RACC Blog

Fresh Paint Opportunity Re-Opens to First Time Muralists

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Artist standing on a ladder painting image of a person on a wall mural

Artist Eric Mbungu Mpwo works on his Fresh Paint mural

Open Signal had a wall. We had experience creating murals. Salvador Mayoral, who facilitates our Public Art Murals Program, recalls how Fresh Paint, the partnership to provide emerging Black and brown artists a place to become muralists, got its start. “We were looking for a high visibility spot for a temporary mural pilot project,” he said. Open Signal’s Director of Strategy, Rebecca Burrell, remembers, “We were looking for a way to bring visibility to our mission and bring more art into our neighborhood.” The two organizations joined forces and their new initiative, Fresh Paint, kicked off in 2017. Since then, 10 artists have been selected to paint a temporary mural on an exterior wall of Open Signal’s building facing the highly visible Martin Luther King Jr. Blvd. Each mural is hosted for at least four months and then painted over in preparation for the next artist.

Installation Dates for Murals
  • October 2021 – March 2022
  • April 2022 – September 2022
The Opportunity

Fresh Paint is a professional development initiative providing emerging artists of color with a paid opportunity to paint a public mural for the first time in Portland. “We wanted artists who didn’t have experience as muralists but the desire to create murals get the support and resources they need to develop a new skill set and build their portfolio,” Mayoral explained. For several artists, the mural projects have led to other public commissions or funding opportunities. The wall currently features Limei Lai’s mural, Together.

RACC and Open Signal, announce a new call for Fresh Paint muralists. Interested artists have until July 14th, 2021 to apply. To qualify for the opportunity, artists must live in the greater Portland metropolitan area, defined as Clackamas, Multnomah, and Washington counties in Oregon and Clark County in Washington. The selected artists receive a commission for their participation and are offered the opportunity to engage with a range of resources at Open Signal, including the use of equipment.

To be considered, artists can submit information about their background and interest through RACC’s online application portal. No proposals are required. Because the program is designed to support artists in establishing their careers, applicants may not have received any public art commission through RACC nor created an official exterior mural in the City of Portland. Regional Arts & Culture Council’s Public Art Murals Program will run the selection process, relying on past Fresh Paint muralists to review submissions and recommend which new artists should be selected.

Get Help with your Application

Questions regarding the application platform and materials and project’s process/timeline?

CONTACT: Salvador Mayoral IV at 503.823.5865, smayoral@racc.org

Artist Information Sessions
  • Monday, June 14 at noon on Instagram Live. Follow @regionalarts on Instagram to stay informed of this and other upcoming opportunities.
  • Tuesday, June 22 at 6 p.m. on Zoom. RSVP here.

Questions about the Zoom info session or need special accommodations to attend?

CONTACT: Daniela Serna at 503.288.1515 ext. 931 daniela@opensignalpdx.org.

 

About Open Signal

Open Signal is a media arts center making media production possible for anyone and everyone in Portland, Oregon. Launched in 2017, the center builds upon the 35-year legacy of Portland Community Media to create a resource totally unique in the Pacific Northwest. Open Signal offers media workshops, a public equipment library, artist residencies and five cable channels programmed with locally produced content. Open Signal delivers media programming with a commitment to creativity, technology and social change. Learn more at opensignalpdx.org.

About the Regional Arts & Culture Council

An independent non-profit organization, the Regional Arts & Culture Council supports greater Portland’s creative economy by equitably providing funding and services to artists and art organizations; managing and growing our diverse, nationally acclaimed, public art program; and developing long-lasting public and private partnerships. RACC connects artists and creatives to opportunity and access. Learn more at racc.org.

 

 

Artists and youth strengthen community connections within East Portland

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Mario De León is a local artist whose playful, detailed murals and paintings can be found throughout East Portland and Gresham. Passionate about his art and sharing it with the community, De León is bringing his talent to a new project engaging youth from the nonprofit Play Grow Learn. In May, these young artists brightened the intersection of 148th Avenue and East Burnside by transforming this traffic signal box into a larger-than-life vintage boombox. Coming up next, they plan to transform the TriMet service building across the street with a large new mural featuring human rights leader Malcolm X. The public art project seeks to connect the City of Portland to the City of Gresham in an area where predominantly Black communities reside and where public resources remain under-invested and under-prioritized.

Muralist Mario De León and youth from Play, Grow, Learn turned this signal box into a work of art.

The Regional Arts & Culture Council (RACC) has teamed up with Portland’s Bureau of Transportation (PBOT) supporting local Black-led art projects around the city with financial and technical support and a streamlined permitting process. Locations vary but are focused in North and Northeast Portland’s Historic Albina Area and East Portland, neighborhoods with strong community and cultural connections.

Six community-based organizations are leading or partnering in this initiative including:

  • Play Grow Learn
  • Somali Council of Oregon
  • African Youth Community Organization
  • Albina Vision Trust
  • Self Enhancement Inc.
  • Soul District Business Association

The nonprofit City Repair Project is providing technical assistance and partnership facilitation.

Project Partners
Play Grow Learn strives to help community members feel a sense of positivity, pride, and belonging in public space and to uplift Black and East Portland community spiritually, mentally, and physically during the converging crises of the pandemic, systemic racism, and climate chaos.  Find out more.

The Regional Arts & Culture Council is an independent nonprofit 501(c)3 organization supporting greater Portland’s creative economy by providing equitable funding and services to artists and art organizations; managing and growing our diverse, nationally acclaimed public art program; and developing long-lasting public and private partnerships. For more information visit racc.org. 

The Portland Bureau of Transportation (PBOT) is a community partner in shaping a livable city. PBOT plans, builds, manages, and maintains an effective and safe transportation system that provides people and businesses access and mobility. Find out more.

City Repair facilitates artistic and ecologically-oriented placemaking through projects that honor the interconnection of human communities and the natural world. City Repair has accomplished many projects through a mostly volunteer staff and thousands of volunteer citizen activists. They provide support, resources, and opportunities to help diverse communities reclaim their culture, power, and joy. Find out more.

Capturing the Moment artist – Terrance Burton

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Writer, poet, multi-media artist, and educator, Terrance Burton, breaks it down like this, “If I can inspire someone – another artist – not to give up, that would be it. My art is what inspired me as a survivor.”

Watercolor painting of people holding signs protesting the killing of George Floyd, systemic racism and supporting the movement for Black Lives.

Terrance Burton, Black Lives Matter, watercolor, 2020

Terrance Burton credits being an artist to his parents, the ways that they expressed themselves in dance, music, and clothing design. “Who I am starts from my parents,” he says. “My mother made clothing. She would draw her dress patterns freehand. I got the bug about 8 years old.” He cofounded Bum-Rush Productions while still a teen living in LA, for years playing house parties, MCing, working with friends in rap or hip hop groups. Like so many artists, Terrance Burton adapts to thrive, survive, and make a living. “I lost my father at a young age,” he explains. “Writing poetry, making music, drawing, dance – especially dance – was how I got through.”

Black and white photo of artist Terrance Burton

Writer, poet, multi-media artist, and educator Terrance Burton

Today, he works his pop-up in the Lents neighborhood in Southeast Portland. An independently owned cannabis dispensary, The Dime Store, has given him the space to sustain himself as an artist. He first set up in their parking lot at Southeast 82nd and Holgate, until being adopted last year as their “resident artist”. “Like a lot of folks, I took a hit with this pandemic,” he said. “The Lents community has supported me through the tough times we’ve all been through this past year. It’s changed my life. I don’t know where I’d be without that community support. It makes me want to keep fighting.” Much of the art Terrance produces he makes with an eye for what sells. The pieces he shared for Capturing the Moment were different. “This was actually art that I created for me.”

At 35, Terrance decided he needed to pursue a college degree because he continued to hit “the glass ceiling” in his professional career. Am I Next, came from his experience of being assaulted on the MAX on the way home by TriMet’s Transit Police. On his way home to East Portland from class at PCC’s Sylvania Campus, another black man with an open container got on the train and rode in his car for a bit. The man left the train and, a few stops later, a TriMet officer boarded and ordered Terrance to get off. On the platform, he was met by four police cars – and pulled guns. “I was distraught. They proceeded to go through my bag. All they found were my school papers,” he said. “The worst thing of all, it (an open container) wasn’t worth the threat on my life. Going to college was a stress. Just trying to get home.”

 

Black and white watercolor painting of a teen-aged black youth standing behind a sign that says

Terrance Burton, Am I Next, 2020

The artworks Terrance submitted for Capturing the Moment were inspired by movements of the past that he saw in person today.  “When I think back to those pieces….same imagery, still the same thing. We fought for civil rights but we’re still a commodity. Our humanity is still on the line. I wanted to capture what so many are facing at the time, including now.” This moment, he says, makes him hopeful. “What’s happening, the movement, has changed my life. This is finally time that people, not just African Americans, are saying ‘we’re with you, we support,’” he says.

Watercolor painting of people holding protest signs saying

Terrance Burton, Untitled, Watercolor, Acrylic, 2020

Capturing the Moment artist – Michelle Fujii

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Fourth-generation Japanese-American Michelle Fujii creates contemporary work centered in the Japanese art forms of taiko (drums) and folk dance. “The work I create is rooted in my cultural identity and lived experiences,” she explains. “It responds to current events, community conversations and societal issues. Being personal and authentic is the foundation of my work, investigating notions of identity, otherness, and home against an American landscape.”

Her submission, Sayonara Mata Ashita, debuted May 16, 2020. She explains, “Fifty-two people sang along that are a significant and inspirational part of our taiko lives – our mentors, our Unit Souzou taiko family, our Women & Taiko community connections, our Warabi-za family, our organizational partners. It was such a beautiful and overwhelming journey. As our communities face duress, self-isolation, social distancing, this song was written with the hope that the narrative of this time is not of more othering, but of more togetherness.”

Credits: Conceived and directed by Michelle Fujii in collaboration with Unit Souzou Ensemble – Ian Berve, Toru Watanabe, David Wells, Vicky Zhang. Special Thanks to: Amy Naylor – Video Editing, David Wells – Sound Editing, Michelle Fujii – Video Project Manager, Koto-Izumi Kuroki, Shakuhachi-Tsuyoshi Ozawa.

 

#PDXCARES Supported Capturing the Moment

Funding for Capturing the Moment came from the City of Portland’s federal allocation of CARES funding (#PDXCARES). It was specifically dedicated to Asian, Black, Indigenous artists, and all artists of color who reside in the City of Portland.

Capturing the Moment – Stories from a Pandemic

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Just over a year ago, Oregon Gov. Kate Brown issued her executive order putting our state into lockdown due to the COVID-19 virus. Last fall we asked artists to submit works of all media “Capturing the Moment,” reflecting their artistic response to the economic and health crisis in our communities. Submissions flooded in–sculpture, illustrations, video, photography, painting, and more.

See and hear their art. Read their stories. Learn more.

Sayonara Mata Ashita

Michelle Fujii, creates contemporary work centered in the Japanese art forms of taiko (drums) and folk dance. She describes how, as a fourth generation Japanese-American, her art “navigates the multifaceted complexity of identity in our communities, and reveals my journey to claim my own identity story.” Her submission, Sayonara Mata Ashita  debuted May 16, 2020. “Fifty-two people sang along that are a significant and inspirational part of our taiko lives,” she explains. “Our mentors, our Unit Souzou taiko family, our Women & Taiko community connections, our Warabi-za family, our organizational partners. It was such a beautiful and overwhelming journey. As our communities face duress, self-isolation, social distancing, this song was written with the hope that the narrative of this time is not of more othering, but of more togetherness.”

We think you will agree. Have a listen. (Play button located lower left hand corner of the image below).

Credits: Conceived and directed by Michelle Fujii in collaboration with Unit Souzou Ensemble: Ian Berve, Toru Watanabe, David Wells, Vicky Zhang. Special Thanks to: Amy Naylor – Video Editing; David Wells – Sound Editing; Michelle Fujii – Video Project Manager; Koto-Izumi Kuroki, Shakuhachi-Tsuyoshi Ozawa.

Artists tell their stories

In addition to sharing their work for “Capturing the Moment,” artists also shared the ways they personally were impacted by lost opportunities for funding or revenue due to COVID-19. Some were laid off from regular employment, many lost freelance gigs, canceled tours, postponed debuts of new works, and other productions. Some used makeshift spaces to continue working; painting on a friend’s porch or editing in a loaned studio after being evacuated by summer wildfires. Despite the challenges, they demonstrated their resilience and creativity. They adapted, adjusting projects that were canceled or delayed because of the pandemic. They found new life – and continued living – as artists and creatives.

See and hear the works of these local artists and their response to the moment.

Terrance Burton

janessa bautista

Julian Saporiti

May Maylisa Cat

Ashley Mellinger

Valerie Yeo

Somya Singh

Michelle Fujii

Funding for Capturing the Moment came from the City of Portland’s federal CARES money (#PDXCARES). It was specifically dedicated to Asian, Black, Indigenous, Latinx, multiracial, and Pacific Islander artists living in the City of Portland.

Arts and Culture 2021 Legislative Priorities

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A message from Madison Cario, Executive Director, Regional Arts & Culture Council

Play the video.

2020 was a year like no other in RACC’s 49-year history. Through the lens of a devastating pandemic, we learned anew that arts, culture, history, heritage, and humanities are, and will continue to be, essential in our state, our nation, and around the world. Humanity has had to adapt to survive – changing the faces of communities throughout the world. Too many people have paid far too high a cost. We know the value that creative expression brings to us all and that public investment helps to ensure deeper access for all of our residents. Through this, we continue to stand strong as a community of creative providers.

2021 is a crucial legislative year for Oregon’s vital cultural sector. We are urging our state policymakers to prioritize arts, culture, heritage, and the humanities in order to encourage creativity, contribute to Oregon’s economic recovery, and rebuild community. Investing in Oregon’s creative and cultural life supports Oregonians’ values, promotes whole person health, strengthens communities, and attracts and retains workers in an innovation economy.  

RACC’s mission is to enrich our communities through arts and culture and our vision is a thriving region, powered by creativity, with arts and culture in every neighborhood. To do this, RACC promotes equity, diversity, inclusion, and access and uses a racial equity lens to advocate for the equitable distribution of resources and the creation of public policies that will provide support for the arts ecosystem now and into the future. 

Find out more and register for virtual Advocacy Day on April 23, hosted by many arts and culture organizations from around the state, and the Cultural Advocacy Coalition. Keep reading to learn about our shared legislative priorities and alignment with our coalition partners. 

ADVANCE EQUITABLE ACCESS TO A WELL-ROUNDED ARTS EDUCATION FOR OREGON STUDENTS  
RACC supports and will monitor the specific recommendations of the Joint Committee on Student Success for funding arts and music specialists in elementary schools as they are closely linked with work across the six Portland school districts receiving Arts Education Access Fund dollars.   

More on Portland’s Arts Education Access Fund explained here.  

EXPAND OREGON’S INVESTMENT IN ITS CULTURAL AGENCIES AND PARTNERS  
SB 5023 – Business Oregon Budget Bill; SB 5025 – Oregon Parks and Recreation Department Budget Bill  
Increased state funding of cultural agencies and partners leverages the full potential of Oregon’s creative and cultural resources to attract and retain business, increase tourism, improve education and enrich the lives of Oregonians through greater opportunity to access meaningful experiences in the arts, heritage, and the humanities, statewide. Now more than ever it is essential that the cultural sector be supported as Oregonians recover from the economic strains imposed by the pandemic. The statewide partners include:   

  • Oregon Arts Commission   
  • Oregon Cultural Trust   
  • State Historic Preservation Office and Heritage Commission   
  • Oregon Humanities   
  • Oregon Historical Society   

PROTECT TAX POLICIES ALLOWING THE CULTURAL SECTOR TO SERVE ITS PUBLIC MISSION, INCLUDING HISTORIC PRESERVATION OF OREGON’S GEMS 
SB 108 – Historic Property Tax Credit Extension for 10 Years  
Critical this year is renewal of the Historic Property Special Assessments which assist owners of commercial properties. We support an extension of at least ten years, through 2031, to provide time for local governments, preservation advocates, and others to update Oregon’s approach to current preservation needs.   

EXTEND OREGON FILM AND VIDEO OFFICE TAX CREDIT  
SB 43 – Tax Credit Extension for Six Years  
We support extending the sunset for labor rebates for qualifying film production and the tax credit for certified film production development contributions.   

CONTINUE TO INVEST IN CULTURAL INFRASTRUCTURE  
HB 5534 – Lottery Bonds  
By creating the Cultural Resources Economic Fund in 2013, the State established its role in expanding and strengthening cultural infrastructure by leveraging lottery bonds to invest in arts, heritage, and humanities infrastructure projects.  

WORK WITH KEY LEGISLATORS AND OTHER INTERESTED PARTIES TO REIMAGINE THE STATE SONG  
RACC supports legislative deliberations on revising the lyrics to the state song or starting fresh. We applaud suggestions for a broad participatory process grounded in equity and inclusion. To date, the Cultural Advocacy Coalition, Oregon Historical Society, Oregon Humanities, and the Oregon Community Foundation have led these conversations. More information on the State song can be found here. 

PROTECT ITEMIZED DEDUCTIONS FOR CHARITABLE CONTRIBUTIONS  
HB 2255 – Limits Itemized Personal Income Tax Deductions for Charitable Contribution  
While tax policy is an important tool to incentivize activity and fund government services, the nonprofit sector is a partner in the service of public policy goals and should be promoted and strengthened through tax policy where possible. RACC does not support tax policy that discourages charitable giving by individuals.   

You can find more details on the Cultural Advocacy Coalition’s  legislative session priorities.   

Advocacy Day | Friday, April 23 

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SAVE THE DATE & REGISTER TODAY

Image description: a blue rectangle with a green silhouette of the state of Oregon sits under a green banner at the top that reads: “Advocacy Day, Friday, April 23rd.” Credit: Cultural Advocacy Coalition.

Join with us, many arts and culture organizations from around the state, and the Cultural Advocacy Coalition, for this year’s virtual Advocacy Day.  

Advocate for the arts from wherever you call home. Find links to the lineup of special guests, a fabulous training, and the premiere of the Cultural Advocacy Coalition’s new look. Register today and stay tuned for more details! 

We are urging our state policymakers to prioritize arts, culture, heritage, and the humanities in order to encourage creativity, contribute to Oregon’s economic recovery, and rebuild community. Investing in Oregon’s creative and cultural life supports Oregonians’ values, promotes whole person health, strengthens communities, and attracts and retains workers in an innovation economy.  

Learn more about our legislative focus for arts and culture advocacy in Oregon.

Questions about Advocacy Day? Write to Jamie Painter at jamie@oregonculture.org.  

RACC’s mission is to enrich our communities through arts and culture, and our vision is a thriving region, powered by creativity, with arts and culture in every neighborhood. An independent nonprofit 501(c)3 organization, we support greater Portland’s creative economy by providing equitable funding and services to artists and art organizations; managing and growing our diverse, nationally-acclaimed public art program; and developing long-lasting public and private partnerships. For more information visit racc.org. 

Call for Art at Errol Heights Park – East Portland’s “Little Gem”

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Interpretation services available, email info@racc.org

Servicio de interpretación disponible   |  Предоставляются услуги переводчика   |   Có dịch vụ thông dịch   |   通訳サービスあり

The Regional Arts & Culture Council seeks proposals for design, fabrication and installation of new artwork in Errol Heights Park. The budget for the commission comes from the City of Portland’s Percent for Art Program and is approximately $85,000. Artists and artist teams living in Oregon or Washington invited to submit proposals. Park construction is planned for completion summer 2022.

With its forested setting, topography, creek, and wetlands, the four seasons have dramatic visual impact on Errol Heights Park. Art can play a role in showcasing the changing seasons and add a long-lasting amenity. This project seeks art that can strengthen our connections to nature, respond to the natural processes found in the park, and create engaging and dynamic interactions for park visitors. Materials with proven longevity in the outdoor environment are encouraged.

Read the full details about this call and the park design goals, themes, and site constraints.

Submissions Due:  5 p.m., Wednesday, April 28.

Sun reflecting on the Beaver Pond at Errol Heights Park. Photo credit Portland Parks & Recreation

Who can apply?

Artists or artist teams living in Oregon or Washington are eligible to apply. If applying as a team, at least one member must meet the residence eligibility requirement.

Selection criteria and decision-making

The Regional Arts & Culture Council and the City of Portland are committed to engaging new communities of artists, as well as expanding the range of artistic and cultural expression represented in the Public Art Collection.

A selection panel of artists, the park projects’ landscape architect, and community members will review artists’ submission materials and choose up to four finalists to interview for the commission. Criteria for selecting finalists for interviews are (1) quality of past work as demonstrated in submitted images; (2) ability and interest in creating site-specific artwork; (3) how past artwork has fit one or more of the general project goals through process and/or in the final design.

Artists are encouraged to visit the park prior to submitting their applications.

Find the submission information here.

Apply online in the RACC Opportunity Portal.

Funding comes from the City of Portland’s Percent for Art Program and is approximately $85,000.

Learn more at three upcoming information sessions for artists

  • Facebook Live – 1 p.m., Wednesday, March 24
  • Instagram Live – 6 p.m., Thursday, April 1
  • Zoom –  Recording Monday, April 12 – Watch the Info Session 

Follow Regional Arts & Culture Council on Facebook or @regionalarts on Instagram to stay informed of this and other upcoming opportunities.

Attendance is encouraged but not required to apply for the project.

We’re Here to Help!

Questions?

Contact: email project manager Salvador Mayoral IV with questions or to set up a time for a phone call: smayoral@racc.org.

 

About Errol Heights Park

Errol Heights Park is fondly described as a “little gem of a Park” in Portland’s Brentwood-Darlington neighborhood. Comprising more than 16 acres, the park is located in East Portland between Southeast 45th to 52nd avenues and Southeast Harney to Southeast Tenino streets. Adjacent to the park are two other neighborhoods, Woodstock to the west and Ardenwald-Johnson Creek to the south.

Approximately 1,477 households are within a half-mile walking distance of the park. Volunteer groups such as Friends of Errol Heights, Friends of Trees, and Johnson Creek Watershed Council have been dedicated stewards of the Errol Heights property for many years and members have participated in important ecological enhancement projects at the park. The defining feature of the park is a topography that creates an ideal setting to escape the city’s busy pace, enjoy the gurgling stream, and absorb the sounds of nature. A community garden of 55 plots in the park’s upper area near Southeast Tenino Court has been a focal point of the undeveloped park and a community gathering place.