RACC Blog

The Right Brain Initiative provides tools to build creative classrooms in its third arts education seminar

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3rd Annual Imagine This! A Seminar on Bringing Creativity to Classrooms
Monday, June 18 – Wednesday, June 20, 2012
Portland Art Museum | 1219 SW Park Avenue, Portland
Open to educators of all subjects and disciplines

Register at www.imaginethis2012.eventbrite.com
Cost: $250; single-day option $100
Advanced registration: April 17 – 30
General registration: May 7 – June 13

This summer, The Right Brain Initiative invites classroom teachers, arts specialists, principals, curriculum directors and teaching artists to explore creative possibilities in the classroom at Imagine This! The third annual arts education seminar unique to Oregon will convene K-8 educators from Portland and around the nation, for three days of arts-based teaching and learning.

Seminar attendees will choose from over 30 practical and inspiring sessions led by local and national arts education leaders. Workshops provide standards-based arts strategies to engage K-8 students and deepen student learning across the curriculum. Combining hands-on workshops, studio sessions, discussions about educational philosophy and trends, and compelling stories from the field, the seminar offers something for every educator.

In these dynamic sessions, participants will gain skills to integrate visual art and math; use theater to build a classroom community; examine the connections between music and literacy; and much more. Featured guest presenters include Frances Bronet, Dean of University of Oregon School of Architecture and Allied Arts; Rae Takemoto, administrator at Pomaika’i Arts Integration School in Hawaii; and Deborah Brzoska, teaching artist from the John F. Kennedy Center for the Performing Arts.

According to a 2011 participating educator, the Imagine This! symposium is, “A refreshing exchange of ideas and networking that I can take into staff meetings as well as the classroom.”

A program of the Regional Arts & Culture Council, The Right Brain Initiative enables the region’s educators to provide high quality arts-integrated experiences, furthering the program’s vision to ensure that every single K-8 student in the Portland metropolitan area receives creative learning opportunities. In 2011, Right Brain received a grant from the National Endowment for the Arts in support of Imagine This! and its other professional development programming.

Space is limited at this seminar. Participants are encouraged to register by April 30th to receive a discounted rate and priority selection of workshops.

Featured Speakers and Workshop Leaders:
Frances Bronet is an educator, practicing designer, and has served as Dean of the University of Oregon School of Architecture and Allied Arts since 2005. An advocate for cross-disciplinary education, Frances has implemented courses and curricula for interdisciplinary learning, combining architecture; engineering; science, technology, and society; dance and electronic arts. She holds bachelor’s degrees in engineering and architecture from McGill University in Montreal and a master’s degree in architecture from Columbia University.

Deborah Brzoska is a national leader in arts education who presents professional development for teachers and teaching artists across the country on behalf of The John F. Kennedy Center for the Performing Arts. A former dancer and teacher, she was also the founding principal of The Vancouver School of Arts & Academics, the award winning arts-based public school in Washington State. In addition to serving on the editorial board of the Teaching Artist Journal, Deb has written about arts education for The Kennedy Center, Chicago’s Project AIM, the Arts Education Partnership and The College Board.

Rae Takemoto serves as the Vice Principal of Curriculum & Instruction and Vision Leadership, as well as Arts Integration Curriculum Coordinator/Coach at Pomaika’i Elementary School, Hawaii’s first public school to adopt a whole school arts integrated curriculum. She is a certified K-6 classroom teacher, with 25 years of experience and has been named one of Hawaii’s Top Educators. For the past ten years, she has researched the effects of the arts on student learning and teacher effectiveness.

Artist Jodie Cavalier presents a minimalist take on a postmodern icon

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Project Background: Artist Jodie Cavalier will bring her uncanny ability to translate the essence of an experience into evocative, minimalist sculptural form (picture a folded sheet of corrugated metal for a waterfall, a loosely tied sheet of rolled foam for a hug) to focus on the iconic postmodern architecture of the Portland Building itself.

Love it or hate it, the Portland Building is one of this country’s earliest postmodern icons, it is clearly distinct from other buildings with easily identifiable color, design and ornamentation details that immediately set it apart. Cavalier proposes to create a dialogue between its postmodern design and her minimalist aesthetic. By distilling the essence of this well-known Michael Graves monument and focusing on a select set of architectural elements—the signature small-format windows, the frequently repeated triangular shapes, and the distinct use of line and color—the artist hopes to build a bridge between two seemingly irreconcilable styles.

About the Installation Space: Each year the Portland Building Installation Space series reserves several exhibition opportunities for advanced students in fine art. The format and presentation requirements for these student installations are identical to those for established professional artists. The Regional Arts & Culture Council created this separate eligibility category to help introduce emerging talents to the world of public art. Jodie Cavalier is the first student artist to present work this season.

About the Artist: Jodie Cavalier is a Master of Fine Arts candidate in Visual Studies at Pacific Northwest College of Art (PNCA) here in Portland, Oregon. Her research explores ideas of function, value, and the body through a combination of video, photography and installation. For more information visit www.jodiecavalier.com

Viewing Hours & Location: 7 am to 6 pm, Monday – Friday. The Portland Building is located at 1120 SW 5th Avenue in downtown Portland.

For more information on the Portland Building Installation Space Series including images, proposals and statements of all the installations selected since 1994, go to www.racc.org/installationspace.

New artists added to the Portable Works Collection

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The Regional Arts & Culture Council (RACC) has added 52 new works by 32 Oregon artists to its portable works collection. The collection of more than 1,000 pieces represents hundreds of Northwest artists, and these artworks are displayed on a rotating basis in publicly accessible buildings throughout the City of Portland and Multnomah County.

RACC purchases artwork for the portable works collection every few years or so, when accumulated funding from the city and county reaches a significant level. The budget for this round of purchases was $57,100. An important goal of this year’s purchase was to expand the artists and subject matter represented; only artists who weren’t in the collection already were eligible to submit artwork for consideration.

The artworks selected for this purchase include paintings, drawings, photographs, prints, mixed media works and wall mounted sculpture. They were chosen by an independent panel of artists, curators and Multnomah County representatives. The panel reviewed more than 1,200 digital images that were submitted for consideration, and made their final selections based on viewing actual artwork.

Several of these newly purchased artworks will be on display at RACC’s offices, 411 NW Park Avenue, Suite 101 in Portland, from April 5th to May 4th, 2012.

A list of the artists selected follows below. For a list of all the individual artworks purchased, with titles and thumbnail images included, please see PDF below. To request use of a specific image, contact Public Art Collections Manager Keith Lachowicz at klachowicz@racc.org. For more information on the Portable Works Collection, or other collections managed by RACC, visit http://racc.org/public-art/search.

Artists added to the Portable Works Collection, spring 2012:
Holly Andres
Corey Arnold
Pat Boas
Deanna Bredthauer
Esteban Camacho Steffensen
Laurie Danial
Rachel Davis
Shawn Demarest
Justin Finkbonner
Bobby Fouther
Kwa Franklin Ghong
Surabhi Ghosh
Damien Gilley
Pat Courtney Gold
Trish Grantham
Sabina Haque
Farooq Hassan
Kathy Karbo
Jesus Kobe Garcia
Kendra Larson
Stu Levy
Ron Mills de Pinyas
Pepe Moscoso
Susan Murrell
Thomas Le Ngo
Trude Parkinson
Hampton Rodriguez
Grace Sanchez
Gwenn Seemel
Sara Siestreem
Shu-Ju Wang
Tammy Jo Wilson

Nine new temporary installations selected for the Portland Building Installation Space

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The Regional Arts & Culture Council (RACC) has announced a line-up of nine new installations by local artists scheduled to appear in the Portland Building over the next twelve months.

For 18 years, RACC has managed the Installation Space in the Portland Building (located downtown at 1120 SW 5th Avenue) as a way to present some of the region’s best interactive and experimental media installations. At 13’wide by 8′ deep, this modestly sized venue is devoted exclusively to installation art presented in month-long exhibitions. The space has developed a devout following over the years, and every fall when RACC issues a “call for proposals,” competition for a spot on the roster is spirited.

This year, 33 artists submitted proposals in the “Professional Artist” category, and 31 artists applied in the “Student” category. An independent selection panel reviewed all of the proposals, and ultimately selected nine site-specific works that are challenging, topical and diverse. The RACC Board approved the final recommendations earlier this month. 

Portland Building Installation Space—2012/2013 Season Calendar and Project Descriptions:
Jodie Alexi Cavalier (student) March 26 – April 20, 2012
Kendra Larson April 30 – May 25, 2012
Jules Nemish (student) June 4 – June 29, 2012
Christy Hawkins (student) July 9 – Aug 3, 2012
Leslie Vigeant August 13 – September 7, 2012
Stephen Kurowski & Marina Tait September 17 – October 12, 2012
Linda Hutchins October 22 – November 16, 2012
Margot Myers January 14– February 8, 2013
Nathan Sandberg February 18 – March 15, 2013

Jodie Alexi Cavalier (Student) March 26 – April 20, 2012
Untitled – A minimalist installation focusing on selected architectural details of the Portland Building: The artist brings her uncanny ability to translate the essence of an experience into evocative, minimalist sculptural form (a folded sheet of corrugated metal for a waterfall, a loosely tied sheet of rolled foam for a hug) to focus on the architecture of the Portland Building. Love it or hate it, the Portland Building is clearly distinct from other buildings, with easily identifiable color, construction and ornamentation details that set it apart; the artist proposes to distill the essence of this well-known Michael Graves monument by isolating a select set of architectural details (such as the signature small-format windows, the frequently repeated triangular shapes, the distinct use of line and color) and presenting minimalist sculptural representations of them inside the Installation Space.

Kendra Larson April 30 – May 25, 2012
Aviary – A Northwest forest diorama complete with three-dimensional birds perched and flying in the space: Using her slightly spooky wall paintings that present a mix of conifer trees, mountain vistas and clouds, along with an aviary of three-dimensional bird sculptures, the artist will create an installation based on Northwest flora and fauna that will function on a number of levels—beyond being a regionally specific exploration of wilderness, the intentionally clumsy application of paint, in combination with the use of industrial materials to form the sculptures, will both support and contrast with our traditional image of the forests around us. The result will be a work that will not only spark conversation about the ownership of nature, but will suggest a deeper, more complicated vision of what “being in the wild” means.

Jules Nemish (Student) June 4 – June 29, 2012
Van Gogh in Three Dimensions – A 9 foot high paper maché sculpture modeled on Van Gogh’s Tournesols painting: Drawing on the long tradition of copying or imitating Van Gogh famous “Sunflowers” painting, the artist proposes to stretch things into the 3rd dimension and build a sculpture that recreates Van Gogh’s uber famous painting of 1888. The vase will be scaled up to a height of 3 or 4 feet and will be constructed in paper maché; the flower arrangement will top out at 9 feet high. The colors and textures used originally by Van Gogh will be matched on the sculpture, and the floor and walls of the gallery will be treated using various media to echo the background in the original still life.

Christy Hawkins (Student) July 9 – Aug 3, 2012
Outdoors In – A 3-D quilted campfire scene complete with quilted scenic backdrops: The artist will bring a soft and colorful camp scene made of quilted fabrics, rugs and a “plushy campfire of pillows” to the Installation Space. The scene, which will include both 3-D sculptural creations and 2-D quilted backdrops, will feature real tree stumps (topped with pads quilted in tree ring patterns), and a central tent with bamboo frame and quilted fabric sides. All the quilts and sculptures will be made with a combination of new and “up-cycled” material. The project is principally aimed at families and children and seeks to help counteract “nature deficit disorder” by inspiring visitors to leave their electronic devices at home and “get out there on a real camping trip!”

Leslie Vigeant August 13 – September 7, 2012
Material Rescue League – A modern boutique style presentation of salvaged/re-configured/re-packaged/re-marketed raw materials: The Material Rescue League, created by the artist in 2010, is dedicated to illustrating the absurdity of the retail industry by branding and re-packaging post-consumer materials and presenting them in an up-scale fashion. The degree to which we, as consumers, can be influenced by packaging and marketing becomes clear when the viewer realizes that the objects on display are actually items of trash—old floor tiles, lead tire weights, discarded bits of string and wire. The attention to detail present here, (lead weights re-cast into new shapes, marmoleum tiles ground into powder and bottled, etc.), not only takes the “purchaser” by surprise, but also generates a discussion about the challenges of re-purposing in a sustainable way.

Stephen Kurowski & Marina Tait September 17 – October 12, 2012
Project Everyone – An open interview station set up in the space with playback available in off-hours: Project Everyone is an ongoing video interview series with the lofty goal of interviewing every person on earth. Each interview session lasts ten minutes or less and the video is edited to less than five minutes. Volunteer participants (who all sign waivers) are prompted by a list of eight questions which range from the mundane to the esoteric. The interviews, which champion the significance of the everyday and provide a glimpse of the rich life-path variety surrounding us, have proven to be oddly addictive. Without a hint of Hollywood or Reality T.V., the earnestness of the “average” person is both captivating and refreshing.

Linda Hutchins October 22 – November 16, 2012
Apart Along, Together – A set of silverpoint drawings created on-site and in full view of passers-by: Wearing silver thimbles on all fingers the artist will draw directly on the walls with both hands simultaneously to accumulate marks that echo and record her drawing gestures. The drawings will be created with intention (they will be abstract, but not arbitrary) and will present a set of three separate silverpoint “constellations”, each made by repeating a particular gesture over and over. The end result will not only fix the marks in relation to the surrounding architecture, but will vividly indicate the presence of the artist even when she is not present.

Margot Myers January 14– February 8, 2013
Radiate – A complex set of stencils cut from x-ray film that project light from the overhead track fixtures onto the walls: Inspired by images of the skeletal structures left behind by microscopic organisms fossilized in ocean floor sediment (radiolaria) the artist will expand the scope of her recent work with small, intricate stencils to present forms on a more monumental scale. The stencils, cut from large sheets of x-ray film and strategically laid out on Lexan hung above the main wall, will translate light from the track lights into shadowy, quivering images that will read dramatically both from the lobby and from inches away.

Nathan Sandberg February 18 – March 15, 2013
Tally – A wall of steel rings with cast glass and concrete stakes that resemble jailers keys serve as physical records to track, and provide significance to, everyday mundane tasks: Perplexed by the repetitive nature of life, Nathan Sandberg records the number of times we find ourselves reaching for our keys, taking exactly the same path to and from our jobs, or checking the mailbox. To both curse and pay homage to the amount of time we spend on these tasks the artist proposes to document such repeated activity in permanent and dramatic fashion. A wall of 25, five inch dia. steel rings with varying quantities of kiln cast glass and concrete, “marking” stakes will be mounted to the back wall of the Installation Space to serve as a reminder to all those who trivialize the mundane.

Burgerville to “Feed the Arts” by donating portion of proceeds to “Work for Art” on March 8

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Non-profit provides financial support to more than 80 vital arts and culture organizations serving the Northwest region

VANCOUVER, Wash.  – On Thursday, Mar. 8, Burgerville, a long-standing tradition in Oregon and Southwest Washington, will donate 1.5 percent of all sales that day to Work for Art, a non-profit that supports arts and culture services throughout the Northwest region. Additionally, Burgerville cardholders who make a purchase before 11 a.m. will generate another 5 cents for the program.

“Burgerville is committed to giving back to the communities where we live, work and serve. Our partnership with Work for Art gives us an opportunity to do just that,” said Jeff Harvey, president and CEO of Burgerville. “Work for Art funds more than 80 vital arts and culture organizations each year, and they are an important part of keeping the arts alive in the Pacific Northwest.”

This isn’t the only way Burgerville is giving back to Work for Art; Burgerville employees can also personally donate money to the non-profit through Burgerville’s employee giving campaign. Burgerville believes art and creative vitality are essential to thriving communities and Work for Art perfectly embodies this message.

Burgerville will host two more partnership days with their other payroll-giving partners this year. On March 29, a percent of sales will be donated to the United Way of the Columbia-Willamette, and on April 29, sales will benefit EarthShare of Oregon and Washington.

For a list of Burgerville locations visit http://www.burgerville.com/find-a-restaurant.

About Work for Art
Donations to Work for Art’s Community Fund and Arts Education Fund provide grants to more than 80 vital arts and culture organizations every year – encompassing dance, visual arts, music, literary arts, media arts, theater, cultural arts, and arts education. 100% of all donations to Work for Art are passed through to these organizations – no administrative fees are deducted. These groups provide: Thousands of arts education experiences every year in our schools; Partnerships with the clients of more than 100 health and social service agencies; as well as thousands of performances and events in our neighborhoods and communities. Gifts from employees and other individuals are matched dollar-for-dollar by a challenge fund. Those who give $60 or more to Work for Art will be thanked with an Arts Card, providing 2-for-1 tickets at hundreds of arts and culture events.

About Burgerville
Burgerville is a quick-service restaurant company with 38 locations throughout Oregon and Southwest Washington, serving guests fresh, great-tasting food from a mission to “serve with love.” Burgerville’s values extend beyond locally grown berries, all-natural Country Natural Beef, Walla Walla onions and cage-free eggs. At Burgerville, the commitment to fresh, local and sustainable values is about helping people and communities thrive. The innovative company, established in 1961, is redefining industry norms by providing affordable health care for hourly employees and their dependents, purchasing wind power equal to their electricity use, converting used trans-fat free cooking oil to biodiesel and implementing comprehensive resource stewardship and recycling. For more information about Burgerville, please visit www.burgerville.com.

Media contact
Kathryn Jackson, Work for Art
503.823.5424/kjackson@racc.org

Jamie Godfrey, LANE PR for Burgerville
503.546.7892/jamie@lanepr.com

Artist Shu-Ju Wang’s “The Laundry Maze” Ends March 16

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Project Background: The Chinese laundry is an iconic thread of the early China-to-US immigration story. It was a business that required little start-up capital or spoken English and was viewed as an undesirable task that could be passed on to immigrants without controversy. Regardless of professions they may have attained before coming to the U.S., many Chinese immigrants found this particular small business to be one of the few career options open to them in their new country.

Although the laundry business and immigration patterns have changed a great deal in the last 100 years, in a broad sense, jobs with “laundry” roots still represent work that a wide variety of immigrants find easily accessible regardless of past experience—dry cleaning, housekeeping in the hospitality industry, and private housecleaning services often have a disproportionate number of immigrants filling their ranks—once again doing difficult, lower wage work that more established Americans are happy to pass on. Since our work is such a large part of our identities, a transition in profession brought on by immigration, be it permanent or temporary, can bring about dramatic changes in identity.

Project Description: Using the Chinese laundry as a jumping-off point, artist Shu-Ju Wang will present The Laundry Maze in the Portland Building Installation Space from February 13th through March 16th, 2012. As she began her research, the artist found that immigrants continue to compromise and take on jobs with less prestige as they resettle; those with the most training and the most prestigious jobs in their native countries are generally the most impacted. But the results were more varied than she had initially anticipated—over time quite a few immigrants surveyed were able to make lateral transitions to jobs comparable to those held before immigration, and a few who took on positions with lower responsibility elected to keep those “lower stress” positions.

Drawing on the idea of unseen figures moving from place to place, uncertain of where they will be led next, Wang will create a simple maze inside the installation space. Clotheslines will be installed in a grid pattern with various shirts and blouses hung upon them to define the maze. Sets of “before and after” job descriptions, inscribed on the clothing (or “laundry”) will document the variety of profession transitions that immigrants have volunteered to share with the artist. With their faces and identities obscured from outside view by the maze walls, visitors to the Portland Building will be encouraged to find a path through the maze as they read and share the identity shift experience that immigration demands.

Viewing Hours & Location: 7 am to 6 pm, Monday – Friday. The Portland Building is located at 1120 SW 5th Avenue in downtown Portland. For more information on the Portland Building Installation Space Series including images, proposals and statements of all the installations selected since 1994, go towww.racc.org/installationspace.

Fall campaigns bring Work for Art to 83% of goal with four months remaining

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Thirty-three workplaces have announced their employee giving totals for the 2011-12 “Work for Art” campaign, and those gifts, combined with other contributions received between July 1, 2011 and January 31, 2012, total $703,326. With several more campaigns scheduled for the spring, Work for Art is on track to beat last year’s campaign total of $765,000 by June.

Among all employee giving campaigns conducted thus far, Portland General Electric leads the pack, raising $78,699 from 238 employees, including the company’s 50% match. Last year’s top company, The Standard, currently ranks second in campaign revenue at $68,094 from 82 employees, including a 100% match of employee gifts. NW Natural also matches 100% of its employees’ contributions, and has raised $55,893 from 119 employees.

The executive director of the Regional Arts & Culture Council (RACC), Eloise Damrosch, also announced today the results of a friendly challenge that was issued last fall by Carole Morse, president of the PGE Foundation and honorary chair of this year’s Work for Art campaign. “Carole and our other top companies went into the campaign with a little competition: which company could increase their number of donors the most? We are thrilled to announce that PGE won that challenge, and their employees stepped up this year in record numbers – 238 employee donors in all, up 59% over last year. Several other companies bested their numbers from last year as well, including NW Natural, OHSU, and Multnomah County employees, and we congratulate them all.”

Overall, workplace giving campaigns account for $367,522 of the total raised thus far. Gifts from individuals not associated with any workplace, and other miscellaneous gifts, have brought in an additional $43,656. And, because Work for Art features a matching challenge fund (which includes the City of Portland, Multnomah, Clackamas and Washington counties, and RingSide Fish House as its investors), all gifts from employees and other individuals are matched dollar for dollar, adding another $292,148 to the campaign to date.

“We are truly grateful for all of the companies and individuals who are participating in this year’s campaign,” Morse said. “With a little help from our spring campaigns yet to come, it’s going to be a record year.”

At least 20 companies are lined up to help Work for Art raise an additional $146,674 this spring in order to meet its aggressive goal of $850,000. Burgerville, which raised over $16,000 last year, kicks off its employee giving drive this month, culminating in a “Feed the Arts” Day on Thursday, March 8. A portion of every sale at all 38 Burgerville locations on that day will benefit Work for Art.

KeyBank is also gearing up for a strong campaign in March, led by Brian Rice, President of KeyBank Oregon and SW Washington District. “Banks have consistently cared about their community, and this is a wonderful opportunity for us to demonstrate that again,” he said. “At KeyBank, we truly believe that funding the arts is everyone’s business, and we invite financial institutions of every shape and size to join us in raising money for arts education and all of the other vital services that our arts organizations provide in our community.”

Several more companies will be running a Work for Art campaign for the first time this spring, including Bank of the Cascades, the Portland Timbers, and the Portland Business Alliance.

All workplace campaigns are wrapped up by early June, and the official campaign total will be announced before July 1st. A full 100% of all money raised through Work for Art is passed on to arts organizations through RACC’s competitive grant programs. Although Work for Art raises most of its money through workplace giving, anyone can make a contribution and receive the related benefits, including the Arts Card, which provides a full year of 2-for-1 tickets at hundreds of local arts and culture events for donors who contribute $60 or more. For more information, and to contribute online, visit www.workforart.org.

Major private funders renew support for The Right Brain Initiative

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The Collins Foundation and the James F. and Marion L. Miller Foundation have renewed their support for The Right Brain Initiative with major two-year grants, the Regional Arts & Culture Council (RACC) announced today. Each foundation awarded the program a total of $100,000 to be used over the next two years.

A unique community-wide partnership managed by RACC, The Right Brain Initiative is committed to equity in arts education. In 2009, the program entered 20 Portland area K-8 schools to integrate visual, performing, media and literary arts with math, reading and other classroom subjects. Received enthusiastically by teachers, students and district staff, the program has since grown to serve nearly 11,500 students and 31 schools in five school districts. Further expansion is anticipated each year until the program serves all 110,000 K-8 students in Clackamas, Multnomah and Washington Counties.

This funding will directly support the program’s growth, particularly to high-need schools in the region.

These recent foundation contributions are supported by increased private contributions from JPMorgan Chase and the Bank of America Charitable Foundation. Individual giving is also up, due partly to the success of Right Brain’s 2011 Willamette Week Give!Guide campaign, which raised $8,590 from nearly 200 donors (a 30% increase from last year’s campaign).

Private funds currently make up just over 50% of the program’s $900,000 budget. Ongoing private sector funders include:  U.S. Bank/U.S. Bancorp Foundation, the PGE Foundation, The Harold and Arlene Schnitzer CARE Foundation, The Standard and KeyBank. Annual public funders consist of the City of Portland, Clackamas and Multnomah Counties and the five participating school districts. Find a full list of program donors and partners at TheRightBrainInitiative.org/funding

The Right Brain Initiative is a sustainable partnership of public schools, local government, foundations, businesses and the cultural community, which launched its programming in Portland area classrooms in January 2009. The program’s vision is to transform learning for all children through the arts, creativity, innovation and whole-brain thinking. The Right Brain Initiative is a project of the Regional Arts & Culture Council, with Young Audiences of Oregon & SW Washington serving as Implementation Partner. Read more online atTheRightBrainInitiative.org.

The Regional Arts & Culture Council is the local arts agency for Clackamas, Multnomah and Washington Counties, providing grants for artists, schools and nonprofit organizations; conducting workplace giving for arts and culture (“Work for Art”) and other advocacy efforts; presenting workshops and other forms of technical assistance; providing  printed and web-based resources for artists; and integrating  art into public spaces. Online at racc.org.