RACC Blog

The Arts Propel Communities Forward

Laura Streib, AEP6 Coordinator

For the last year, RACC and Americans for the Arts have been connecting communities through arts and culture events throughout Multnomah County and the City of Portland.

By attending a myriad of events and connecting with attendees, as well as nonprofit organizations, we have been able to get a clear picture of what the arts landscape provides in terms of an economic recovery as we continue to emerge from the COVID-19 shutdowns.

One thing we found crystal clear from all the events we were able to attend is just how grateful people are to get out and be part of cultural events again. The need to be able to connect with others is deep and profound.

The results of the surveys provide incredible insight into how the arts and culture nonprofit sector specifically has been resilient in working hard to bring us together and continue to make Portland and Multnomah County the creative and unique place it has always been. A quick overview –

By the Numbers

  • 12,280 jobs and $6 million dollars in household income from working in the arts/nonprofit sector
  • $19.9 Million in local tax revenue generated
  • $25.5 Million in State tax revenue generated
  • $114.6 Million in Federal Tax revenue generated

The ripple effects out into the greater economy can be seen and felt in event-related spending that totaled $331.2 million dollars. When people go out to experience a play or concert or gather for a cultural experience – everyone benefits.

For example, the coffee shop or restaurant where someone stops before or after a show, the drinks enjoyed in the lobby, or the childcare spent to enjoy a night without the kids. All this adds up.

At one event we attended at the Old Church Concert Hall, we had a fascinating conversation with two friends who had driven down from Seattle to attend the sold-out concert. When they started filling out the survey, they realized all of the extra costs associated with what they thought was just a concert.

They paid for gas on their drive down to Portland, they stayed overnight in a local Airbnb, and they went out for dinner, drinks, and coffee. One individual bought a T-shirt from the concert and a vinyl record. Throughout our conversation, it became clear that the arts are an important driving force in our economy.

We know the world has changed dramatically since the last AEP study was released. The data from that last study has helped individual artists apply for grants, assisted organizations in strategic planning, and even shaped planning and policy in Troutdale. Those effects continue to resound today. Data from the AEP5 study was used by the Economic Development Coordinator in Troutdale to push their city leaders to extend the Troutdale Arts Festival into a weekend-long event that closed the main street in old town Troutdale. Having the data of the arts driving economy was the push the city decision-makers needed to implement this new festival which now draws thousands of people each summer. This has led to more concerts in the park, movie nights, and other cultural events throughout the summer in East Multnomah County.

Arts and Culture are major drivers of our economy and are something our city officials and elected leaders need to be mindful of as we continue to emerge from these continued uncertain times. As Oregon is ranked 41st in terms of public dollars invested in Arts and Culture, we need to do more to leverage the creative economy for the betterment of our communities.

The arts mean business in the Greater Portland area. 


Save the Date!

The Regional Arts & Culture Council (RACC), in collaboration with Oregon Arts Commission, Tualatin Valley Creates, and Clackamas County Art Alliance, is excited to unveil the recently released Arts & Economic Prosperity 6 (AEP6) study, a comprehensive exploration from Americans for the Arts into how arts breathe life and dollars into our economy.

Join us on Monday, November 6th, 5:30 – 7:30 pm PST at Lakewood Center for the Arts, Lake Oswego (Map). Secure Your Spot!


Arts Education for All Act Announcement

Immediate Release

September 27, 2023

The Regional Arts & Culture Council Re-Endorses The Arts Education for All Act (HR 5463) Co-Sponsored by Congresswoman Suzanne Bonamici (D-OR1)

Portland, OR – The Regional Arts & Culture Council (RACC) is pleased to announce our endorsement and support of the reintroduction of the Arts Education for All Act in 2023, announced during National Arts in Education Week on September 15 by Representatives Chellie Pingree (D-Maine), Suzanne Bonamici (D-OR1), and Teresa Leger Fernández (D-NM). This Act will once again support and encourage arts education and programming for PK-12 students, youth, and adults involved in the justice system. The Regional Arts & Culture Council has engaged with numerous supporters throughout the past few years and we hope you will join us in once again supporting this important legislation. The newly established legislative Arts and Culture Caucus coordinated by Representative Rob Nosse (D-42) was launched earlier this year to emphasize the importance of arts and culture in Oregon. We know that arts education is a crucial component of that mission. At RACC, we support arts organizations and artists that make a difference in our community through their impactful engagement in the arts, and The Arts Education for All Act will only enhance these programs.

“The arts spark creativity, critical thinking, and empathy in students … These skills benefit and enrich students throughout their lives regardless of what path they take. It is unacceptable that there is less access to arts education for students from Black, Latino, and low-income families, especially when research shows that students who have arts education perform better in math, reading, and writing. I wrote the Arts Education for All Act to help address these disparities. And with student mental health as a top concern, the arts can help bring healing and wellness.”  Congresswoman Suzanne Bonamici

The Arts Education for All Act addresses these gaps in access to arts education and has the potential to improve the lifelong health and achievement of both children and adults. Arts education and programming can be federally funded under various existing programs; however, currently there is a lack of clarity and information available about how the funds can be used. If this becomes legislation, it will support and encourage arts education and programming for our youngest learners, and will also include youth and adults involved in the criminal court and justice systems. The bill also includes provisions that support rigorous arts and arts education research to continue to inform how elementary and secondary education outcomes are affected by a well-rounded education.

A one-page summary of the Arts Education for All Act can be found here. For a link to the press release issued by the Congresswoman, click here. CALL TO ACTION- if you want to endorse Arts Education for All, please add your name to the list here or email artsedu@racc.org. To read the full text of the bill click here.

###

MEDIA CONTACT

Chanda Evans, Arts Education Manager, Regional Arts & Culture Council, cevans@racc.org

Communications at Regional Arts & Culture Council, comms@racc.org


Arts for All Program Increases Access and Outreach in Community

The Regional Arts & Culture Council Announces a Relaunch of the Arts for All Program to Increase Engagement and Outreach in Our Community, and Beyond, Ensuring Arts & Culture Are Accessible for All

We envision a community that supports, engages with, and finds joy in arts and culture being accessible by all–not just those who can afford to pay, but also for those with limited resources. RACC wants opportunities to be available for all members of our community. We want people to be uplifted, enjoy arts and cultural events, and be part of the creative fabric of our state. The Arts for All program was conceived by a group of thoughtful arts leaders more than 10 years ago to ensure that everyone receiving assistance through the Oregon Trail Card/SNAP could attend arts and cultural events for $5 a ticket.

While the Arts for All program has flourished and steadily grown, we have seen that there is a need to increase its accessibility. To achieve our goals, we are relaunching the program with renewed engagement and outreach. Our goals include making the information downloadable from our website at www.racc.org and distributing printed materials throughout the region to hundreds of non-profit social service agencies, county and city government offices, schools, health departments and clinics, community centers, arts and culture organizations, and more. Program information will be available in six languages and will be at culturally specific locations.

Friends of Chamber Music was proud to be one of the founding member organizations of Arts for All back in 2011, and I’ve personally had the privilege of continuing to help coordinate the program for the last several years. It’s been so gratifying to see the impact Arts for All has had in making the arts accessible to all parts of our community and see it become a model for similar programs across the country.  – Pat Zagelow, Friends of Chamber Music Executive Director

The Arts for All program enables us to enjoy arts and culture together while ensuring access for all. Without the support and dedication of arts organizations in our community, this program would not be possible. We are thrilled to announce a new partnership with the Hult Center for Performing Arts in Eugene, Oregon. The expansion of the Arts for All program throughout the state ensures better access to arts and culture for all of our residents.

RACC looks forward to hearing the community’s response for this renewed launch and engagement opportunity for Arts for All. Please let us know how we can continue to ensure that access to arts and culture activities is available for all who wish to participate. Let us know how we can make this community-centered program better! – Carol Tatch, Executive Director, Regional Arts & Culture Council

The organizations who have joined RACC to ensure access to arts and culture in our community are listed at racc.org/artsforall. Please support these arts and cultural organizations any way that you can to show your support for arts and culture access for all. For more information, please email us at arts4all@racc.org.


Advocacy in Arts Education

What do we want? Arts Education! When do we want it? Now!

This seems like the mantra every new school year, every budget season, and perennially from youth across our communities. They love art. They love the paint, the sticky glue on their fingers, the seasonal pumpkin sketches, and the field trips to performances and exhibitions. They love using scissors and cutting hearts out of red construction paper, school assemblies, showcasing their ceramics and photography in the halls, learning current media techniques, and most of all, they love the joy of being creative together.

Advocating for arts and culture in our community and schools is a full-time job. We hope that one day it will just be the norm. People will simply understand the value of arts and culture in our community, in our schools. We will not have to advocate for funding and sustaining a vibrant arts education program in our PK-12 schools, but will be thinking instead about all the new courses, and the arts educators we need to hire because the demand for art is so vast and the classes are too full. Imagine.

Yet, arts and culture are in demand now. Arts save lives. We know that because teachers, community members, students, policy makers, data reports and analysis, and arts organizations remind us repeatedly. It is through arts in our schools that an atmosphere of communication and tolerance, a mapping of emotions through creation, enable students to connect to the greater world. There they can express their creative selves, find their voice, and to see the connectedness of the human spirit. In community, we do the same.

Can you recall the world without music, movies, gatherings and performances while we were in lockdown during the global Covid-19 pandemic? The arts enable us to survive through some of our darkest times as a community, and the arts continue to uplift and support us as we struggle not just to survive, but to thrive in our new world.

We ask you to join us as an advocate for arts education in our schools and in our community. Lend your voice to the chorus, and share your experiences and joy with others. Tell your story of how the arts saved you. Nurtured you. Tell your family members to support candidates and board members that want sustained funding in arts education in our community. Support arts councils that advocate for arts and culture in your community. Support arts organizations by volunteering, attending performances, and sponsoring school trips through donations. Whatever you do, be that advocate and voice for arts and culture in our community and schools. Be loud.

Please join us at www.racc.org/arts-education to learn more.  Tag us on Instagram when you share your stories.

-Chanda Evans, Arts Education Manager


RACC Grantee Heléna Dupre Thompson’s “Unintentional Spectacles”

Laura Vincent Design & Gallery is a space in downtown Portland known since 2018 for its careful selection of contemporary artists. We visited to interview artist Heléna Dupre Thompson and view her exhibition Unintentional Spectacles, funded in part by a Make|Learn|Build grant from the Regional Arts and Culture Council (RACC). 

Thompson was raised in the industrial city of Providence, Rhode Island, and worked as a firefighter. This exhibition served as a testament to her background. Thompson extracts stories from what many overlook: utility poles covered in posters, skate parks, and the undersides of skateboards, transforming close-up images into abstract worlds. 

On view alongside Unintentional Spectacles was James Florschutz’s exhibition, Assembled Fragments. Constructed out of found materials, these objects carried their own histories, challenging our views on urban sprawl and consumerism. Together, these two artists’ were in conversation, their works resonating with each other, weaving narratives of urban life and transformation from the seemingly mundane.

The phrase “industrial beauty” seems like an oxymoron, but in Thompson’s hands, it becomes an exploration of the aesthetic potential hidden in the mundane. “I’ve always been drawn to abstraction,” she says. Providence is a city with an industrial history like her current home, Portland. Despite the geographical distance and the years away, she found unexpected similarities between the two cities. “Providence is kind of like a really small version of Portland,” she notes, describing the shared landscapes, content, and political undercurrents, though also acknowledging a few east-west coast differences.

Her work, characterized by magnifying her lens deep into her subjects, is layered with history, the passage of time, and the gentle or not-so-gentle interventions by humans and nature alike. Focusing on the elements that resonate most with her, Thompson encapsulates vast landscapes within tiny surface areas. “Most of my [photographs]…are about a one to two-inch surface area,” she shares; yet these miniature compositions hint at large geological formations. 

Thompson challenges the notion that her work is a form of documentation. While she captures the tangible realities of her subjects, she intends to remove them from their context and allow them to stand separate. It’s an intriguing juxtaposition of preservation and abstraction that pulls viewers into an almost ethereal space, urging them to question and rethink what they’re perceiving. “I do this…for the viewer to see it however they want to see it,” she explained. The result is an abstraction so detailed, it becomes a world unto itself.

Thompson embraces spontaneity in her creative process, and her work emerges from the unexpected, while staying grounded in the physical world. “Most of my work happens on-site,” Thompson reveals. But there is an element of serendipity at play. She explains, “Sometimes I’ll be riding my bike and I’ll find chunks of metal or glass [on the roadside]. I’ll [then] take them back to my studio and compose them there.”

“Being in that environment, hearing the sounds, seeing the people, meeting the people, smelling the smells… It makes me more connected to the city and the people.”

Her experimentation is not confined to stationary objects; she draws inspiration even from the fleeting, like skateboarders gliding by at the park. “I’m interested in the surfaces that the skaters skate on, but also what the undersides of their boards look like,” she says, unveiling an exciting recent find, recycled skateboard decks. “This is the thing that scraped the wall that I was photographing and now…already…this is a piece,” she marvels, cradling the board. “I love [this] kind of layering…First of all, there’s a graphic on it, right? And then somebody bought it and put these stickers on it. And then who knows where this board has been? Now, through the actions of the skater, it becomes a mashing and regeneration of the original colors, lines and textures,” she contemplates, her words subtly drawing parallels between her work and life itself – a multitude of intricate, layered experiences.

Thompson sees the relationship with these environments and communities as a two-way street — she was observing them, and they were inadvertently shaping her. 

“Being in that environment, hearing the sounds, seeing the people, meeting the people, smelling the smells… It makes me more connected to the city and the people. Even if I see them once, there’s a bond that I feel more connected to,” she confessed. “Being amongst artists and communities, I’ve gotten so much out of that and learned so much from it.” These interactions fostered a sense of shared understanding, a silent bond that she found incredibly nurturing. “I feel like it makes me a more present person, more caring. As artists, we have this connection that a lot of people don’t have. It’s made me feel more whole in a lot of ways, more connected to my environment and myself.”

Thompson also noted the crucial role of funding bodies like RACC, acknowledging how its support had impacted her journey as an artist. She concluded, “[This grant] allowed me to take a few leaps forward, to prioritize my craft, to grow, and to learn. I truly believe I wouldn’t have been in this gallery now if it weren’t for the timing of that grant.” 

As we wrapped up, I was given the exciting news that Thompson had been asked to be represented by Laura Vincent Gallery as the show concluded, confirming the steady evolution of her artistic trajectory. Laura Vincent Gallery’s invitation emphasizes Thompson’s unique visual language and the raw intimacy she brings to her work. With her journey marked by a non-traditional, self-guided education, Thompson’s story reflects the potential for diverse routes into the art world, celebrating creativity that thrives outside established norms. 

All images by Heléna Dupre Thompson, from Unintentional Spectacles.” 


RACC Grantee North Pole Studio Recount their Experience at the Outsider Art Fair

In the spring of 2020, North Pole Studio emerged as a testament to creative inclusion and artistic empowerment. In June of 2023, I spoke with Sula Willson about the organization and their recent experience at the Outsider Art Fair in New York City, a trip made possible through a Regional Arts & Culture Council Arts3C grant. Co-founded by a dedicated group of artists, educators, and advocates — Sula Willson, Mary Ellen Andersen, Davis Wohlford, Sarah Mensah — the organization serves as a robust platform supporting careers in the arts, particularly for artists with autism and intellectual/developmental disabilities. As Willson shared in our conversation, “…we decided to open North Pole Studio as another option for folks who needed a creative space that was intentionally smaller, intentionally quieter, and highly individualized.” 

A large, colorful artwork filled with bold lines and abstract shapes sits on a wall. Below it, a comfy looking couch. On the adjacent wall sit five smaller artworks of varying size.

Housed in NW Marine Artworks, Portland’s largest collaborative of professional artist studios, North Pole Studio is more than a 1,200 sq/ft space for creation: it embodies the belief that understanding diverse human experiences is foundational to a vibrant and whole community. With an unwavering commitment to fostering self-determination and facilitating meaningful connections, the organization ensures that its artists thrive as visible contributors to both local and national contemporary art communities. “We always say that the space belongs to the artists… and we are here to facilitate whatever artists come to create and pursue,” says Willson, encapsulating the mission of North Pole Studio and its focused approach. 

In a vertical line, three small paintings on cardboard sit on a wall. Each depict colorful, costumed, faceless figures. To the right and left are more gestural and abstract framed works. A potted plant peeks into the left side of the image.

Communication is central at North Pole Studio, bridging gaps and enabling artists to navigate opportunities and employment within the art world and beyond. Willson explains, “…we scaffold communication in a lot of different ways, but we use a lot of social stories, visual supports,” tailoring contracts or other documents that may be inaccessible to individual artists. Collaboratively, unique strategies are crafted for each artist. For some artists like James Enos, the studio acts as the primary liaison with his book dealer. For others, like Austin Brague, guidance is provided as he applies for opportunities independently.  The need for spaces like this studio is great, as evidenced by North Pole Studio’s rapid growth. As the organization begins to tackle questions of growth and scalability, one thing is clear: at North Pole Studio, the individual needs of the artists will always take center stage. 

As with many arts nonprofits, the challenging landscape of funding underscores their mission. In an endeavor to make their workshops more accessible, the studio has introduced a sliding scale fee for all programs, which in turn amplifies the need for more robust external funding. Despite this terrain, the determination of Willson, Andersen, and the myriad collaborators that allow the space to run smoothly, remains unwavering. What keeps them going is their recognition of the transformative influence that this support and advocacy has on artists’ lives. Willson describes, “having someone recognize that you are capable of something bigger than you thought… is empowering within itself.” 


In our conversation, Willson highlighted North Pole Studio’s core belief of fostering individual growth and opening doors to opportunities for artists with autism and intellectual/developmental disabilities. Their commitment to this mission was brought to life when they attended the Outsider Art Fair in New York City, made possible through funding from RACC. This experience served as both an enriching platform for their artists and a milestone in the studio’s journey. Now, to truly capture the experience, let’s turn to the team at North Pole Studio, who share below their firsthand reflections and insights from the fair: 


In March 2022, RAAC awarded an Arts3C grant that made it possible for North Pole Studio to represent three artists at the highly competitive Outsider Art Fair in New York City. This eye-opening and career-changing exhibition opportunity would not have been possible without RACC’s funding, and we are deeply grateful for the support. The fair was a true whirlwind — an enriching, educational, challenging, colorful experience that provided a valuable new perspective for our staff, artists, and their advocates, family members, and community members.

The Outsider Art Fair is the largest exhibition of self-taught artists in the world. It occurs biannually in Paris and New York, and is internationally attended by exhibitors, visitors, and patrons alike. “Outsider Art” or art brut (raw art) historically describes artists who are creating outside of educational institutions and traditional techniques, or those without exposure to (whether intentional or not) or influence from popular art culture and trends. Aesthetically and philosophically, this work has a rawness to it — and is valued for its pure, expressive, seemingly unselfconscious quality which captures the artists’ completely original experience.A scanned piece of paper filled with pink and red handwriting.

Some of the most renowned “Outsider” artists include Bill Traylor, who was born into slavery and began creating art in his eighties; Martín Ramírez, a railway worker who was institutionalized with schizophrenia in his later life; and Judith Scott, a deaf woman with Down’s Syndrome who discovered her creative voice in a supported art studio. In the contemporary art world, the “Outsider Art” movement has broadened significantly, encompassing a diverse community of artists both dead and living. Today, the commonality among artists represented at the fair is that they are entirely self-taught, and are creating extraordinary artwork in a style and technique that is completely their own. 

As the field has evolved, the term “Outsider” itself has become controversial. Many of the artists represented at the fair are from marginalized communities, including artists that are low-income, disabled, and BIPOC with many intersections in between. North Pole Studio is intentionally embedded inside the professional arts community. Our location is a strategic choice to combat the isolation and access barriers that artists with disabilities continue to face in their communities. While almost all of the artists we serve are entirely self-taught, the desire to identify as an “Outsider” in the art world varies from artist-to-artist and is rejected by many.

North Pole Studio is part of a nationwide movement of progressive art studios who are working to amplify the voices and work of artists with disabilities. The energy of this movement is vibrant, and very much alive at the fair. Using these funds from RACC, we were so proud to represent artists Austin Brague, Dan Tran, and James Enos. Our highlight by far was having Austin and Dan join us in New York City to represent their work firsthand. Austin worked on his submission for over a year — a large scale pen and ink drawing of New York City — which he triumphantly sold at the fair, breaking many New Yorker hearts. Artist James Enos is co-represented by Booklyn, Inc. and this was his second appearance at the fair. He also sold an original work on the first day. James’ work truly stands out at the fair, as he is among a minority of artists working in book form and has developed an unparalleled binding technique, which includes large-scale illustrations which can fold out over 5 feet long. Dan Tran is a rising star in the progressive art world, and it was our pleasure to make face-to-face introductions to fans from all over the country who continue to follow his work.

Austin shared that he had no idea that he was part of such a vast community of self-taught and disabled artists. He was “blown away by the creativity, how vast the collection of work is…[he] had no idea.” Selling work at this level made him realize that success as a professional artist is in reach, and it has motivated him to focus his art practice and dream bigger moving forward. Prior to joining North Pole Studio, many of the artists we serve were creating work in isolation, with little access to resources and exposure. Beyond the art sales and professional connections, the community aspect was perhaps the most powerful impact of our experience at the Outsider Art Fair — the sense of place and connection with an international community of self-taught artists who are valued as professionals, and core contributors to art history and contemporary art. 

We learned so much, and returned to Portland with valuable insights to share with North Pole Studio’s community, and Portland’s art community at large. We can’t wait to go back!


To learn more about North Pole Studio, please visit their website. They are currently seeking new artists to join their Main Studio Program this year. If you or someone you know is seeking supported studio space and looking to connect with a community of artists, they’d love to hear from you!

Image Captions, from top to bottom: A glimpse inside of North Pole Studio’s cozy, art-filled space. Detail of various artworks hung on the studio wall. Work by James Enos, Writing


RACC completes our 2023 Fiscal Year with record number of grant awards investing in our creative community

The Regional Arts & Culture Council (RACC) is pleased to announce the distribution of substantial funds made between July 2022 and June 2023, totaling over $7.8 million, to support individual artists, arts organizations, and many art projects across the tri-county region. Grant funding is made possible by public investment and partnership from the City of Portland, Multnomah, Clackamas, and Washington Counties, Metro, and a grant from the National Endowment for the Arts (NEA). RACC grants are awarded through competitive programs, primarily General Operating Support (GOS) and the new Arts3C Grant, that engage with Community Reviewers in the decision making process. These evolving grant programs are a testament to RACC’s commitment to foster a vibrant arts community and ensure equitable access to artistic experiences for all residents

Our ability to strategically ensure that our community continues to be centered as we navigate the changes brought about by the recent pandemic and social justice and equity initiatives is informed by our community, who holds us accountable, and who can see and experience the returns on their investment in RACC. These funds are from community, for community. We are grateful stewards and leaders ensuring an equitable process and program. Our private/public partnerships with our local, state, and national governments are the bedrock for these opportunities. Our success relies on thoughtful collaboration and transparency in our processes,” Carol Tatch, RACC’s Chief for External Operations.

This past years’ increased number of applicants reflect the growth in creative activity and the expanding needs of art producers. Over 60 artists, arts administrators, and arts board members reviewed applications, participated on panels, and contributed to the work in making the record number of grant awards. Four arts organizations, Alberta Abbey Foundation, Caldera, Lan Su Chinese Garden, and Resonance Vocal Ensemble, were accepted into the General Operating Support program partnership, bringing the total number of groups that receive ongoing unrestricted grant support up to 70. A list of all GOS organizations and their award amounts is available online at racc.org/ grants/grant-awards/.

Most notably, in two cycles of Arts3C grants in the last year, RACC received a total of 1100 eligible applications and awarded $1,735,000 to 452 unique recipients. RACC received 856 eligible applications and awarded $1,143,000 to 385 unique recipients in the comparable program in FY22. This ongoing growth in arts activities and interest in public grant support follows a trend that RACC has been tracking since before the pandemic.

This last year, RACC was able to make a special allocation of $2.4 million to our GOS and Capacity Building arts organizations, made possible thanks to Portland residents that voted for and paid into the Arts Education & Access Income Tax Fund (AEAF), also known as the Arts Education Tax. RACC has had a Board-approved reserve fund since 2018 when they received an unexpected allocation of arts tax revenues collected by the city. Some of those funds were distributed to partner arts organizations in a special allocation that same year and another distribution was made three years ago during the pandemic. The funds distributed through the AEAF will enhance the capacity of diverse art organizations–from visual arts institutions to performing arts organizations and cultural event programmers–to sustain their programs, outreach initiatives, and administrative functions. By providing general operating support, RACC’s distribution of its portion of AEAF funds strengthens the foundational pillars of these organizations and supports their continued vitality and the community’s access to meaningful engagement with the arts.

RACC launched the Fall cycle of Arts3C Grants on July 26, 2023, and will be offering the opportunity to apply to be a Community Reviewer in early August. While the number of applicants grows and the processes remain competitive, RACC team members continue to invest in artists and applicants through time, information, support, and learning opportunities, not to mention grant funding. RACC’s Grants team is available to answer questions and support applicants in all the grant programs.

 

RACC grants team: grants@racc.org


FY2022-23 General Operating Support Grant Awards

Learn more about RACC’s General Operating Support program.

General Operating Support Partner Base Awards

Cycle 1 – Reports received in December 2022 and awarded January 2023

  • Artists Repertory Theatre – $60,000
  • Blue Sky Gallery (Oregon Center for the Photographic Arts) – $15,000
  • Literary Arts – $60,000
  • Portland Center Stage – $100,000
  • Portland Youth Philharmonic – $45,000
  • The Portland Ballet – $30,000
  • Third Angle New Music – $15,000

Cycle 2 – Reports received in February 2023 and awarded in March 2023

  • Arts for Learning NW (Young Audiences) – $45,000
  • BodyVox – $45,000
  • Boom Arts – $15,000
  • CoHo Productions – $20,000
  • Metropolitan Youth Symphony – $30,000
  • Oregon Ballet Theatre – $100,000
  • Oregon Contemporary – $20,000
  • Outside the Frame – $20,000
  • Portland Art Museum – $175,000
  • Portland Columbia Symphony Orchestra – $20,000
  • Portland Opera – $85,000
  • Portland Playhouse – $45,000
  • Profile Theatre – $30,000
  • Shaking the Tree Theatre – $20,000
  • Street Books – $15,000
  • Third Rail Repertory Theatre – $20,000
  • White Bird – $30,000

Cycle 3 – Reports received in May 2022 and awarded in June 2022

  • Bag & Baggage Productions (Washington County) – $30,000
  • Broadway Rose Theatre Company (Washington County) – $60,000
  • Cappella Romana – $30,000
  • Chamber Music Northwest – $45,000
  • Children’s Healing Art Project – $15,000
  • Corrib Theatre – $15,000
  • Echo Theater Company – $30,000
  • Ethos Music Center – $30,000
  • Friends of Chamber Music – $30,000
  • Friends of Noise (All Ages Music Portland)- $15,000
  • Hand2Mouth – $15,000
  • Hollywood Theatre (Film Action Oregon) – $60,000
  • Imago Theatre – $20,000
  • Independent Publishing Resource Center – $15,000
  • Lakewood Center for the Arts (Clackamas County) – $45,000
  • Live Wire Radio – $30,000
  • My Voice Music – $20,000
  • New Expressive Works – $15,000
  • Northwest Children’s Theater & School – $60,000
  • NW Dance Project – $45,000
  • NW Documentary Arts & Media – $15,000
  • Oregon BRAVO Youth Orchestras – $45,000
  • Oregon Children’s Theatre – $60,000
  • Oregon Symphony Association – $175,000
  • Pacific Youth Choir – $20,000
  • PassinArt: A Theatre Company – $15,000
  • PDX Jazz – $30,000
  • PHAME – $30,000
  • PETE (Portland Experimental Theatre Ensemble) – $15,000
  • Polaris Dance Theatre – $15,000
  • Portland Baroque Orchestra – $45,000
  • Portland Gay Men’s Chorus – $20,000
  • Portland Institute for Contemporary Art – $45,000
  • Portland Piano International – $20,000
  • Portland Street Art Alliance – $20,000
  • Portland Taiko – $15,000
  • PlayWrite, Inc – $15,000
  • The Red Door Project – $30,000
  • Triangle Productions – $20,000
  • World Stage Theatre – $15,000
  • Write Around Portland – $20,000

 

GOS New Partner Organizations awarded June 2023

  • Alberta Abbey Foundation – $15,000
  • Caldera – $30,000
  • Lan Su Chinese Garden – $30,000
  • Resonance Vocal Ensemble – 15,000

 

Capacity Building Organizations participating in FY22-23

  • ArtMax Academy (Washington County) – $25,000
  • Cymaspace – $25,000
  • En Taiko- $25,000
  • Instituto de Cultura e Arte In Xochitl In Cuicatl – $25,000
  • MediaRites – $25,000
  • Rejoice Diaspora Dance Theater- $25,000
  • Takohashi- $25,000
  • Theatre Diaspora- $25,000
  • Vanport Mosiac – $25,000
  • World Arts Foundation- $25,000

 

GOS Investment Awards – awarded June 2023

  • Artists Repertory Theatre – $19,300
  • Arts for Learning Northwest (Young Audiences) – $9,300
  • Bag & Baggage Productions – $3,000
  • Blue Sky Gallery (Oregon Center for the Photographic Arts) – $8,200
  • Bodyvox – $15,900
  • Boom Arts – $28,500
  • Broadway Rose Theatre Company – $6,000
  • Cappella Romana – $15,200
  • Chamber Music Northwest – $15,200
  • Coho Productions – $17,800
  • Corrib Theatre – $5,900
  • Ethos Music Center – $26,300
  • Friends of Noise (All Ages Music Portland – $10,700
  • Hand2Mouth – $16,300
  • Hollywood Theatre (Film Action Oregon – $18,900
  • Imago Theatre – $7,400
  • Independent Publishing Resource Center – $27,400
  • Lakewood Center for the Arts – $6,000
  • Literary Arts – $27,400
  • Live Wire Radio – $7,800
  • Metropolitan Youth Symphony – $20,400
  • My Voice Music – $26,700
  • New Expressive Works – $13,300
  • Northwest Children’s Theater & School – $24,800
  • Northwest Dance Project – $7,800
  • Oregon Ballet Theatre – $11,900
  • Oregon BRAVO Youth Orchestras – $17,400
  • Oregon Children’s Theatre – $16,700
  • Oregon Contemporary – $23,000
  • Oregon Symphony Association – $7,400
  • Outside the Frame – $10,000
  • Pacific Youth Choir – $16,700
  • PDX Jazz – $8,900
  • PHAME – $29,700
  • PlayWrite, Inc – $6,300
  • Polaris Dance Theatre – $21,500
  • Portland Art Museum – $21,500
  • Portland Baroque Orchestra – $14,800
  • Portland Center Stage – $26,300
  • Portland Experimental Theatre Ensemble – $16,300
  • Portland Gay Men’s Chorus – $14,800
  • Portland Institute for Contemporary Art – $18,500
  • Portland Opera Association – $9,600
  • Portland Piano International – $7,000
  • Portland Playhouse – $26,300
  • Portland Street Art Alliance – $17,400
  • Portland Youth Philharmonic – $23,700
  • Profile Theatre – $27,800
  • Shaking the Tree Theatre – $26,700
  • Street Books – $10,000
  • The Portland Ballet – $8,200
  • The Red Door Project – $17,100
  • Third Angle New Music – $23,700
  • Third Rail Repertory Theatre – $21,100
  • Triangle Productions – $8,200
  • White Bird – $7,800
  • World Stage Theatre – $17,800
  • Write Around Portland – $27,400

 

GOS Special AEAF Allocation – awarded June 2023

  • Artists Repertory Theatre – $60,000
  • Arts for Learning NW (Young Audiences) – $45,000
  • Blue Sky Gallery (Oregon Center for the Photographic Arts) – $15,000
  • BodyVox – $45,000
  • Boom Arts – $15,000
  • Cappella Romana – $30,000
  • Chamber Music Northwest – $45,000
  • Children’s Healing Art Project – $15,000
  • CoHo Productions – $20,000
  • Corrib Theatre – $15,000
  • Cymaspace – $15,000
  • Echo Theater Company – $30,000
  • En Taiko- $15,000
  • Ethos Music Center – $30,000
  • Friends of Chamber Music – $30,000
  • Friends of Noise (All Ages Music Portland)- $15,000
  • Hand2Mouth – $15,000
  • Hollywood Theatre (Film Action Oregon) – $60,000
  • Imago Theatre – $20,000
  • Independent Publishing Resource Center – $15,000
  • Instituto de Cultura e Arte In Xochitl In Cuicatl – $15,000
  • Literary Arts – $60,000
  • Live Wire Radio – $30,000
  • MediaRites – $15,000
  • Metropolitan Youth Symphony – $30,000
  • My Voice Music – $20,000
  • New Expressive Works – $15,000
  • Northwest Children’s Theater & School – $60,000
  • NW Dance Project – $45,000
  • NW Documentary Arts & Media – $15,000
  • Oregon Ballet Theatre – $100,000
  • Oregon BRAVO Youth Orchestras – $45,000
  • Oregon Children’s Theatre – $60,000
  • Oregon Contemporary – $20,000
  • Oregon Symphony Association – $175,000
  • Outside the Frame – $20,000
  • Pacific Youth Choir – $20,000
  • PassinArt: A Theatre Company – $15,000
  • PDX Jazz – $30,000
  • PHAME – $30,000
  • PETE (Portland Experimental Theatre Ensemble) – $15,000
  • PlayWrite, Inc – $15,000
  • Polaris Dance Theatre – $15,000
  • Portland Art Museum – $175,000
  • Portland Baroque Orchestra – $45,000
  • Portland Center Stage – $100,000
  • Portland Columbia Symphony Orchestra – $20,000
  • Portland Gay Men’s Chorus – $20,000
  • Portland Institute for Contemporary Art – $45,000
  • Portland Opera – $85,000
  • Portland Piano International – $20,000
  • Portland Playhouse – $45,000
  • Portland Street Art Alliance – $20,000
  • Portland Taiko – $15,000
  • Portland Youth Philharmonic – $45,000
  • Profile Theatre – $30,000
  • Rejoice Diaspora Dance Theater- $15,000
  • Shaking the Tree Theatre – $20,000
  • Street Books – $15,000
  • Takohashi- $15,000
  • The Portland Ballet – $30,000
  • The Red Door Project – $30,000
  • Theatre Diaspora- $15,000
  • Third Angle New Music – $15,000
  • Third Rail Repertory Theatre – $20,000
  • Triangle Productions – $20,000
  • Vanport Mosiac – $15,000
  • White Bird – $30,000
  • World Arts Foundation- $15,000
  • World Stage Theatre – $15,000
  • Write Around Portland – $20,000