RACC Blog

Executive Director Search Update for October 8, 2018

Finalists’ visits were completed between Sept 10th and 21st, when candidates met with RACC board, staff and community members and elected officials.  Search committee members then carried out an extensive review of materials –  including reference reports compiled by search firm Koya Partners and assessment surveys completed by everyone who met with the finalists – in preparation for a deliberation on Thursday 10/4 using a neutral facilitator.

The search committee will present its report and recommendation to the RACC board at a special meeting on October 9th. The board will then discuss the report and vote on the recommendation.

RACC will announce the appointment after an employment contract is signed, which may be a week or more after the offer is made.

We look forward to introducing RACC’s new Executive Director to the community very soon!

Angela Hult & Linda McGeady, search committee co-chairs


New Faces at RACC

Fall is a time of transition, and while for some it signals a movement into winter dormancy, for us at the Regional Arts & Culture Council, this transition signals a time of cultivation and growth. In the past few months, we welcomed a crew of new faces to RACC, and already they are making connections, creating pathways, and building ground with artists, teachers, arts organizations, students, and many others in the creative community.

Join us in welcoming this talented group of folks, and say hello!

Mariam Higgins

Mariam’s motto is ‘practice what you teach’, it keeps her honest and empathetic. As an Arts Integration Specialist she adores the challenge and joy of making Arts connections, in everything! A medical illustrator, working artist, former school board member and parent volunteer, veteran classroom teacher and professor, Mariam is a lifelong learner of the arts and sciences. She believes that integrating Arts inclusively is a vital necessity to honor culture, encourage critical thinking, develop resilience, and hone an appreciation of beauty. Taking risks, experimenting, observing deeply, problem-solving, while simply making is a priceless experience that encourages the development of much-needed communicators who are well-balanced, creative, innovative citizens. Access and exposure to the Arts is authentic and relevant equity work, another passion of Mariam’s.

When she’s not cracking up with students, drawing with adults, or editing for run-on sentences, she’s looking for adventure. Mariam thrives being outdoors, kayaking, hiking, foraging, skiing, or playing Bananagrams with friends. When you see her, please share one of your favorite podcasts, artists, or architects!

What do you do at RACC?                         

I get to work with educators and artists to develop sustainable, creative ways to integrates arts into teaching, year long. I assist in ensuring each student has regular exposure to make, move, and express themselves – deepening their understanding and expanding their imaginations.

What’s your go-to karaoke song?

Hey Jude

What’s a secret talent you have, or little-known fact about you?

Parallel parking skillz, stage-diving aficionado, and kayaktivist

How is art a part of your life?

As a trained professional medical illustrator, departing from hyper-realism and painting and drawing abstractly the last five years has rocked my world.  It has helped me grow, and express. It excites me wildly to expand by ‘breaking’ rather than ‘fixing’.

Complete the sentence: “Arts and culture is _____________”

necessary to know and appreciate our world.  They encourage seeing, listening, and thinking, and righteously replenishes our souls.


Shannon McClure

Shannon McClure is enthusiastic about working with The Right Brain Initiative and the RACC team. They began their love for art integration as a K-12 art teacher, classroom teacher, and most recently assistant principal in Portland Public schools. Their commitment to racial equity and LGBTQIA+ youth advocacy has led Shannon to specifically develop leadership skills in organizational climate and policy. Shannon has a background as a curator and visual artist as well, most recently focusing on clay as a medium in their home studio. They are also a proud parent of a Jefferson High School student who has been raised with Right Brain experiences in North Portland. Adventures outdoors are a favorite hobby, and Shannon can be found on the trails rain or shine (…or more rain)!  Shannon looks forward to creating equitable pathways to experiential learning for youth, school staff, and the greater community

What do you do at RACC?

As one of three Art Integration Specialists, I am specifically focused on supporting classroom teachers in developing skills that foster experiential learning via the arts. The process of learning from an experience is proven to be more impactful than academic study alone, particularly for students of color, English Language Learners, and neuro-diverse youth.

What’s your go-to karaoke song?

I prefer playing my backpacker guitar over Karaoke. “Then You Can Tell Me Goodbye” by Bettye Swann is my favorite cover on my Martin.

What’s a secret talent you have, or little-known fact about you?

I grew up on a farm and my favorite chore was “mucking the stalls” and “curry combing” my horse. Y’all city folk might have to google that!

How is art a part of your life?

I was one of those kids that was constantly moving, creating, and learning through my soul and senses rather than just my intellect. This is still true for me, and has driven me to dedicate my life as a youth advocate and educator. Being a QTPOC artist has influenced my approach to education and parenting, and, in turn, being an educator and parent has influenced my artistic practice.

Complete the sentence: “Arts and culture have _____________”

been commodified through colonialism, falsely leading contemporary society to believe that “The Arts” is reserved for the privileged, wealthy, or simply for enrichment only. Yet, the arts have always been an integral piece of indigenous learning and cultural preservation. Learning through the arts, experiential and placed-based, connects the learner to the human experience and reminds us of the significance of culture in every aspect of life


Ashley Renfrew

Ashley is an advocate for arts integration and believes it is a tool for students to empower their own learning. With a background in both art and science, she brings knowledge of project based learning, studio habits of mind, design thinking, and classroom documentation to this new position. Last year Ashley was on the Right Brain team at Young Audiences supporting residencies, and prior to that she was a middle school science teacher. Ashley received a BS in Art Education from Penn State University and is currently working on her Master in Curriculum and Instruction at Portland State University. The last few summers Ashley has worked at OMSI teaching animation classes, weaving science and art making together for youth. You can find her in her off hours eating snacks, knitting blankets, or climbing rocks.

What do you do at RACC?                                                                     

Working as an arts integration specialist we get to spend most of our days out in our community’s schools. We are looking at a holistic approach to arts integration and helping teachers think about how arts learning strategies could be used in their classrooms on a routine basis to make the arts more accessible. We also get to connect local artists with schools to do arts integrative residencies.

What’s your go-to karaoke song?

Anything that doesn’t have words.

What’s a secret talent you have, or little-known fact about you?

My first job out of school was as a physics teacher and I really enjoy folding origami out of gum wrappers.

How is art a part of your life?

My background and true love is in functional pottery but I try and engage in some form of making every day.

Complete the sentence: “Arts and culture are  _____________”

a way to celebrate the beauty and hardship in ourselves and others.


Estela Robinson

Estela comes to RACC as the new Office Coordinator after spending 7 years at Milagro as Production Manager. Estela has a long history in the arts, even going so far as to study acting at Cornish College of the Arts.  She went on to participate in a directing program at Vassar but ultimately discovered her love for arts administration. Part of her duties at Milagro included creative engagement workshops which kept her passion for crafting at peak frenzy and hopes to similarly infect her friends at RACC with her zeal for it.

What do you do at RACC?                                                                     

As the Office Coordinator, I’m the first face you see upon entering RACC’s offices. I greet guests and answer questions the public may have about the organization, as well as offer general support for staff in all departments.

What’s your go-to karaoke song?

I have never done karaoke.

What’s a secret talent you have, or little-known fact about you?

I have never done karaoke.

How is art a part of your life?

I love crafting. I love supporting creativity however I can.

Complete the sentence: “Arts and culture are  _____________”

So fun and enriching


Ian Sterry

Ian has worked for many years as a science communicator and STEM educator and loves exploring the world through science. He has traveled all across Oregon and the Pacific Northwest sharing science and engaging communities. However after 10+ years on the road he decided a change was needed. Ian is now excited to be serving his other love, the arts!

He is a New Jersey native but after living in the PNW since age 8 he considers Oregon his home. Ian grew up in a family full of performers, signers, poets, writers and musicians. Between his family life and being a self-described “band geek” in high school  Ian feels blessed to have been raised and educated with the arts front and center in his life. They have brought him much joy, insight and inspiration and he believes everyone deserves the same!

When not at work you can find him exploring our amazing state via cycling, hiking and backpacking, out at live music events dancing and celebrating or curled up at home lost in a science fiction novel.

What do you do at RACC?

As the Workplace Giving Associate I support RACC’s fundraising efforts within local workplaces, represent RACC at public and private events, help inform our advocacy efforts in the community and steward relationships with donors through in person and online engagement.

What’s your go-to karaoke song?

Everybody Wants to Rule the World-Tears for Fears or 50 Way to Leave Your Lover-Paul Simon.

What’s a secret talent you have, or little-known fact about you?

I still have my wisdom teeth but they haven’t made me smarter, yet….

How is art (in whatever form it takes) a part of your life?

I grew up in a family where music, poetry, storytelling and performance were part of daily life. It continues to be so for me through a ravenous appetite for music and literature. I also dabble with percussion as a self-taught amateur drummer.

Complete the sentence: ““Arts and culture is ________”

Everywhere and for everyone!

 

Get to know the other RACC staff and board by visiting our staff page


Executive Director Search Update for September 24, 2018

From September 10-21, three finalists for RACC’s Executive Director position (all from out of town) visited Portland. Each candidate spent two days meeting with the search committee, RACC staff, board members, and elected officials. In addition, each finalist participated in two 90-min community salons, allowing for in-depth conversations and discussions with approximately 20 community representatives. All three candidates requested confidentiality unless and until they are offered the position, so all community members who participated in the process were asked to sign confidentiality agreements. Commissioner Eudaly and Commissioner Fish met with each candidate individually as well.

Everyone who participated in the process was asked to complete a confidential survey assessing the strengths of each candidate, and participants who met all three candidates will also be given an opportunity to rank the candidates this week. All of this feedback will be factored into the search committee’s deliberations when they meet the week of October 1-5, and the search committee will present its recommendation to the RACC board shortly thereafter.

Throughout this process, we have been grateful for the many hours contributed by our search committee members; for the community’s strong interest in the position; for their participation in our extended process; and for the exciting conversations we’ve been having with our community and our candidates themselves.

We look forward to updating Portland City Council and the community when RACC presents its State of the Arts report on October 11 at Portland City Hall. In the meantime, we continue to welcome your comments and questions regarding the search. Please contact EDsearch@racc.org.


Essex Park Gets New ‘Mindfulness’ Mural

If you’re around the Foster Powell Neighborhood in Portland, you may have caught a new mural going up at Essex Park on SE 76th and Center St. during the weekend of September 22 and 23. Artist team Rather Severe (Travis Czekalski and Jon Stommel) is heading the mural painting, with design and painting help provided by the Foster Powell Neighborhood Association and Marysville School students.

After some public safety issues in the past, neighbors of Essex Park came together to find ways to “re-establish positive and uplifting energy and encourage more positive and healthy interactions between community members who use the park space”. They started a GoFundMe campaign earlier this year, reaching their original goal, and later received matching funds from RACC to support the project.

Rather Severe artist standing in front of the side of the public restroom building. The wall has been primed and shapes are laid out for painting.

Mural in progress. Photo courtesy of Essex Park Mindful Mural Project

While the original plan was for the mural to be painted on one wall of the public restroom building, the financial success of the campaign meant enough funds were available to paint all four walls. The design consists of a vibrant Sun on the front facing wall, Moon on the back wall, and imaginative landscapes with characters in between. The landscape design elements move consistently in a clockwise, upward spiraling motion, symbolizing growth, movement, and uplifting energy. The characters in the mural aim to communicate and encourage the idea of mindfulness, the practice of meditative drawing, feelings of interconnection, and the concept of an ever present and infinite ‘now’.

For those interested in the progress and status of the mural, you can follow the project Facebook page. You can see the mural-in-progress or the finished design by next week at Essex Park (7730 SE Center St, Portland, OR 97206)

Learn about other public art projects happening around town or RACC’s Public Art program here


2018-19 RACC Project Grants (Cycle 1)

RACC’s Project Grant Program provides financial support to individual artists and not-for-profit organizations in Multnomah, Washington and Clackamas Counties, for project based arts programming. Grants are awarded up to $7,000 and are available in three categories: Artistic Focus, Arts Equity & Access, and Arts Services.  The following 52 Project Grants were approved on September 17, 2018 and total $295,030.

For more detailed descriptions of each project, please see this PDF listing.

 

2018-19 Project Grant awards (Cycle 1):

Applicant Project Type Discipline Award
Algoso, Luann Artistic Focus Media Arts $6,640
Barrera, Claire Artistic Focus Dance/Movement $6,510
Clark, Merideth Artistic Focus Theatre $5,780
Clarren, Rebecca Artistic Focus Literature $5,410
Collins, Max Arts Equity & Access Multi-Discipline $4,300
Dahl, Dicky Artistic Focus Media Arts $5,880
de Bastion, Myles Artistic Focus Multi-Discipline $5,950
Desautels, Jeffrey Artistic Focus Theatre $2,080
Doran, Sean Artistic Focus Theatre $5,610
Egan, Catherine Artistic Focus Dance/Movement $2,490
Ewell, Derek Artistic Focus Media Arts $6,640
Gooden, Justus Tyrone Arts Equity & Access Multi-Discipline $6,650
Hamilton, Jo Artistic Focus Visual Arts $6,520
Hankins, Allie Artistic Focus Multi-Discipline $5,470
Hearn, Dot Arts Services Theatre $7,000
Hough, Kurtis Artistic Focus Media Arts $5,870
Jones Redstone, Dawn Artistic Focus Media Arts $6,990
Koff, David Arts Equity & Access Multi-Discipline $2,780
Kolosowsky, Natalya Artistic Focus Multi-Discipline $6,780
Kuttab, Amy Artistic Focus Visual Arts $5,410
Maylisa Cat, May Artistic Focus Media Arts $3,750
Miles, Rhen Artistic Focus Dance/Movement $5,360
Moulton, Suzanne Artistic Focus Media Arts $6,300
Nakano, Ryan Artistic Focus Literature $6,300
Ng, Xi Jie Arts Equity & Access Social Practice $4,420
Ngo, Aja Arts Equity & Access Multi-Discipline $5,370
Shambry, Vin Artistic Focus Theatre $5,850
Tran, Minh Artistic Focus Dance/Movement $7,000
Vazquez Gomez, Patricia Artistic Focus Visual Arts $6,500
Vigeant, Leslie Artistic Focus Visual Arts $2,210
Vo, Anna Artistic Focus Literature $6,650
Yamamoto, Takahiro Artistic Focus Visual Arts $5,850
45th Parallel Artistic Focus Music $5,000
Bienestar Artistic Focus Multi-Discipline $5,950
Corrib Theatre Artistic Focus Theatre $7,000
Couch Film Collective Arts Equity & Access Media Arts $3,390
Edwards Center, Inc. Arts Equity & Access Visual Arts $5,950
Experience Theatre Project Artistic Focus Theatre $3,400
Heidi Duckler Dance Theatre/Northwest Artistic Focus Multi-Discipline $5,910
JANE a theater company Artistic Focus Theatre $5,950
Live On Stage Artistic Focus Theatre $6,950
New Expressive Works Artistic Focus Dance/Movement $6,300
Opera Theater of Oregon Artistic Focus Music $5,950
Outside the Frame Arts Equity & Access Media Arts $7,000
PCC Sylvania Artistic Focus Social Practice $6,900
Performance Works NorthWest Artistic Focus Dance/Movement $5,840
PETE (Portland Experimental Theatre Ensemble) Artistic Focus Theatre $5,950
Portland Community Reinvestment Initiatives, Inc. (PCRI) Arts Equity & Access Multi-Discipline $5,950
Public Annex Arts Equity & Access Visual Arts $6,500
Resonance Ensemble Artistic Focus Music $6,350
Street Roots Arts Equity & Access Multi-Discipline $6,650
World Stage Theatre Arts Equity & Access Multi-Discipline $5,820

 


Meet the artists showcasing their work for 2018-19 Night Lights!

Night Lights, RACC’s outdoor public art event series, is back for five months with local artists/collectives projecting their digital media works onto RACC’s building for several hours starting at dusk. Now in its fourth year, Night Lights is a unique event series that celebrates and highlights the intersections of digital technology, art, and place.

Laura Medina, the first artist to kick off Night Lights on October 4th this year, will be presenting work that bodies the exact intersections Night Lights aims to celebrate. Medina’s projected work, titled Flying, will use different animation methods to convey movement and change of setting to discuss migration as a human right. The location of the projection, as Medina notes, is across the street from Pacific Northwest College of Art (PNCA), formerly a US Citizenship and Immigration Services and US Immigration and Customs Enforcement building. For Medina, we cannot ignore the proximity of the projection to what used to be a distinctly hostile environment, and re-contextualizing this space into an environment that fosters and nourishes acts of solidarity is key.

Following Medina, Roesing Ape and Beth Whelan will show their work on November 1st. Titled Windows 11, their work involves a minimalist dance piece inside an architectural projection of the building itself. This interactive piece will use both prerecorded and live dance.

All works will take place at the north wall of the Regional Arts & Culture Council office at 411 NW Park Ave, Portland OR (on the corner of NW Glisan St and NW Park Ave). The schedule of events for Night Lights is as follows:

Still image from Laura Medina's work, Flying.

Still image from Laura Medina’s work, Flying.

October 4, 6:45pm
Laura Medina
Flying

November 1, 6pm
Roesing Ape and Beth Whelan
Windows 11

December 6, 5pm
Roland Dahwen and Stephanie Adams-Santos
Three Moons/Tres Lunas/3つの月

February 7, 5:30pm
Megan McKissack
Untitled

March 7, 6pm
Midnight Variety Hour
Night Lights Edition

—-

Night Lights is a monthly public art event that celebrates the intersection of digital technology, art, and place. Happening outdoors on the First Thursdays of fall and winter months, this multimedia art series presents local artists’ new works, combining large-scale video projection with other art forms such as movement and sound. Works are projected for several hours starting at dusk on the north wall of Regional Arts and Culture Council’s office at 411 NW Park Ave, Portland, OR.

Laura Camila Medina is an interdisciplinary artist born in Bogota, Colombia and raised in Orlando, Florida. She bases her practice around uprooting and migration as a response to personal, cultural, and historical research. Medina is constantly inspired by her memories of home, her mother’s arepas, and her father’s soundtracks. Her work has shown at the Center for Contemporary Art & Culture, PLANETA New York, and through the Nat Turner Project. She earned a BFA from the Pacific Northwest College of Art and is currently based in Portland, OR.

Beth Whelan is a movement based artist with training in modern, ballet, improvisation, and choreography. Her work is based upon creating shapes within the body that fluidly disperse and rearrange in synchronicity with the breath. 

Roesing Ape is a multidisciplinary artist with a focus on the deconstruction of cognitive frameworks in sound, language, and sight. This results in a mostly unmarketable catalog of site specific video, improvised soundscapes, and nonlinear performance pieces.


Response: Jo Ann Hardesty

For the spring 2018 primary election, RACC distributed a questionnaire to all candidates running for Portland City Council; Clackamas, Multnomah and Washington County Boards of Commissioners; and Metro Council. Each candidate was asked five questions on March 13 or 14, and given the opportunity to respond by March 30 when this story was first published.

Here are the responses provided by Jo Ann Hardesty, running for Portland City Council, position 3. All responses are reprinted verbatim.

 


 

RACC: In what specific ways have you supported arts and culture in Portland?

JAH: As chair of the Community Grants Committee for the East Portland Action plan I have advocated for funding support for:

  1. Portland Slavic Festival, 2015, 2016, 2017
  2. JAM Multicultural Festival, hosted by APANO Aug 2017
  3. Jim Pepper Festival 2015, 2016, 2017

Additionally, I am a 12+ year volunteer at the Waterfront Blues Festival, volunteering with KBOO on behalf of the Oregon Food Bank). This past year, as the beneficiary of the event changed I felt obliged to not participate.

On a more personal note, in a past life I was married to a local jazz musician, which exposed me to our local music scene. What struck me most during this time was how incredibly under appreciated world renowned artists were that lived here.  I’m proud that i had the pleasure to know Leroy Vinegar (Bassist), Janice Scroggins (pianist), Linda Hornbuckle (vocalist) who unfortunately have all passed. I’m a huge fan of live music and for fun make it a point to check out old friends like Nancy King, Norman Sylvester, Mel Brown and other local musicians.  In addition I have been a season seat holder at Portland Center Stage and attended the Montavilla Jazz Festival this year and was ask to provide a few words of welcome, which was an honor.

Because of these experiences, I support my friends on the PDX Jazz board who are working to make blues and jazz available to young children/students to pass on this important legacy so it doesn’t die with current musicians.  As President of the NAACP, I worked in coalition with our members and leaders to help create a Black Legacy Project event that highlighted and featured their creations for sale. We also provided awards to several artists in recognition of the challenges faced by artists in Portland such as high rent, dislocation, lack of visibility and marketing assistance.

 

RACC: Artists and arts organizations add measurable value to our region’s economy, our education system and our quality of life. Yet there are a number of pressing needs in Portland that often compete with arts and culture for attention and investment.  How would YOU describe the importance of arts and culture in our community, and what should Portland be doing to support this sector?

JAH: Artists and arts organizations are vital to a world class city.  Currently we spend 54% of flexible funding on policing services. I believe you know a lot about a city in how they spend discretionary funding.  There is an enormous inequity in how we invest in cultural programs. For example, the Rose Festival has a building on the waterfront for $1 a year yet most arts organizations led by people of color have to put on multi-day cultural festivals on with no assistance from the City of Portland.  I look forward to working with Commissioner Eudaly to ensure we are equitably investing in artists and arts organizations that represent the mosaic of talent in Portland.

 

RACC: The region’s affordability is a serious concern for everyone in our community. What are your plans for making housing and creative spaces more affordable for artists, nonprofit arts organizations and arts-related businesses?

Arts organizations, artists, and small business owners all are facing the repercussions of gentrification.  We must ensure we maintain affordable artist space and expand access throughout the city. We also need to work to ensure that those spaces remain affordable for the long term. I will work with my colleagues to ensure we don’t miss the opportunity to address this need as a priority along with housing.

 

RACC: The city’s Arts Tax is disliked by some, while 62% of voters approved it. Thanks to the Arts Tax, every K-5 student in the City of Portland now as an art, music or dance teacher, and dozens of nonprofit arts organizations are expanding access to the arts by providing free and low-cost arts experiences for Portland residents. What changes to the Arts Tax, if any, would you want Portland City Council to consider?

JAH: I’m very concern that some retires are exempt from paying this tax while persons with income at $10,000 are forced to pay this tax.  There are many low-income community members who are experiencing this regressive tax at a time they are challenged with keeping a roof over their head.  We must change state law to allow us to tax those who can most afford it. Having said that i look forward to auditing this process to ensure that those least able to pay for arts education are in fact the true beneficiaries of the funding.

 

RACC: What are some of your other priorities for the City of Portland that would be of interest to artists, arts organizations and arts educators in our community?

I believe in intersectionality and know that the artistic community, in addition to specific concerns, are also concerns with broad issues impacting our society at large. What I hear most often talking to community members, is fear of being priced out of the neighborhoods people are currently connected to and believe our housing crisis does touch all of us. Additionally, I am very motivated to help address climate change through the Portland Clean Energy Fund as well as ensuring our democracy by bringing campaign finance reform to the city with the implementation of campaign finance reforms hopefully approved by the voters this Fall.

Lastly, I am very interested in learning more from you on how you think the City Council can assist arts organizations and artists more effectively.  I need to hear directly from you, what is working, what are the challenges of your community and what solutions to you believe would address the issues most important to you.

 


Chloe Eudaly tapped to be Portland’s new Arts Commissioner

Portland Mayor Ted Wheeler has shuffled some of the City of Portland’s bureau and liaison assignments, and on September 4 Commissioner Chloe Eudaly will become the RACC liaison and arts commissioner.

A strong advocate for culture and creativity, Commissioner Eudaly is no stranger to the arts. She has owned and operated an independent bookstore featuring dozens of emerging and established authors, zinesters, comic book creators and printmakers; and she received a RACC professional development grant in 1997 to attend the 4th annual Alternative Press Expo in San Jose. She also helped establish the Independent Publishing Resource Center and has supported numerous arts nonprofits over the years, including co-chairing RACC’s Battle of the Bands fundraiser in 2017. Earlier this year, Commissioner Eudaly worked closely with Commissioner Fish on the City’s Arts Affordability Plan, which was adopted by City Council in February.

Commissioner Eudaly’s policy advisor for arts and culture issues is Pollyanne Faith Birge, known to many in the arts community because of role with former Portland Mayor Sam Adams. In that role, Pollyanne conceived and launched Art Spark as a networking opportunity for local artists (since adopted by RACC), and was instrumental in the development of Act for Art, a creative action plan for the Portland metro region published in 2009. While in Commissioner Eudaly’s office, Pollyanne has supported a number of RACC initiatives including the RACC executive director search committee.  She can be reached at 503.823.3056 or by email at pollyanne.birge@portlandoregon.gov.

RACC is very much looking forward to working with Commissioner Eudaly and her talented staff. We are grateful for the past and continued support of Commissioner Nick Fish, who will take on a new assignment with Portland Parks and Recreation, opening up new opportunities to explore the powerful and unique intersection of arts and parks. Asena Lawrence remains Commissioner Fish’s policy advisor on arts and culture issues.

 

Photo of Chloe Eudaly at Battle of the Bands, by Erica Ann Photography.