RACC Blog

Portland Parks & Recreation + Prosper Portland + RACC: Lents Fair

The Regional Arts and Culture Council, in partnership with Portland Parks & Recreation and Prosper Portland, have selected artist Molly Mendoza to create a mural in early 2020 on the exterior of a new bathroom facility in Lents Park. Molly has created a preliminary design of the mural (see image above) and is interested in hearing from the community in and around the Lents neighborhood to inform and inspire the final design.

We will be at the Lents Fair on Sunday August 11th from 11-4 PM with artist Molly Mendoza to seek feedback from members of the Lents community for an upcoming mural project at Lents Park. Molly will be drawing portraits of folks while listening to their stories about the Lents community. Come visit us!

If you are unable to join us, but would like to fill out a survey to contribute to the process, take the survey here!

If you have questions about this project, artist and process please feel free to contact Ella Marra-Ketelaar, 503.823.5891 and emarra-ketelaar@racc.org


Fresh Paint with Bizar Gomez

In a city known for murals, how do you get your foot (or art) through a door when you’re an emerging artist of color? Fresh Paint, a partnership between RACC’s Public Art Murals program and Open Signal, offers that door to have artist work in the public realm.

In this 2019 cycle of Fresh Paint, a selection of new emerging artist have the opportunity to paint a temporary mural on the exterior of the Open Signal building facing the highly-visible Martin Luther King Jr Blvd. Each mural is up for a period of months until it is painted over in preparation for the next mural. But what’s unique about this program is that it doesn’t just provide a wall for a mural – the program offers resources to emerging artists that would not typically have access to, which then gives them space to explore working in the public sector and incorporating new approaches and skills in their artistic practice and experience.

Bizar Gomez  was raised in the desert of Phoenix, AZ and now living among the trees in Portland, OR. Gomez is an illustrator and painter who is doing all he can to continue existing. Working primarily in gouache, graphite, ink and digital media, his work involves mixing urban world iconography, dreamlike surrealism, stylized figures, and social consciousness to create interesting visuals and narratives. Gomez graduated from Pacific Northwest College of Art with a BFA in Illustration.

The trio’s mural is currently displaying through September 30, 2019. We caught up with Bizar after the completion of the mural to talk about the work and experience with Fresh Paint:

Tell us about the collaborative mural you created for this program. Can you walk us through your process of conceptualizing a mural and bringing it to life?

A gouache, color pencil and digital piece on the helplessness we feel when others ascribe identity to us by Bizar Gomez

“This Is You” -gouache, color pencil and digital -11″ x 14″

Once we decided we wanted to work together, the idea and design of the mural happened pretty organically. Even though our personal styles are very distinct between the three of us, there was still enough common ground in our approach and content that it was not difficult to create a composition that not only retained our own individuality, but also something that worked well as a whole.

What was it like to paint your first mural on the Open Signal building?

It was definitely fun, and once you got into the right flow of it, became very meditative. It was also pretty physical, and on most nights I found myself going straight to bed after a day of painting. We received a lot encouragement and support from the community and passersby as we were painting it, and it helped quite a bit to help us push through the day whenever fatigue began to get in the way.

Since your Fresh Paint mural, what have you been up to? What are some lessons you’ve learned along the way since your first mural?

Since the Fresh Paint mural, I’ve mostly been spending time looking for new mural opportunities, as well investing further in my freelance illustration career. I’ve learned that making murals can be demanding but rewarding, and that it is a very unique medium that reaches out to type of people who don’t normally seek art on their own. It’s also pushed me to consider other solutions to transfer line work to the walls. While projectors and grinding are commonly used, there are other methods such as using chalk powder and pounce tools that could better suit someone like me.

 

As an emerging muralist, what thoughts or words do you want to offer emerging muralists/artists?

A Self Portrait made for promotion Cactus Boy with graphite, ink, color pencil and digital 10

Self portrait “Cactus Boy” graphite, ink, color pencil and digital -10″ x 10.25″

Make an estimate of how long you think the mural will take to paint then multiply it by three, That’s how long it will actually take to finish the mural. Mural making takes a lot of planning even before you lay down the first coat of paint, and its important that you cross your t’s and dot your i’s accordingly in order to make painting it as painless as possible. It is worth it to better invest in the materials that you use, having a roller and a brush for every color can save you a lot of time and effort.

What are you up to now? Where can we find you and your work?

As of right now I am working on mostly personal work, developing things that I might want to explore in the future. You can find me on Instagram and Twitter or my website. You can also reach me through email at bizargomezart@gmail.com. I am always open to new projects, (Both mural or illustration) so if you have a project you think I would be a good fit for then please don’t hesitate to reach out to me.

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. To learn more about the program, contact Salvador Mayoral IV (RACC)


Fresh Paint with Maria Rodriguez

In a city known for murals, how do you get your foot (or art) through a door when you’re an emerging artist of color? Fresh Paint, a partnership between RACC’s Public Art Murals program and Open Signal, offers that door to have artist work in the public realm.

In this 2019 cycle of Fresh Paint, a selection of new emerging artist have the opportunity to paint a temporary mural on the exterior of the Open Signal building facing the highly-visible Martin Luther King Jr Blvd. Each mural is up for a period of months until it is painted over in preparation for the next mural. But what’s unique about this program is that it doesn’t just provide a wall for a mural – the program offers resources to emerging artists that would not typically have access to, which then gives them space to explore working in the public sector and incorporating new approaches and skills in their artistic practice and experience.

Maria Rodriguez AKA Sparkykneecap (one of three collaborators of the current mural “Let’s talk”) is a Mexican-American artist living in Portland, OR getting her BFA in illustration at the Pacific Northwest College of Art. Through shape and color she often explores themes of identity, culture, and nostalgia while also creating work that is playful and lighthearted.

The trio’s mural is currently displaying through September 30, 2019. We caught up with Maria after the completion of the mural to talk about the work and experience with Fresh Paint:

Tell us about the collaborative mural you created for this program. Can you walk us through your process of conceptualizing a mural and bringing it to life?

We are all artists of color and some of us queer so it was important to use this opportunity to create something that spoke to not only our experiences but the importance of having a conversation across different groups of people. And most importantly being empathetic and understanding when talking about the ways we experience the world. We agreed from the beginning that we wanted to do a piece about that. At first I was hesitant about collaborating because of how different our work is but we made it work. All of our styles are quite different and I think it’s safe to say that we all enjoy the conceptual part of illustration so once we all had our pieces and put them together we created this beautiful Frankenstein of a mural.

Abuelita’s Heart, illustration

What was it like to paint your first mural on the Open Signal building?

I don’t think I anticipated how hard it would be. The first couple days were rough. We had to grid our image and because we were so excited, not being able to lay down big blocks of paint was discouraging. Once we got the ball rolling and it started taking shape it was so cool to see and the responses from people walking by was also really encouraging and I’m so glad we had the opportunity. I also love that I got to work with two of my closest friends.

Ramen Alley, illustration

Since your Fresh Paint mural, what have you been up to? What are some lessons you’ve learned along the way since your first mural?

I’m still a student. I’m in my final year at PNCA and I’ve been working on my final thesis project. I was working on my thesis while we were painting this mural so time management was key. It continues to be something I work on.

As an emerging muralist, what thoughts or words do you want to offer emerging muralists/artists?

I’d say to invest in some nice brushes cause it makes all the difference and it feels so nice when you make a clean stroke. I’d also say to not be afraid to ask for help when you need it cause murals are hard work.

What are you up to now? Where can we find you and your work?

I’m just entering the professional art world so I’m trying to look for work and maybe thinking about another mural. But while all that unfolds you can catch me doodling in my sketchbook. You can follow me on Instagram @sparkykneecap or check my website at sparkykneecap.com .

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. To learn more about the program, contact Salvador Mayoral IV (RACC)


Fresh Paint brings new mural to Northeast Portland

Artists Maria Rodriguez, Bizar Gomez and Anke Gladnick have finished painting a new mural on the exterior wall of Open Signal: Portland Community Media Center on NE Martin Luther King, Jr. Boulevard at Graham Street in Portland. “Let’s talk” is the fifth temporary mural created in the last two years as part of the Fresh Paint program, a partnership between Open Signal and the Regional Arts & Culture Council (RACC).

“We observe that in today’s political atmosphere, as more marginalized groups are speaking out about their plights and injustices towards them, there is a tendency for us to focus on the problems that only affect us most directly,” the artists said. “We get tunnel vision and don’t always look at the struggles faced by others outside of the spheres of identity that we occupy, be it race, nationality, sexuality, gender, etc.

“It is important to communicate to others that our fight is not more important than someone else’s fight, that rising tides lifts all boats and that through intra-community building, we can create positive change for everyone. With this in mind, we created this mural we that illustrates a scene [that] displays and encourages the growth that can occur when marginalized groups open up dialogues between themselves.”

The mural will remain on display through September 30, 2019. Two additional murals will be painted through Fresh Paint by artists Munta Mpwo and Limei Lai in October 2019 and April 2020.

 

About the Artists

Anke Gladnick is an illustrator who grew up in California and somehow found their way to Portland, Oregon. Through a mix of collaged analog and digital elements, Anke’s work is both visually and conceptually layered with a focus on the surreal and is inspired by dreams, nostalgia, and a sense of poignancy.

Raised in the desert of Phoenix, AZ and now living among the trees in Portland, OR.
Bizar Gomez is an illustrator and painter who is doing all he can to continue existing. Working primarily in Gouache, Graphite, Ink and digital media, his work involves mixing urban world iconography, dreamlike surrealism, stylized figures,and social consciousness to create interesting visuals and narratives.

Maria Rodriguez is a Mexican-American artist living in Portland, OR getting her BFA in illustration at the Pacific Northwest College of Art. Through shape and color she often explores themes of identity, culture, and nostalgia while also creating work that is playful and light hearted.

 

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Media Contact
Yousef Hatlani, Marketing Manager, Open Signal  |  yousef [at] opensignalpdx.org  |  (503) 536-7622
Jeff Hawthorne, Director of Community Engagement, Regional Arts & Culture Council  | jhawthorne [at] racc.org  | (503) 823-5258

 

Fresh Paint is a professional development program, now in its second year, that provides emerging artists of color the opportunity to paint a mural in a high-traffic setting for the first time. The goal is for each artist to learn new ways of creating art in a public space, as well as to build their portfolio. 


Portable Works Collection: New Artworks for the Gladys McCoy Building

New Artworks for the Gladys McCoy Building

The new Multnomah County Health Department Headquarters

PORTLAND, ORE —The Regional Arts & Culture Council is proud to announce the purchase of 99 new small to medium scale artworks from 57 artists for display in the new Gladys McCoy Building, the Multnomah County Health Department Headquarters at 619 NW Sixth Avenue. Artworks for the building have been selected by a community panel to reflect qualities of Lightness, Openness & Optimism. The lobby artwork is by artist Francesco Simeti and the 99 smaller scale artworks by 57 local artists will hang in floors 2-9 when the building opens on April 9.

These artworks are new additions to the Portable Works Collection, which consists of over 1,200 works on paper, paintings, prints and textiles.  RACC will publish images and basic information about the artworks once everything has been catalogued and framed.  Many artists who are new to the collection have been included in this purchase.  These artworks are part of the Multnomah County 2% for Public Art program managed by RACC and generated through the construction of the new building. An artist reception will take place in late Spring – early Summer 2019.

*image above: Connection of Love, William Hernandez, 2018

 

2019 Portable Artwork Purchase Artists (*indicates new artist to the collection)

 

Adam Sorensen* Aja Ngo* Akram Sarraj*
Alyson Provax* Amy Bernstein* Andrei Engelman*
Anna Daedalus* Anna Gray & Ryan Wilson Paulsen* Anshula Tayal*
Baba Wague Diakite Barb Burwell* Bayann Alkhatib*
Beth Yazhari* Brittany Vega* Chet Malinow*
Cyrus Nahab* Dino Matt* Ellen McFadden*
Erika Rier* Grant Hottle* Haruka Ostley*
Hobbs Waters* Hsin-Yi Huang* Ivan Salcido*
Joanna Kaufman* Larry Yes* Latoya Lovely*
Laura Heit* Lisa Onstad* Michael Loen*
Michelle Ross Miroslav Lovric* Naomi Shigeta
Natasha Bacca* Pat Boas Patrice Cameron*
Peter Blanchard* Petra Sairanen* Phyllis Trowbridge*
Poppy Dully* Quire Leah Hugon* Rachel Wolf*
Rebecca Rodela* Renee Zangara Ridwana Rahman*
Ruth Lantz Sade Beasley* Samir Khurshid*
Sarah Bouwsma* Sarah Meadows* Shawn Demarest
Shobha Jetmalani* Shu-Ju Wang Stacy Lovejoy*
Tamara English* Tia Factor* William Hernandez*

 


March 2019 Night Lights: The Midnight Variety Hour

Our final Night Lights, RACC’s outdoor public art series, is wrapping up its 2018-19 season with The Midnight Variety Hour (MVH) – Night Lights Edition  March 7, at 6pm.  For RACC’s Night Lights Program, MVH will present a video program with live music, sound and vocals.

MVH deconstructs the world of live television and the essence of the variety hour creating a dream-like memory of tv shows. Through the build up of layers and patterns of imagery and sound, MVH creates a landscape of distorted time and space. Some of the elements used in their live performances have included pre-recorded and live video, foley sounds, tap shoes, microphones, acoustic instruments, drums, synthesizers, and dance. Distinct sections of improvisation emerge through the tension and release of accumulated instrumentation, dance, and video.

All works will take place at the north wall of the Regional Arts & Culture Council office at 411 NW Park Ave, Portland OR (on the corner of NW Glisan St and NW Park Ave).

 

Night Lights is a monthly public art event that celebrates the intersection of digital technology, art, and place. Happening outdoors on the First Thursdays of fall and winter months, this multimedia art series presents local artists’ new works, combining large-scale video projection with other art forms such as movement and sound. Works are projected for several hours starting at dusk on the north wall of Regional Arts and Culture Council’s office at 411 NW Park Ave, Portland, OR.

Midnight Variety Hour (MVH) is a collaborative project consisting of five multi-disciplinary dancers, performers, musicians, and filmmakers (Maura Campbell-Balkits, Sean Christiansen, Kelly Rauer, Fern Wiley, and Leah Wilmoth).  Learn more about them here midnightvarietyhour.

 

 

 

 

February 2019 Night Lights: Untitled

Night Lights, RACC’s outdoor public art series, continues its 2018-19 season with Megan Mckissack’s Untitled work on February 7 at 5:30pm. Mckissack’s Night Lights work was inspired by the current Presidential Administration’s deletion of climate data.

Mapping and generating visualizations of Oregon LIDAR point cloud data from the Oregon Department of Geology and Mineral Industries and the National Oceanic and Atmospheric Administration, these visualizations are projected as visual loops accompanied by ambient and atmospheric soundscapes McKissack creates an environment that responds directly to the architecture its projected onto.

Only one more Night Lights event remains after February: Midnight Variety Hour in March.

All works will take place at the north wall of the Regional Arts & Culture Council office at 411 NW Park Ave, Portland OR (on the corner of NW Glisan St and NW Park Ave). The remaining schedule of events for Night Lights is as follows:

February 7, 5:30pm
Megan McKissack
Untitled

March 7, 6pm
Midnight Variety Hour
Night Lights Edition

Night Lights is a monthly public art event that celebrates the intersection of digital technology, art, and place. Happening outdoors on the First Thursdays of fall and winter months, this multimedia art series presents local artists’ new works, combining large-scale video projection with other art forms such as movement and sound. Works are projected for several hours starting at dusk on the north wall of Regional Arts and Culture Council’s office at 411 NW Park Ave, Portland, OR.

Megan Mckissack is a Portland, OR based, new media artist working in the realm of live visuals, video installation, and creative coding. Learn more about her work on her website meganmckissack.com


December 2018 Night Lights: Three Moons/Tres Lunas/3つの月

Our outdoor public art event series, Night Lights, will feature Roland Dahwen and Stephanie Adams-Santos in December! Happening on December 6 at 5pm, Dahwen and Adams-Santos will present Three Moons/Tres Lunas/3つの月, a two-channel video installation and altar, dedicated to, and made alongside, our elders.

In conjunction with the video and text projections, the artists will build several temporary altars. Mixing personal and familial artifacts, religious symbols, and offerings, these altars will enshrine the space as more-than-art: as an actual devotional and spiritually imbued act of honoring our elders.

Only two more Night Lights events remain after December: Megan McKissack in February of 2019 and Midnight Variety Hour in March.

All works will take place at the north wall of the Regional Arts & Culture Council office at 411 NW Park Ave, Portland OR (on the corner of NW Glisan St and NW Park Ave). The remaining schedule of events for Night Lights is as follows:

December 6, 5pm
Roland Dahwen and Stephanie Adams-Santos
Three Moons/Tres Lunas/3つの月
Event info

February 7, 5:30pm
Megan McKissack
Untitled

March 7, 6pm
Midnight Variety Hour
Night Lights Edition

Night Lights is a monthly public art event that celebrates the intersection of digital technology, art, and place. Happening outdoors on the First Thursdays of fall and winter months, this multimedia art series presents local artists’ new works, combining large-scale video projection with other art forms such as movement and sound. Works are projected for several hours starting at dusk on the north wall of Regional Arts and Culture Council’s office at 411 NW Park Ave, Portland, OR.