RACC Blog

Experience East Portland’s Vibrant Culture this June at “Our Space of Possibilities!”

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Every Saturday this June, we invite you to celebrate the communities along the East Portland Cultural Corridor through arts and culture at Our Space of Possibilities. This corridor is located on SE Division Street, spanning from SE 82nd Ave to SE 175th Ave. The project is supported generously by the National Endowment for the Arts’ Our Town grant, matched with local funding from Regional Arts & Culture Council, Portland Bureau of Transportation (PBOT), and TriMet.

Our Space of Possibilities lies at the core of the East Portland Cultural Corridor initiative. Envisioned by artist-in-residence Patricia Vázquez Gómez, the project is a dynamic cultural space housed within a transformed TriMet bus that will live at four locations along SE Division Street. Every Saturday from June 3rd to June 24th from 12-8 pm, you will have the opportunity to join a workshop, attend a screening, watch a performance, or view an exhibition curated by local East Portland organizations and residents.

Patricia Vázquez Gómez is a multidisciplinary artist exploring the intersection of aesthetics, ethics, and politics; the social functions of art and the expansion of community-based art practices, with her methodologies deeply informed by her experiences in immigrant rights and social justice movements in the US and Mexico.

Southeast Division Street serves as the geographic backbone of a diverse and growing community, now with improved transportation options for residents thanks to TriMet’s FX2-Division high-capacity bus service. By seamlessly intertwining people, culture, and transportation, the East Portland Cultural Corridor strives to nurture a resilient community and celebrate the unique cultural identity of East Portland. 

Our Space of Possibilities 

Every Saturday in June from 12-8 pm

  • June 3rd at SE Division and 166th Pl
  • June 10th at: SE Division and 138th Ave
  • June 17th at SE Division and 121st Ave
  • June 24th at SE 138th at SE Division St
Collaborators 

Naomi Likayi, is a first-gen, Congolese American creative based in Portland, OR. She aims to create daring and exciting work, finding new ways to innovate beyond what is offered in the current state of design and illustration. Likayi’s work will be featured in Our Space of Possibilities as a bus wrap designed in collaboration with Fir Ridge High School students Lia and Ricky. Handle: @mungala_nao

Marissa Perez and Patricia Vázquez Gómez are creating the first exhibition for Our Space of Possibilities, How to Love Division, centered on the history of East Portland and the opportunities for Civic Engagement. This exhibition will be on view on June 3rd, from 12-8 pm. Handle: @marissa_perezzzzz

Friends of Trees inspires people to improve the world around them through a simple solution: Planting Trees. Together. Friends of Trees and Patricia Vázquez Gómez are creating a garden inside the bus on June 10th, open 12-8 pm. Come get a plant and learn about the environment! Friends of Trees staff Andrew, Harrison and Winnie will also be at Our Space of Possibilities to teach you how to take care of plants on June 10th, from 1-3 pm. Handle: @friendsoftrees

Amenta, Kalimah, Farados, Oniyah, José, Oak, Brian and Tito are creating an exhibition together based on Afrofuturism for Our Space of Possibilities.  Amenta Abioto is a musician and producer. Originally from Memphis, TN, she came to Portland in 2010 with her artist family. Her background in musical theater helped inspire her live looping one-woman band, Yawa. She has released two projects, Opening Flower Hymns and Wade. Amenta Abioto is currently an artist in residence with her family, Studio Abioto, at the Interstate Firehouse Cultural Center. Amenta Abioto will also perform on June 17th at 7:30 pm. Kalimah Abioto (aka Dr. Woodchopper) is a multimedia teaching artist, filmmaker, drummer, writer, dancer, and entrepreneur. The Afrofuturism exhibition will be on view on June 17th, from 12-8 pm. Handles: @yawamusic, @kalimahabioto

The 082 Art Crew at Apano is an art collective of local BIPOC artists and community members creating art centered around the experiences, wants, and needs of BIPOC residents and neighbors of Southeast Portland. The exhibition the 082 Art Crew is creating for Our Space of Possibilities is called How to Love Division? This exhibition will explore how we express our love of East Portland through street art, highlighting community history and the issues of gentrification through interviews with local street artists and by asking participants questions about their relationship to East Portland in a creative way.⁣ How to Love Division will be on view on June 24th, 12-8 pm. Handle: @apanonews

Evan and Daniel are two 10-year-old students from East Portland who will be teaching origami, on June 3rd and 17th, from 1-2 pm.

Lillyanne Pham is a 25-year-old artist and cultural organizer raised by Vietnamese refugees. Ackida Omar is a 21-year-old first-generation Burundian American, artist, musician, and soccer player. LP and Ackida will lead a workshop on June 3rd and 17th, 2-3 pm; based on a short film they are creating for Our Space of Possibilities called “(Our)Flavs,” which highlights the stories of local immigrant and refugee restaurant owners and their relationships with herbs and spices. “(Our)Flavs,” will be screened on June 3rd and 17th, from 5-6 pm. Handles: @lillyannepham, @ackida_

Chanell Cortez Gonzalez is a student at Fir Ridge HS, loves art and dreams of becoming an art teacher. Chanell will be leading a surprise art workshop on June 3rd and 17th from 4-5 pm. 

Medicine Bear provides spiritual guidance and cultural mentoring to at-risk youth, families, and houseless communities through traditional Native American Ceremony, Sobriety Promotion, and Education. Medicine Bear and Rudy Serna will hold a Native Circle at Our Space of Possibilities, on June 10th from 3-5 pm, for Native-American residents, workers, and students of East Portland. Handle: @rudysernaredstone

Thea Gahr is a bilingual artist and printmaker engaged in education and image-making that aims to catalyze positive social & environmental change. Thea will facilitate the creation of a collective lino carving on June 24th, 1-3 pm. 

Aden Catalani is a Portland painter who will lead a spray painting workshop. Aden will lead a spray-paint workshop on June 24th, 3-5 pm.

Karina Lomelin Ripper is a Mexican-American film director.  Her films often explore bicultural points of view, telling stories that center Latina/x characters. Karina’s films “Visions” and “Niña¨ (made in collaboration with Marc Ripper) will be screened on June 10th and 24th from 5-6 pm. Handle: @karinaripper

Sika Stanton is an African-American cinematographer. She has a background in both documentary and narrative filmmaking. Her work has screened at the Portland International Film Festival, the Portland Art Museum, and Portland Oregon Women’s Festival. In 2019, she joined IATSE Local 600 and the Oregon Media Production Association selected her for their Rising Star Award. She is currently pursuing an MFA in Cinematography at the American Film Institute Conservatory and holds a BA in Studio Art from Stanford University. Sika’s film “The Numbers” will be screened on June 3rd and 10th from 5-6 pm; and her film “Imagine Black” (made in collaboration with Ariella Tai and Donielle Howard) will be screened on June 10th and 24th from 5-6 pm. Handle: @sikaafi 

Metro East Community Media is a nonprofit community media center based in Gresham, Oregon, and for over 35 years has used media to invigorate civic engagement, inspire diverse voices, and strengthen community life. Gene, Yasmin, Chloe, and Seth from MECM are supporting the creation of videos made by a group of youth from the African Youth Community Organization for Our Space of Possibilities.  Handle: @metroeastmedia

The African Youth Community Organization (AYCO) is a community-based organization led by and for the East African immigrant and refugee community in Portland. AYCO’s mission is to settle the past, engage the present and hope for the future. The videos that Farhiya, Yasmin, Amrin, Sabine, Ayub, Hashim, Hussein, and Imraan are creating will be be screened at Our Space of Possibilities on June 10th and 24th from 5-6 pm. Handle: @ayco.world

Edna Vazquez is a fearless singer, songwriter, composer, and guitarist whose powerful voice and musical talent transcend the boundaries of language to engage and uplift her audience. She is a creative musical artist with a vocal range that allows her to paint seamlessly with her original material, an intersection of Mexican Tradicional, rock, pop, and other genres. Edna will perform on June 10th at 6:30 pm.  Handle: @ednavazquezmusic

DJ Anjali made her public debut in December of 2000 and has since pushed forward a working class, immigrant feminist agenda on the dance floor all the while exploring her own identity through the power of sound and dance. She uses the dance floor as a place to build solidarity between communities of color. Music and movement have long been her tools to explore and share her unique identity as a mixed Desi immigrant daughter. With her partner, The Incredible Kid, she hosts TROPITAAL! A Desi Latino Soundclash & ANDAZ, two of the Northwest’s longest running dance parties. She teaches Bhangra & Bollywood weekly at The Viscount Dance Studio. Archives of her years spent as a radio host on XRAY & KBOO can be found online. DJ Anjali will play for Our Space of Possibilities closing party on June 24th at 6 pm! She will also be leading a Bollywood dance class on June 3rd from 3-4 pm. Handle: @anjaliandthekid

Lita Thilavanh, Julie Ammalathithada, and Maddie Thippraxay are 14-year-olds who perform at the Lao New Year celebrations and are involved in the APISU (Asian Pacific Islander Student Union) club at their school. They’re preserving their heritage by participating in traditional ceremonies and learning traditional Lao dances. Lita, Julie, and Maddie will perform on June 3rd and 17th!

Follow @regionalarts to learn about additional collaborators!

Second RACC supported BiPOC Community Conversation on Tuesday, May 30th 2023

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As part of the Our Creative Future we invite community members in Clackamas, Multnomah, and Washington Counties to connect to the process and shape the future of arts and culture in our region – celebrating successes, identifying gaps, and developing strategies to meet those needs. Led by steering committee member, Sushmita Poddar with support from the Regional Arts & Culture Council, hosted an all BiPOC creatives engagement  in early May. The Tri-County BiPOC Creatives Engagement was well attended and full of important questions and discussions we felt the participants were only able to scratch the surface of what a representational regional cultural plan could be.

We are hosting a second session for those that were unable to attend and for those who attended to return to continue the discussion, be more involved, and contribute their voice to co-create an arts and cultural plan for all.

Tuesday, May 30, 2023

5:30-7:30 pm

Reser Center for the Arts

12625 SW CRESCENT ST

BEAVERTON, OR 97005

SIGN UP

Please let us know if you that you are planning to attend: https://forms.gle/mxB1HZ38At3WqdQF7 

There will be food, community, and discussion. Come and share your ideas. Come by yourself, bring your kids, neighbors, friends,  and family. All are welcome. If you are need of language interpretation, please let us know through the sign-up form.

DISCUSSION

We will be delving into questions about your definition of area and culture, your connection to them; what is a cultural plan, what is your vision for a regional cultural plan, and what should it include. If you are unable to attend or would like to submit your thoughts beforehand you can participate by sharing your ideas: https://forms.gle/d7NaWXMYKo77EGNU6 

 

For more information please contact us at advocacy@racc.org 

From the Capital to the Community: Highlighting culture in arts Advocacy Day 2023

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‍As an advocate for the arts, I firmly believe that art and culture has the power to change lives and transform communities. Art is not only a means of self-expression of culture, but is a tool for learning, connecting, and social change. However, despite its immense benefits, arts and culture often struggle to receive the support and funding they require.

This year, the Regional Arts & Culture Council (RACC) as part of the Cultural Advocacy Coalition of Oregon (CACO) had the opportunity to attend the in-person Advocacy Day 2023 on April 19th in Salem, Oregon. Organized through CACO, arts and culture leaders from across Oregon had the opportunity to meet and discuss the importance for continued support and funding of arts and culture in Oregon; the impact of art in civic life and economic recovery; challenges, strategies, building a community, collaborating with local government.

Introduction to advocating for support and funding of arts and culture

Advocating for the arts is crucial as it helps to raise awareness of the importance of the arts in our communities. The arts play a significant role in shaping our cultural identity, providing a means of self-expression, and promoting social change. However, the arts often struggle to receive the support and funding they need, leading to a decline in access to quality arts programs for many communities. Therefore, advocating for support and funding of arts and culture is essential to ensure that everyone in the community has access to the arts.

RACC team members, Mario Mesquita, Manager of Advocacy & Engagement, Carol Tatch, Co-Executive Director Chief of External Operations, and Phil Barber, Philanthropic Engagement Specialist, visited Senator Elizabeth Steiner (District 17), Representative Rob Nosse (District 42), Senator James Manning Jr. (District 7), Senator Michael Dembrow (District 23), and Representative Maxine Dexter (District 33). We raised up and asked for their support on initiatives identified by our partner, the Cultural Advocacy Coalition of Oregon (CACO):

  1. We note that recovery for our sector is expected to be a 3- to 5-year process because of the prolonged nature of Oregon’s shutdown. We appreciate the legislature’s investment in the sector. We encourage your support of HB 2459, which would infuse $50M in recovery funding into revenues that threaten the viability of organizations across Oregon.
  2. Our organization supports HB 2498, which complements recovery efforts by addressing long -term funding of the sector. HB 2498 seeks to honor the original promise the Oregon legislature made to fund the Oregon Cultural Trust (OCT) with a one-time infusion of $200M in lottery bond funds.
  3. We also support an increase of $10M for grant making of the Oregon Arts Commission (OAC). Oregon is currently ranked 38th in the nation for per capita general fund support for the arts. This represents $0.49 per person. We urge policymakers to recognize the importance of our sector and move it into the top half of states at a minimum.
  4. Along with CACO, RACC also supports HB3532, which would replace the cap on OCT’s administrative costs with a percentage that will create the ability to apply up to 5% of the OCT’s permanent fund to staffing. This will better support the sector through additional technical assistance, OCT operations support, and other activities that encourage cultural activity. We are a fiscal sponsor for the Multnomah County Cultural Coalition, so we are aware of the struggles this organization has due to the limits on tis administrative funds and inability to support any staff. We continue to support their efforts to be responsible equitable funders to cultural programming.

The impact of arts and culture in advocacy

Art has the power to bring people together, create awareness, and inspire change. Through art, individuals can express their emotions, experiences, and beliefs, which can help to create a sense of community and foster empathy. Art can also be used to advocate for social change by fostering learning, raising awareness of critical issues such as social justice, environmentalism, and mental health.

The Oregon Coast Art Bus ready in Salem to welcome everyone in person at Wilson Park next to the capital building. Image by Cultural Advocacy Coalition

 

The Oregon Coast Art Bus made an appearance in Salem during Advocacy Day accompanying live performances by the Portland Opera in their mobile stage, and even a live performance by Representative Nosse playing the guitar.

The Art Bus rolled into the event – wrapped in the vibrant and colorful Celebrate Oregon! artwork developed by the Oregon Cultural Trust. The artwork on the wrap, developed by artist Liza Mana Burns, explores the vibrant arts and culture of the state. The Oregon Coast Art Bus, a program of the Oregon Coast Council, launched in August 2022, is an example of art as learning-opportunity that eliminates transportation and cost barriers for youth. The hope is now to share the experience throughout the state, with youth who do not have regular access to hands-on art activities.

The gathered advocates explored the activities available on the bus which ranged from printmaking, rubbings, and stamping, all while learning about flora and fauna in and around Oregon. A prime example of putting the “A” back into “STEAM” curricula: science, technology, engineering, arts and mathematics.

The challenges of advocating for support and funding of arts and culture

Advocating for the arts can be challenging especially when we face budget cuts from our local cities and counties; communities facing recovery and access, and inadequate services. Many legislators  have a hard time recognizing the value of the arts or understanding how they can benefit from them if they have not experienced first hand the impact of the arts and culture in their lives. Therefore, it is crucial to raise our voices, create platforms, and educate others on the importance of the arts and their impact on our communities and our economies.

You can check out more on RACCs Advocacy Hub.

Strategies for advocating for support and funding of arts and culture

There are several strategies that individuals and organizations can use to advocate for support and funding of arts and culture. One effective strategy is to collaborate with local government officials and organizations to ensure that the arts are included in community planning and development. Another strategy is to showcase the impact of the arts by highlighting success stories and the positive outcomes of arts programs.

Currently, RACC serves as lead in partnership with Americans for the Arts (AFTA) in Multnomah county the Arts & Economic Prosperity 6th study (AEP6). The study documents the economic contributions of the arts in over 250 diverse communities and regions across the country, representing all 50 states and the District of Columbia. During 2015, AEP5 in Oregon found that the nonprofit arts and culture industry generated $687 million of economic activity—$364 million in spending by arts and cultural organizations and an additional $323 million in event-related expenditures by their audiences. This activity supported 22,299 full time equivalent jobs and generated $53 million in revenue to local and state governments.

The study put to rest a misconception that communities supported arts and culture at the expense of local economic development. In fact, what AEP5 showed was that communities were investing in an industry that supports jobs, generates government revenue, and is the cornerstone of tourism. This economic impact study sent a strong signal that when we support the arts, we not only enhance our quality of life, but we also invest in the Greater Portland Area’s economic well-being, including Clackamas and Washington Counties.

Building a community around arts and culture advocacy

Finally, building a strong community around art advocacy can help to create a united front and amplify the message of the importance of the arts. Building a community around art advocacy is crucial to creating a sustainable advocacy movement. This can be achieved by organizing events, such as Advocacy Day, and activities that bring people together, and getting involved with your local and state level organizations, like the newly formed Oregon Arts and Culture Caucus. Membership  stands at 23 and makes this group one of Oregon’s largest bipartisan caucuses.

As noted in the Oregon Cultural Trusts blog: “The interest in this Caucus, and its rapid growth, just show how much people value the arts and culture organizations in Oregon and how important it is that we support this sector,” said Rep. Nosse (D-Portland), Caucus coordinator.

The Arts and Culture Caucus was formed in recognition of the vital role arts and culture play in the livability and prosperity of Oregon communities – and in enriching the lives of Oregonians. Formation of the Caucus was led by the Oregon Arts Commission.

Inaugural members of the Caucus include Sen. Dick Anderson (R-Lincoln City); Rep. Janelle Bynum (D-Clackamas); Rep. Maxine Dexter (D-Portland); Rep. David Gomberg (D-Otis); Sen. Bill Hansell (R-Athena); Rep. John Lively (D-Springfield); Rep. Pam Marsh (D-Ashland); Caucus Coordinator Rep. Nosse (D-Portland); and Sen. Deb Patterson (D-Salem).

The Caucus serves as a resource to the Oregon Legislature on key issues impacting the arts and culture sector. Its members work closely with stakeholders including the Oregon Arts Commission, the Oregon Cultural Trust (and its Statewide Partners) and the Cultural Advocacy Coalition of Oregon to stay informed on the latest research and issues. It also sets the agenda on priorities for arts and culture legislation, including a sustainable and robust funding mechanism for arts and cultural initiatives.

~Mario Mesquita, Manager of Advocacy and Engagement

 

 

 

Community gathering of Oregon’s first bipartisan Arts & Culture Caucus 

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*Antonio Huerata, master Charro rope artists from Springfield, Oregon.

In the midst of freezing rain, unpredictable snow fronts, and the clear but frigid air, Oregonians from across the State gathered at the historic Elsinore Theatre in Salem last evening on February 27th in celebration and launch of the first ever Oregon Legislative Arts and Culture Caucus. 

Legislators echoing many voices across the state, from organizations to creatives and artists, recognize the vital role arts and culture play in the livability and prosperity of Oregon communities – and the importance of advocacy for support and funding for them.

Coordinated by Representative Rob Nosse (D-Portland) the Caucus’ inaugural membership included 9 senators and representatives, but by last night, membership had increased to thirteen. The caucus will serve as a resource to the Oregon Legislature on key issues affecting the arts and culture sector. “Members will work closely with stakeholders including the Oregon Arts Commission, the Oregon Cultural Trust (and its statewide partners), and the Cultural Advocacy Coalition of Oregon (CACO) to stay informed on the latest research and issues. It will also set an agenda on priorities for arts and culture legislation, including a sustainable and robust funding mechanism for arts and cultural initiatives.” (From CACO’s invitation to the launch event.)

*Salem Trumpet Ensemble, Salem, Oregon

Jason Graham, the creative laureate of Bend known as MOsley WOtta, played emcee of the evening. Through his strategic introduction he jived, hyped, and kept the audience of community members, arts organizations, artists, musicians, and advocates informed and masterfully revealed the irony of being asked to write a piece for the evening, with zero budget. The conundrum that many artists face in light of opportunities still managed to appear with the real struggle for compensation of artists.

With over 300 people in attendance, the free event showcased local ice-cream, Mediterranean inspired nosh, jello-shots and performers, from the master Charro rope artist Antonio Huerta of Springfield, to members of the Salem Trumpet Ensemble.  Lead by Jaimie Hall, the ensemble was accepted to compete at the 2023 National Trumpet Competition, which will be held later this month from March 25-27th at the University of Colorado in Boulder. Members of the ensemble include, Kaden Blake, Nicholas Peterson-Hunt, and Nick Telford from West Salem High School (Director Todd Zimbleman); Keegan Arnsmeier from McNary High School (Director Elizabeth Hering); and Ian King from Sprague High School (Director Jennifer Vowels).   

The Arts & Culture Caucus are currently supporting:

  • $50 million in recovery funding for arts and culture organizations and grants to be administered by counties and tribal governments through House Bill 2459.
  • $200 million in lottery funds invested to generate about $10 million in awards that would go to some of the 1,600 arts and culture nonprofits in Oregon through House Bill 2498.
  • $10 million increase in funding for the Oregon Arts Commission.

*2023 Oregon State Legislature Arts & Culture Caucus members (not all present in picture) & other members of the community

The list below reflects some of the people who helped make this event possible, including those instrumental in the  formation of the Arts & Culture Caucus. 

Subashini Ganesan-Forbes, Oregon Arts Commissioner

Jason McNeal Graham/MOsley WOtta, Emcee

David Harrelson, Oregon Arts Commissioner

Salem-Keizer School District Trumpet Quintet/Jaimie Hall, Director

Jenny Green, Chair, Oregon Arts Commission

Harlen Springer, Vice Chair, Oregon Arts Commission

Niki Price, Chair, Oregon Cultural Trust

J.S. May, President, Cultural Advocacy Coalition of Oregon

Antonio Huerta, Charro/Mexican Horseman

Rep. Rob Nosse, Arts & Culture Caucus Coordinator

Members of the Arts & Culture Caucus

RACC’s Board Member, Thomas Lauderdale, musician

Hunter Noack, musician

 

The now 13 Caucus Members include:

Rep. Rob Nosse, Portland

Sen. Dick Anderson, Lincoln City

Rep. Janelle Bynum, Clackamas

Rep. Maxine Dexter, Portland

Rep David Gomberg, Otis

Rep Dacia Grayber (New), Tigard

Sen. Bill Hansell, Athena

Rep Annessa Hartman (New), Gladstone

Rep. John Lively, Springfield

Rep. Pam Marsh, Ashland

Sen. Deb Patterson, Salem

Rep. Lisa Reynolds (New), NE Washington County

Rep. Ricki Ruiz (New), Gresham

Please reach out to Mario Mesquita , Manager of Advocacy and Engagement at RACC for more information.

*Photography by Mario Mesquita

 

RACC Celebrates the First Six Artists Selected for the Multnomah County Library Capital Bond Projects

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RACC is excited to announce the first six artists who have been selected as part of the on-going Multnomah County Library (MCL) Capital Bond Projects. Passed by voters in 2020, the bond includes renovations and expansions to seven local libraries, upgrades at eleven more libraries within the MCL network, the development of a new destination library in East County, the creation of a materials-handling facility, and high-speed internet system-wide.

The new MCL Operations Center launched the first phase of the bond projects in summer 2022. The expansions and renovations to Holgate and Midland libraries are also underway and will be some of the first locations to reopen to the public in spring/summer 2024, with Albina and North Portland libraries closely following. All bond projects are anticipated to be completed by winter 2025-2026.

RACC, in partnership with MCL, is overseeing the public art opportunities in these new and refreshed community spaces. The artist selection process is being conducted in a phased approach to align with the MCL project sequence. The artists selected so far will be creating large-scale permanent artworks at the first three building projects in the sequence: the Operations Center, Holgate Library, and Midland Library.

Community engagement is a core value within the bond projects, and artists with demonstrated experience and express interest in embedding community into their practice and work have been prioritized. Most artists selected for these projects are expected to create and host community engagement opportunities as part of their design phase in order to involve the community in the creation process. Some of these arts-focused events have already taken place and more are on the way, so stay tuned for further details on how to participate in the coming months.

For now, RACC would like to honor the artists who have been selected so far and who are working behind the scenes on these initial projects. RACC is proud to announce that all of those selected are local to Portland, BIPOC/BIPGM, and identify as women, transgender, non-binary and/or gender non-conforming. Please join us in congratulating these very talented and deserving artists, and follow and support them when and where you can!

Please contact Public Art Project Manager, Sophie, at shook@racc.org if you have any questions. For information on future calls to artists please follow us on Instagram.

Midland Library Exterior Canopy: Paola De La Cruz and Lillyanne Pham. Photo Credit: Keanu Narciso.

 

 

 

 

 

 

Operations Center Exterior Entrance: Tenya Rogriguez. Photo Credit: Tenya Rodriguez.

 

 

 

 

 

 

 

 

 

Holgate Library Exterior Site Enclosure: Crystal Meneses. Photo Credit: Alberta Akins.

 

Holgate Library Interior/Exterior Wall: Salomée Souag. Photo Credit: Haley Busch.

Midland Library Gathering Circle: Kanani Miyamoto. Photo Credit: Kayla Wiley.

 

AFTA Issues Statement about FY23 Omnibus Appropriations Bill

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Americans for the Arts (AFTA) and the Americans for the Arts Action Fund issue joint statement on the FY23 Omnibus Appropriations bill.

The Regional Arts & Culture Council (RACC) would like to share with you a recent press release from our partner, Americans for the Arts (AFTA). We would like to extend our gratitude to Senator Jeff Merkley (OR) for his leadership, persistence, and support of arts and culture in Oregon. We know that many organizations and individuals advocated their support for the arts and culture sector throughout our nation and wish to honor their work and time spent on this this important legislation. Read the full press release here or below.

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Tuesday, December 20, 2022

Nolen Bivens, president and CEO of Americans for the Arts, and Nina Ozlu Tunceli, executive director of the Americans for the Arts Action Fund, released this statement in response to Congress’ FY 2023 Omnibus Appropriations bill:

“We are very pleased that Congress has recommended a $27 million funding increase each for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH), bringing them to an all-time budget high of $207 million. This action moves these agencies closer to indexing their funding at $1 per person. Of equal importance is the Congressional report language accompanying this year’s NEA and NEH funding, recommending grantmaking policies to be more equitable and diverse. This report language includes many components of Rep. Barbara Lee’s (D-CA) inspiring legislation on Advancing Equity Through the Arts and Humanities.

“We are also happy that Congress directed first-time funding of $10 million to the U.S. Department of Defense’s National Intrepid Center of Excellence to support clinical creative arts therapies for those serving in the military. An additional $5 million will go to the Department of Veteran Affairs for its Whole Health Initiative.

“Congress also approved over 68 cultural organizations across the country to receive more than $66 million in direct project funding, also known as congressional earmarks. These projects include arts education programs for youth, support for museums, theaters, and performing arts centers, and creative workforce apprenticeship programs. Additional funding increases of $26.8 million were also recommended to the Institute of Museum and Library Services (IMLS) and $10 million for the Corporation for Public Broadcasting.”

“Local and state arts agencies, arts organizations, arts unions, and artists played a significant role, as constituents, in contributing towards making this legislation possible. It cannot be overemphasized that the artists, creative workers, and culture bearers they support are the heartbeat of communities across the country. The social power of the arts has the power to unite us. The recommendation of funding at this level enables that.

“We are deeply grateful to the bipartisan and bicameral efforts of members of Congress to support and recognize the value of the arts as a national asset—particularly Interior Appropriations Subcommittee Chairs Rep. Chellie Pingree (D-ME) in the House and Senator Jeff Merkley (D-OR) in the Senate.”

For tools, resources, and information on how to make the case for the arts and arts education, visit the Americans for the Arts’ Arts Mobilization Center. 

 

Regional Arts & Culture Council urges Oregon Senator Jeff Merkley to support Arts & Culture funding in Congress

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Join Us! SIGN BY FRIDAY, NOV. 25, 2022

The final FY23 Interior Appropriations budget, which includes annual funding for the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) will be negotiated by current members of both the United States Senate and the House of Representatives. Currently the House version sets allocations at an all-time high of $207 million each for the NEA and NEH, whereas the Senate Appropriations Committee (chaired by Oregon Senator Jeff Merkley) has allocated only $195 million each. 

RACC, the City of Portland, and Oregon arts and cultural organizations ask you to join us in respectfully urging Senator Jeff Merkley, Chair of the Interior Appropriations Committee, to accept the House-approved level of $207 million for both the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH).

View the letter, written by Americans for the Arts here.

Add your organization’s signature here. Please share with others and be sure to sign up by November 25th for the impact to be felt in Washington, DC.

As part of the arts and cultural sector, we know that investment strengthens our economy and the social fabric of our communities. Please join in advocating your support of this measure to Senator Jeff Merkley for increased funding!

Thank you! 

RACC shares update on the Thompson Elk restoration plan from the Portland Parks Foundation

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Released to media on 10/3/22 from the Portland Parks Foundation

CONTACT: Randy Gragg,

503-799-2655; rgragg@portlandpf.org

Thompson Elk Fountain Restoration Feasibility Study Update

Portland Parks Foundation’s team completes study and preliminary cost estimate

The Portland Parks Foundation has completed its feasibility study and preliminary cost estimates for the restoration and reinstallation of the Thompson Elk Fountain. PPF and its consultants, Architectural Resources Group (ARG) and the landscape/urban design firm MIG have submitted its restoration plan to the Portland’s Office of Management and Finance (OMF). In turn, OMF has submitted it to the Bureau of Development Services for an anticipated November “Design Advice Request” with the Portland Historic Landmarks Commission. That hearing, in which the team will get feedback from the Landmarks Commissioners, is open to the public for listening and testimony. For updates on the hearing, go to portland.gov/bds/landmarks.

“We are honored to present to the city this restoration design, which restores and returns the elk and fountain to their original location,” said Randy Gragg, executive director of PPF. “We’ve also developed potential street improvements to make the fountain a safer, universally accessible, and more welcoming place to visit.”

The study determined that 18 of the fountain’s 50 pieces will have to be remade. They include some of the most complex. All four of the fountain’s five-foot-long troughs and some of the most intricately carved ornaments will have to be refabricated. “But the good news,” according to ARG project lead Maya Foty, “stone from the original stone quarry is still available.”

The study also incorporates seismic stabilization and a recirculating pump for the fountain. The team developed preferred street upgrades that would create better access and a “viewing area” for the statue and fountain. Building on PBOT’s recently implemented separation of bikes and motorists around the fountain area on Southwest Main Street, ARG and MIG’s design provides two wheelchair accessible access points to a viewing area protected from passing traffic by elegant granite domed bollards.

“The design provides a refuge for people and it better protects the fountain from vehicles,” said Rachel Edmonds of MIG, “and also creates a sense of place around the fountain using historically compatible materials.” Based on 30-percent schematic design, the cost for the fountain restoration, new pump mechanism and reinstallation is estimated to be $1.2- $1.3 million. The street improvements would add approximately $670,000.

“We anxiously await what the city’s insurance settlement will yield and what the City Council determines the city can afford,” said Gragg. “We at PPF believe there is wide community support to pitch in if the final gap is not too large.”

PPF continues to accept contributions to restore the Thompson Elk Fountain. Donate here.

The Thompson Elk Fountain was badly damaged during the civil unrest of summer, 2020 that followed the murder of George Floyd. The city quickly moved the elk and the fountain pieces into storage. PPF’s study was overseen by a seven-member Project Advisory Committee of preservation and street design experts and informed by a technical advisory committee of city bureau representatives with oversight of the parks, street, and infrastructure, along with the Regional Arts & Culture Council who oversees the bronze elk.

Besides looking comprehensively at the restoration and streetscape, PPF hired two historians, Keith Eggener, a professor at the University of Oregon’s School of Architecture and Milo Reed, a freelance historian who works with Oregon Black Pioneers and Vanport Mosaic and currently chairs the Oregon Commission on Historic Cemeteries. They researched both the history of the elk fountain’s making and the social history of the fountain and its surrounding parks since its installation in 1900.

Former Mayor David P. Thompson commissioned the sculpture to honor the Humane Society which he cofounded. In the decades since, the historians found, the elk has stood at the center of protests over such perennial issues as free speech, workers’ rights, deportation of immigrants, and police shootings.

“For 120 years, people have gathered at the fountain to enjoy it as a thing of beauty and a symbol of nature, but also to give voice to their convictions,” noted Gragg. “Our goal is to renew it, reinstall it, and make it a safer, more inviting public space.”

PPF will release the full feasibility study and the findings of its historians in advance of the Design Advice Request hearing.

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