatherings; provides workshops and other forms of technical assistance for artists; and oversees a program to integrate arts and culture into the standard curriculum in public schools through The Right Brain Initiative. RACC values a diversity of artistic and cultural experiences and is working to build a community in which everyone can participate in culture, creativity, and the arts. Learn more at racc.org.

Media Contact
Yousef Hatlani, Marketing Manager, Open Signal  |  yousef [at] opensignalpdx.org  |  (503) 536-7622
Lokyee Au, Communications Manager, Regional Arts & Culture Council  |  lau [at] racc.org  |  (503) 823-5426


Fresh Paint with Molly Mendoza

In a city known for murals, how do you get your foot (or art) through a door when you’re an emerging artist of color? Fresh Paint, a partnership between RACC’s Public Art Murals program and Open Signal, offers that door to have artists work in the public space.

Last May, Molly Mendoza kicked off the Fresh Paint program as the first artist whose mural appeared on Open Signal’s wall. One of three artists in the program’s pilot year, Molly is an illustrator currently living in Portland, Oregon. She is a BFA graduate from the Pacific Northwest College of Art and now communicates visually through editorial and narrative mediums. Editorial clients have included Adobe, The New York Times, Hazlitt, The Atlantic, and more. Beyond editorial illustration Mendoza writes and illustrates comics that center on themes of relationship and turbulent emotion. She finds herself circling back to the use of tone in her work and how to convey intense feeling through the visual rhythms of composition and mark making — all under a narrative structure. Mendoza also enjoys creating portraits via one-on-ones with her viewer using water soluble crayons. The bright colors and haphazard mark making over conversation has been a new exploration in her art practice that she hopes to pursue further.

Molly’s mural was up on Open Signal’s wall between May – September 2017. We caught up with her to talk about her work and experience with Fresh Paint:

Tell us about the mural you created for this program. Can you walk us through your process of conceptualizing a mural and bringing it to life?

Photo of Molly standing on a ladder painting the arm of the girl in her mural. Another individual is painting the bottom of the mural behind her.

Photo by Open Signal

When it was time to conceptualize the mural I knew that I wanted to not only make a mural for Open Signal but I also wanted to create a mural for the community in the area. I loved the fact that Open Signal had programs for the youth and I thought it would be so cool to engage with younger people on MLK and bring them to think, “Broadcasting…Film…I want to do that.”

The two figures are engaging with people on the sidewalk as though they are interviewing them — it is colorful, inviting, and loaded with healthy curiosity. The simplicity of their figures and the geometric nature also allows the mural to be enjoyed from any distance. All in all I wanted to make a piece that brought people inside but also made people happy on the outside.

What was it like to paint your first mural on the Open Signal building?

​It was a challenge! I tried to get away with using the projector ​but there was no way that would work. I used the good old fashioned grid method and found that, once you get through the math part, you can scale up or down any image. I made sure to use simple shapes and a limited color palette because I had a short amount of time and did not want to bite off more than I could chew. I am glad that I did! I also brought friends to help me apply extra coats to be sure the color popped. Murals really can be a group effort and a community experience — it was fun to engage with people on their commute and it made me really happy that they enjoyed the mural. It was a real show for the three days I worked on it.

Molly's illustration depicting two women standing next to each other under the shade. Art courtesy of Molly Mendoza

Artwork by Molly Mendoza

Since your Fresh Paint mural, what have you been up to? What are some lessons you’ve learned along the way since your first mural?

​Since Fresh Paint I have been working on a graphic novel that has now been a couple of years in the making. It’s funny how every new experience makes me stronger and although this graphic novel has some crazy crunch times ahead of it I find myself saying, “Well you painted a mural in less than three days so just do this.” I also have a couple of potential mural projects coming up this summer that I am very excited about! Because the Open Signal mural was my first mural, I think that I need to take all of the positive experiences I had from that process and apply it to the walls of my next projects. Be reasonable, consider the people who will be engaging with the mural the most, and reach out to friends for help.​

As an emerging muralist, what thoughts or words do you want to offer other emerging muralists/artists?

​Please learn about the history of street art and graffiti if you are creating a public mural. Also, consider the community that your mural is in, and the wall of the establishment that it is on. What is your work doing in that context? Who does it serve? Also, ​I know for myself that I am at my best when my work can communicate to most rather than an insular few. And one last thing, be sure to measure correctly and double check your grid.

What are you up to now? Where can we find you and your work?

​I am making stories with pictures at the moment but who knows what it’ll be next month. You can find me at mollymendoza.com and on Instagram at @msmollym

Did you miss our chat with Alex Chiu, another artist who participated in Fresh Paint program’s pilot year? Read his short interview here.

Artists of color are invited to participate in Fresh Paint program’s second year cohort – get application details and apply here. Deadline to apply is July 16. Interested artist information session: Join us for an artist information session June 19 to get your questions answered.

Fresh Paint is a partnership between Regional Arts & Culture Council’s Public Art Murals program and Open Signal, a community-driven media arts center. To learn more about the program, contact Salvador Mayoral IV (RACC) or Daniela Serna (Open Signal).