RACC Blog

Artists in residence with Portland Archives present “The Watcher Files” at North Portland Library October 27 – December 5

PORTLAND, ORE.— Artists Garrick Imatani & Kaia Sand have been in residence at the City of Portland Archives and Records Center (PARC) since 2013, and will present their selections from the work they have produced at a special exhibit at the North Portland Library, 512 N Killingworth Street from October 27 – December 5. The public is invited to attend a free opening reception on October 27th from 5:30 to 7:30 p.m. with light refreshments and a performance that will begin at 6:00 p.m.

Working with PARC files known as “The Watcher Files,” a set of police surveillance files of activists and civic groups from the 1960s through the 1980s, Imatani and Sand created a series of artistic and literary interventions that serve as an addendum to the original files. They responded not only to the documents, but also to the archival materials themselves, such as cabinets, binders, folders, and index cards, which inform the sculptural objects and printed matter in this exhibit. Pull out cabinet drawers to discover framed photography and graphite drawings. Thumb through copper index cards to read a poem. The artists’ residency is a City of Portland Percent for Art Project funded through the building of PARC, administered by the Regional Arts & Culture Council. City Archivist Diana Banning suggested the residency as a way to expand the public’s knowledge of the archives. “We know how historians and academics tend to use the Archives and were interested in how artists might approach them.”

The artists’ work emerged from two threads of inquiry, “Where is anonymity within a public document?” and “Passing It On.” 

  • Where is anonymity within a public document? Surveillance creates a bright threat of attention on private lives. But how is this attention blurred? How might someone’s identity masquerade inside these files? Imatani explored the paradox of anonymity within public documents through photography and graphite drawings housed in a sculptural cabinet inscribed with language. Sand’s exploration took the form of poems embroidered into black textile panels. 
  • Passing it On. Working with several people who participated in decades of activism and civic engagement, Imatani and Sand considered some of what they continue to pass along—programs created, destruction prevented, enduring concerns, and in particular, books they read. In particular, this exhibit launches an ongoing activist bookshelf project, presenting sculptural bookshelves comprised of book selections by Kent Ford, Lloyd Marbet and Joanne Oleksiak. We borrowed the title from Ford’s description of sharing books: “I kept passing it on, passing it on to all my friends.”

Links:

About the event: https://multcolib.org/events/passing-it-new-work-watcher-files-project/33172  

About the project: http://looseleafservices.us/about

This exhibition will travel to Portland State University in January 2015.


“Día de los Muertos” installation by artist Pepe Moscoso at the Portland Building

PORTLAND, ORE –  Artist Pepe Moscoso, known for his photography, collage and assemblage work, brings his talent for combining mediums to the Portland Building in October with a site-specific Día de los Muertos (Day of the Dead) installation in the lobby exhibition space. 

As many already know, the Día de los Muertos holiday is focused on commemorating family and friends that have died and acknowledging the natural part death plays in the cycle of life. The holiday originated in Mexico, but has expanded over time and is now celebrated throughout the U.S. and beyond. Moscoso has worked on a regular basis with the Miracle Theatre Group on their stunning Día de los Muertos ofrendas (altars) and RACC is pleased to be able to present his work in the Portland Building.

“Day of the Dead altars are built during the “Día de los Muertos” holiday to honor the lives of those who have passed away. They are often quite beautiful creations, constructed with food offerings as well as things that the person enjoyed during their lives. It is believed that the spirits consume the essence and the aroma of the foods that are offered to them. It is a symbolic construction derived from a set of beliefs combining the pre-Hispanic ideologies, the worldview of Mesoamerican cultures, and the religious European beliefs of Abrahamic character brought by the Spanish conquistadores and missionaries.

“The altar of the Portland Building commemorates  characters, leaders, and visionaries who made ​​their mark in Portland, Oregon. This altar recognizes the work of: Harvey Scott, George Baker, Edgar Kaiser, James C. Hawthorne, John Heard Couch, Abigail Scott Duniway, and William Sumio Naito.”

            – Pepe Moscoso

About the Artist:  Born in León, Guanajuato, México, Pepe Moscoso lives and works in Portland. His interest in photography and collage are born of a desire to transmit and show his way of seeing the world. Pepe is the founder of FusionArte, a Portland based organization committed to promoting Latin American arts and culture. He also hosts a popular radio program on KBOO (90.7 FM in Portland) that focuses on art and culture and presents music in a variety of genres and languages. His installation at the Portland Building opens on October 20th and runs through the end of October. To see more work by Moscoso visit www.theblindinsect.com 

Viewing Hours & Location: The Portland Building is located at 1120 SW 5th Avenue in down-town Portland and is open 8 am to 5 pm, Monday – Friday.

For more information on the Portland Building Installation Space, including images, proposals, and statements for all projects dating back to 1994, go to www.racc.org/installationspace.

 


Free workshop on public art murals to be held November 8

PORTLAND, ORE – On Saturday, November 8, 2014, RACC will host a free workshop to help local artists and other community members learn how to organize, fund and navigate two different approaches to creating murals in the City of Portland.

Presenters include Gage Hamilton, an organizer of Forest for the Trees Northwest—a public art mural project that brought twenty artists together in August to paint murals—and Robin Corbo, a local artist known for her skill at organizing and creating community murals. Peggy Kendellen, Manager of RACC’s Public Art Murals Program, and Doug Strickler from the City’s Bureau of Development Services will also be on hand to help participants navigate the two options available for creating an exterior mural on a wall in Portland.  

The workshop is free and open to artists, property owners, business owners, and community/neighborhood association members. To sign up, email publicartmurals@racc.org with the subject heading “Public Murals Workshop” and include contact information in the text of the email.

Date:  Saturday, November 8, 2014
Time: 10:00 AM – 12:00 Noon
Place: Rosewood Initiative, 16126 SE Stark Street, Portland
 
 


RACC posts “Call for Proposals” for the Portland Building Installation Space

PORTLAND, ORE – The Regional Arts & Culture Council (RACC) has just posted its annual “Call for Proposals” for artists and artist teams who create installation art. The deadline for submissions is Wednesday, November 5, 2014; complete guidelines for submitting a proposal can be found at www.racc.org/public-art/overview-opportunities

Background: Each fall RACC invites artists currently living in Oregon or Washington to submit proposals for temporary installations in the lobby of the Portland Building at 1120 SW 5th Avenue in Downtown Port­land.  Since the program began in 1994 over 160 installations by regional artists have been featured in this space.  The coming season, which will run from March 2015 through February 2016, will commission eight new installations. Proposals submitted will be reviewed by a volunteer selection panel and the finalists selected will receive honorari­ums to produce their four week long, site-specific exhibitions. The Installation Space Series is known for presenting some of Portland’s best interactive and experimental media. Over time this modestly sized venue has developed a devout following and competition for a spot on the season roster is always spirited.

An opportunity for professional and students artists alike: This season, five of the eight slots available with be reserved for artists applying in the “professional” category, the other three will be reserved for “student artists” enrolled in a creative study program at the college level. Aside from some additional support and mentoring from RACC program staff, the format and presentation requirements for the student installations are identical to those for established professional artists.  RACC created this separate eligibility category to help introduce emerging talents to the world of public art.

Find out more: Statements and images all for installations dating from 1994 to the pres­ent can be viewed at www.racc.org/installationspace. To download the guidelines and background information on this year’s proposal process visit the link at the top of this page.

A general orientation, information and help session for those new to the proposal submission process will be held at the RACC offices (411 NW Park Avenue, Suite 101) the evening of October 15th from 5:30 to 6:30. Contact Keith Lachowicz at klachowicz@racc.org to reserve a spot.

Sample of past Portland Building Installation Space projects:  

Shu-Ju Wang The Laundry Maze (2013) The Laundry Maze documented the profession transitions recent immigrants to Portland made as they negotiated our country’s maze-like immigration process.

Shu-Ju Wang The Laundry Maze (2013)
The Laundry Maze documented the profession transitions recent immigrants to Portland made as they negotiated our country’s maze-like immigration process.

Felicity Fenton & Michael T. Hensley Emotional Garbage Disposal Service (2010) An interactive, creative, and free emotional garbage disposal service that provided visitors with an opportunity to rid themselves of objects that hinder their lives.

Felicity Fenton & Michael T. Hensley Emotional Garbage Disposal Service (2010)
An interactive, creative, and free emotional garbage disposal service that provided visitors with an opportunity to rid themselves of objects that hinder their lives.

Michael Endo Et in Arcadia Ego (2011) Created using discarded industrial materials, Et in Arcadia Ego functions as both a record of the present day and as a reminder of both the glory, and the failure, that our industrial past represent.

Michael Endo Et in Arcadia Ego (2011)
Created using discarded industrial materials, Et in Arcadia Ego functions as both a record of the present day and as a reminder of both the glory, and the failure, that our industrial past represent.


RACC announces its 2014 fellows in performing arts: Linda Austin and Anita Menon

PORTLAND, ORE. – The Regional Arts & Culture Council (RACC) has selected two performing artists to receive this year’s fellowship awards: Linda Austin and Anita Menon. RACC’s fellowship program is designed to help local artists of high merit sustain or enhance their creative process, and each fellowship includes a cash award of $20,000.

Linda Austin, co-founder & director of Performance Works Northwest in Portland, has been making dance and performance since 1983, often with a strong visual element and a commitment to commissioning original music. Her working process exploits and explores the body’s powers and limits, bringing each performer’s vulnerabilities and strengths, accidental awkwardness and elegance, into a web of relationships—intimate, playful, confrontational—with other bodies, objects, environment, sound and media. The resultant improvisational and/or highly choreographed works are non-linear, poetic, often laced with humor, deploying movement that often disrupts what is generally considered “dancerly.”

Linda plans to use the RACC fellowship to take the time to revisit a past work, Three Trick Pony, as well as embark on the creation of a new piece, (Un)Made.

Anita Menon founded the Anjali School of Dance in 1996 to impart the ancient art form of Bharatanatyam to students in the Portland area. She has adapted the art form for the next generation of dancers through her innovation and experimentation with contemporary choreographic works including dances on Cinderella, Red Riding Hood, Pegasus and the Wizard of Oz. Anita has choreographed dances using western classical music (such as Beethoven’s 5th symphony) as well as dances blending Bharatanatyam and yoga. In addition, Anita teaches “Story N Motion”—a program that combines the use of Bharatanatyam movements to convey stories, myths and legends from around the world. Anita is the founder of Mai3m, a non-profit organization dedicated to promoting Indian dance, music and culture in a contemporary context through original choreographies, performances and educational outreach. She is also an active volunteer board member of the Cultural Coalition of Washington County and the Hillsboro Arts & Culture Council.

With the fellowship, Anita will set aside time for study, further experimentation, research and reflection that will affect both aspects of her choreography, traditional and exploratory. New choreography for her young female dance students and collaborations with other dance forms are intended outcomes.

“We are thrilled to be able to award $20,000 fellowships this year to two very talented and diverse movement artists,” said Eloise Damrosch, RACC’s executive director. “The selection panel reached enthusiastic consensus around Linda and Anita within a crowded and highly competitive performing arts field. These two artists certainly deserve these coveted honors, and I congratulate them both.”

Established in 1999, RACC’s Artists Fellowship Award remains one of the largest and most prestigious grants to individual artists in the Pacific Northwest, supporting exceptional artists who exemplify RACC’s mission of enriching the local community through arts and culture. RACC rotates the disciplines it honors each year—performing arts, visual arts, literature and media arts—and strong support from donors made it possible to award two fellowships in 2014. (Only one fellowship per year was awarded for eight of the last nine years, and no fellowship was awarded in 2009).

To be eligible for consideration, professional artists must have worked in their field for 10 years and have lived in the Portland tri-county area for five years. Applications, which include three narrative questions, artist resumes, two letters of recommendation, and examples of the artist’s work, are reviewed through a panel process of community representatives from the discipline being honored. This year’s panelists included Jim McGinn, Kenji Bunch, Maisie Speer, Kimberly Howard, Walter Jaffe, Joaquin Lopez and Kevin Jones.

Austin and Menon join a prestigious group of local artists who have been named RACC Fellows in the past, including Mary Oslund, Obo Addy, Christine Bourdette, Terry Toedtemeier, Jim Blashfield, Michele Glazer, Tomas Svoboda, Keith Scales, Judy Cooke, Michael Brophy, Chel White, Craig Lesley, Thara Memory, Henk Pander, Joanna Priestley, Kim Stafford, Robin Lane, Eric Stotik, Lawrence Johnson and Sallie Tisdale. All RACC fellows are listed at http://www.racc.org/grants/individual-artist-fellowships.


RACC seeks applications for new public art murals

PORTLAND, ORE — The Regional Arts & Culture Council is now accepting applications for mural funding through its Public Art Murals Program. Applications are due the first Wednesday of every month through June 2015.

There are two routes to creating a community mural in Portland:

(1)The Public Art Murals Program is funded by the City of Portland and administered by the Regional Arts & Culture Council (RACC). This program provides up to $15,000 in matching funds for murals that are diverse in style and media. Students enrolled in an art program at a degree granting institution are eligible for up to $2,500 in matching funds. Artists, curators, neighborhood associations, citizen-based groups, and private developers are all eligible to apply. RACC especially encourages proposals from under-represented communities in order to ensure that the diversity of our region is reflected in our programs. There is no application fee. 

For a project to qualify for RACC approval, property owners are required to provide a signed/notarized Art Easement that is recorded with Multnomah County. Murals approved through this program become part of the City’s public art collection for as long as the Art Easement remains in effect. 

Application forms and guidelines are available at racc.org/public-art/mural-program. Proposals must be submitted by 5:00PM on the first Wednesday of every month. RACC’s review and approval process takes 4-6 weeks, and all proposals are reviewed by the Public Art Murals Program Committee, whose members include artists, arts advocates and other creative professionals. For more information, contact Peggy Kendellen, public art manager, at 503.823.4196 or pkendellen@racc.org.

On Saturday, November 8 from 10:00 am to noon, RACC will offer a free workshop to help artists understand the mural application process at the Rosewood Initiative, 16126 SE Stark St. For more information and to RSVP, contact Peggy Kendellen, public art manager, at 503.823.4196 or kendellen@racc.org.   

Since its inception in 2005, RACC’s mural program has provided funding for over 50 murals. All of them can be viewed on RACC’s website.

(2) Another route for painting a mural in the City of Portland is through the city’s Original Art Mural Permit,which has different requirements and a fee of $50. Funding is not available through the City’s permitting process. Visit portlandoregon.gov/bds/50737  for more information.


Arts education linked to student achievement in the Portland area

A new report ties The Right Brain Initiative to an increase in student test scores

Portland, Ore – There is a meaningful and quantifiable link between integrated arts education and student learning, according to a report released today by The Right Brain Initiative in advance of National Arts in Education Week next week (September 14-20).

Initial data from national arts research firm WolfBrown found that as schools work with The Right Brain Initiative:

  • Students’ reading and math scores increase at least 2.5 times more than the average annual rate of increase.
  • Students attending the most engaged Right Brain schools scored over 6 points higher in reading and nearly 9 points higher in math than they did before they began working with the Initiative.
  • This growth is even greater for English Language Learners. Students’ scores increased 10 times more after schools partnered with Right Brain, with scores continuing to rise as schools engaged more deeply with the Initiative.

RBI_Student Test Scores graph

The Right Brain Initiative is an arts integration program of the Regional Arts & Culture Council. It connects teachers and teaching artists who work together to design integrated arts experiences in K-8 classrooms. With a strong commitment to professional development, Right Brain helps teachers learn to weave the arts throughout their daily teaching practice, and helps schools develop a culture of creativity and innovation.

“We’ve always known anecdotally that integrating music with math, and photography with reading, for example, helps students gain a deeper understanding of both subjects,” said Marna Stalcup, who was hired in 2007 to establish The Right Brain Initiative. “Now, we are so proud to have this data to indicate the value of our brand of arts integration.”

This research was designed and interpreted by WolfBrown with support from the Portland State University Center for Student Success. Said Dennie Palmer Wolf of WolfBrown: “This preliminary data requires further research, but it draws our attention to the fact that it is high quality arts integration that makes a difference. The Right Brain Initiative is mapping out what this quality requires: sustained arts integration with rising levels of challenge, providing teachers with new strategies to integrate the arts into the classroom, and carefully designed programming that models differentiated and culturally competent teaching.”

Right Brain will bring arts learning to over 20,000 students in the 2014-15 school year, at 59 K-8 schools in seven districts. Estacada is the newest school district partner this school year, joining Corbett, Gresham-Barlow, Hillsboro, North Clackamas, Oregon Trail and Portland Public Schools.

WolfBrown has also led extensive qualitative research that demonstrates Right Brain’s effect on teachers and schools, as well as students. This data shows the gains made by Right Brain’s emphasis on professional development for teachers, classroom experiences designed to increase students’ sense of agency, and rising levels of whole-school investment in the arts. Read more about this work in The Right Brain Initiative 2014 Progress Report at http://bit.ly/RightBrain_ProgressReport2014.

The Right Brain Initiative is a sustainable partnership of public schools, local government, foundations, businesses and the cultural community, which launched its programming in Portland area classrooms in January 2009, and now serves nearly 20,000 students in 59 schools. The program’s vision is to transform learning for all children through the arts, creativity, innovation and whole-brain thinking. The Right Brain Initiative is a project of the Regional Arts & Culture Council, with Young Audiences of Oregon & SW Washington serving as Implementation Partner. Read more online at TheRightBrainInitiative.org.

The Regional Arts & Culture Council is the local arts agency for Clackamas, Multnomah and Washington Counties, providing grants for artists, schools and nonprofit organizations; conducting workplace giving for arts and culture (“Work for Art”) and other advocacy efforts; presenting workshops and other forms of technical assistance; providing printed and web-based resources for artists; and integrating art into public spaces. Online at racc.org. 


Call to artists: RACC to purchase new artwork for its Portable Works Collection

PORTLAND, ORE – The Regional Arts & Culture Council (RACC) is seeking artwork — paintings, prints, drawings, photographs or three-dimensional wall pieces — to purchase for the Portable Works Collection.  Professional artists from Oregon and Washington are invited to apply, and the focus of this purchase will be to add work by artists are not currently represented, or are under-represented, in the collection.

Multnomah County and the City of Portland have built a collection of two and three-dimensional artworks that are administered and managed by RACC. More than 1,000 artworks, representing hundreds of Northwest artists, are regularly rotated throughout publicly accessible spaces in County and City buildings. The collection strives to reflect a diversity of populations, artistic disciplines and points of view. Images from the collection can be searched online.

One location that will be of particular focus for this purchase will be the Multnomah County Southeast Health Center, which was recently renovated. Some of the purchased works will be placed in the waiting area and the hallways leading to exam rooms.

Artists who are interested in learning more can attend a free information session on Thursday, September 25th from 4:00-6:00PM at RACC (411 NW Park Avenue, Suite 101).  Contact Ahmed Yusuf at info@racc.org to reserve a spot.